Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father
Judgment
Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.
Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.
Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.
Liu:The Creative brings great success, benefiting all through perseverance.
Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]
Shaughnessy:The Key: Primary reception; beneficial to determine.
Cleary(1):Heavencreates, develops, brings about fruition and consummation.
Cleary(1): The creative is successful; this is beneficial if correct.
Wu:The Originator is primordial, pervasive, prosperous and persevering.
The Image
Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.
Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.
Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.
Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.
Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.
Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.
Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.
COMMENTARY
Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.
Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.
The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.
NOTES AND PARAPHRASES
Judgment:The Dynamic is the life force itself.
The Superior Man tirelessly furthers the Great Work of Transformation.
The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:
In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.
This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.
Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.
When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."
The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."
In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.
There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit. F. Hartmann -- Paracelsus: Life and Prophecies
SUGGESTIONS FOR MEDITATION
To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:
1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.
2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.
3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.
Line 1
Legge: In the first line, dynamic, we see its subject as the dragon lying hid in the deep. It is not the time for active doing.
Wilhelm/Baynes: Hidden dragon. Do not act.
Blofeld: The concealed dragon refrains from action.
Liu: The hibernating dragon does not act.
Ritsema/Karcher: Immersed dragon, no availing-of.
Shaughnessy: Submersed dragon; do not use.
Cleary(1): Hidden dragon: Do not use it.
Cleary(2): The hidden dragon is not to be employed.
Wu: The dragon lying submerged is not to be used.
COMMENTARY
Confucius/Legge: This appears from the dynamic and undivided line being in the lowest place. Wilhelm/Baynes: For the light-giving force is still below. Blofeld: The life- sustaining force is still submerged. Ritsema/ Karcher: Yang located below indeed. Wu: Because the yang is in the lowest position.
The Master said:"There he is, with the powers of the dragon, and yet lying hid. The world cannot influence him, for he does not pander to its approval. He lives withdrawn from the world without regret, and its disapproval doesn’t bother him. He rejoices in this opportunity to further his work, but if circumstances do not favor this he can as easily retire. He cannot be separated from the source of his being. This is the dragon lying hid."
Miscellaneous notes: The position is too low. The dynamic power is stored up and hidden. This is the originating power which is the source of life and growth. The actions of the superior man demonstrate his virtue every day, but when concealment is required he restrains the full expression of his work and takes no action.
Legge: The dragon can be the symbol of the superior man, or the great man -- the sage on the throne.
NOTES AND PARAPHRASES
Siu: At the outset, the man is unknown, like a dragon lying hidden. The occasion is not yet ripe for his appearance. He is not moved by public opinion and the desire for fame. He bides his time in self-confidence and silence.
Wing: The time is not ripe for action. You have all the Creative Power that you need to achieve your aim, but you must wait for the opportune moment. If necessary, you may direct activities from behind the scenes.
Editor: The image suggests the dragon in its cave. The forces of the unconscious psyche are hidden from conscious awareness and constitute a potential threat. To take action under such circumstances would at the very least be to risk an unpleasant or unmanageable confrontation with a superior force. Since this is the bottom line of the hexagram, the image reminds us of the serpent power, or Kundalini, lying coiled and asleep at the base of the spine. Those who have experienced the premature and uncontrolled release of this force have attested to its extremely negative qualities -- both physical pain and acute psychological stress are commonly described. If this is the only changing line, the hexagram becomes number forty-four,Temptation, the corresponding line of which reads in part: "...If she moves in any direction, evil will appear." This reinforces the idea of taking no action whatsoever under the prevailing conditions, despite your possible temptation to do so.
The unconscious is not a demoniacal monster, but a natural entity which, as far as moral sense, aesthetic taste, and intellectual judgment go, is completely neutral. It only becomes dangerous when our conscious attitude to it is hopelessly wrong. To the degree that we repress it, its danger increases. Jung -- The Practice of Psychotherapy
A. There are concealed forces in the situation. Take no action when you are unaware of the hidden consequences.
B. Energy is gathering in the unconscious psyche. Leave it alone -- it will express itself when the time is ripe.
Line 4
Legge: In the fourth dynamic line we see its subject as the dragon looking as if he were leaping up, but still in the deep. There will be no mistake.
Wilhelm/Baynes: Wavering flight over the depths. No blame.
Blofeld: Leaping about on the brink of a chasm, he is not at fault.
Liu: The dragon leaps from the abyss. No blame.
Ritsema/Karcher: Maybe capering located-in the abyss. Without fault.
Shaughnessy: And now jumping in the depths; there is no trouble.
Cleary(1): Sometimes leaping, or in the abyss: no error.
Cleary(2): One may leap in the abyss. No error.
Wu: The dragon may leap out of the abyss. There will be no blame.
COMMENTARY
Confucius/Legge: He seems to be leaping up, but is still in the deep. If he advances there will be no error. Wilhelm/Baynes: Advance is not a mistake. Blofeld: For him to advance would involve no fault. Ritsema/Karcher: Advancing without fault indeed. Wu: It is blameless to proceed.
The Master said:"Without a permanent home either above or below, the superior man yet commits no error. He advances or retreats as circumstances require and conforms to the law of his nature. The superior man, devoted to his work and the evolution of his virtue, advances only at the proper time, and therefore avoids mistakes."
Miscellaneous notes: He tests himself. A change is in process. The power is not central: neither in Heaven above, nor in the field beneath, nor in the human realm between them. Because he is perplexed and anxious about his choices he will incur no blame.
Legge: Both the third and fourth lines of any hexagram belong to man, and are intermediate between those of Heaven above and those of Earth beneath. K'ung Ying-ta, to explain the difficulty in what is said on this fourth line, says that man is actually nearer to Earth than to Heaven, and is aptly represented therefore by the third line and not by the fourth. In any event, the subject of this fourth line will move very cautiously, and so escape blame.
NOTES AND PARAPHRASES
Siu: After a while the man is confronted with a choice for public service in world affairs or solitude in further personal development. Either is appropriate if pursued in virtue and at the proper time.
Wing: A time of choice is at hand. Because of amplification in your Creative Power you must decide whether to enter the public eye and serve society, or whether to withdraw and work on your inner development. Follow your deepest intuition and you will not make a mistake.
Editor: The fourth line bears a certain similarity to the third: as the lowest line of the upper trigram, it is also in a threshold position of transition. Although hesitation and uncertainty are implied, one is counseled to take action when it is appropriate to do so. This implies that you are on the right track, but that certain self-confidence is required. The line can sometimes just portray a confused situation.
Every advance in culture is, psychologically, an extension of consciousness, a coming to consciousness that can take place only through discrimination. Therefore an advance always begins with individuation, that is to say with the individual, conscious of his isolation, cutting a new path through hitherto untrodden territory. To do this he must first return to the fundamental facts of his own being, irrespective of all authority and tradition, and allow himself to become conscious of his distinctiveness. Jung -- The Structure and Dynamics of the Psyche
A. Keep trying.
B. The will is being tested through a transitional period. The power for advancement depends upon the self- confidence that comes with knowing you have made a correct choice.
C. To stay on top of a changing situation, keep the faith and play it by ear.
Line 5
Legge: The fifth dynamic line shows its subject as the dragon on the wing in the sky. It will be advantageous to meet with the great man.
Wilhelm/Baynes: Flying dragon in the heavens. It furthers one to see the great man.
Blofeld: The dragon wings across the sky; it is advantageous to visit a great man.
Liu: The dragon flies in the heavens. There is benefit in meeting a great man.
Ritsema/Karcher: Flying dragon located-in heaven. Harvesting: visualizing Great People.
Shaughnessy: Flying dragon in the heavens; beneficial to see the great man.
Cleary(1): The flying dragon is in the sky: it is beneficial to see a great person.
Cleary(2): … Beneficial to see great people.
Wu: The flying dragon is in the sky. It will be advantageous to see the great man.
COMMENTARY
Confucius/Legge: The great man rouses himself to his work. Wilhelm/ Baynes: This shows the great man at work. Blofeld: This passage presages the emergence of a being who is truly great. Ritsema/Karcher: Great People creating indeed. Wu: This signifies success of the great man.
The Master said:"Notes of the same key vibrate in harmony, birds of a feather flock together. Water descends and fire ascends. Clouds follow the dragon, and the winds follow the tiger. When the sage appears, all men look up to him. Heavenly things ascend, earthly things descend -- so does everything follow its kind."
Miscellaneous notes: The subject of the line commands from above. This shows that his position is based upon heavenly virtue. The attributes of the great man are in harmony with Heaven and Earth: his intelligence is like the sun and moon; his procedures are like the four seasons, and his equilibrium
resonates with the powers of the inner worlds. If he precedes Heaven, Heaven will not oppose him; if he follows Heaven, he will follow its laws. If Heaven does not oppose, how much less will men or spiritual forces!
Legge: The fifth is almost always the place of honor and authority in the hexagram, and here the great man is seen as the sage on the throne. The argument is that as things of the same kind respond to and seek one another, so is it with the sage and ordinary men. They are of the same kind, though far apart; and when a sage appears, all other men look to him with admiration and hope. Ch'eng-tzu says here that "Heaven and Earth are another name for Tao, and that because the sage is in harmony with the Tao or practical reason of the universe, how could men or spirits be contrary to him?"
NOTES AND PARAPHRASES
Siu: In due time, the man makes his appearance and sets about his work, like the dragon on wing in the heavens. His beneficent influence spreads over the world.
Wing: Whatever you choose to do is in accord with the cosmos. Your thinking is clearheaded. Because of this your influence is great and your milieu will look to you for inspiration.
Editor: Whatever the specific meaning of this line may be in regard to the situation at hand, it is a very powerful omen. If this is the only changing line, the new hexagram created is number fourteen, Wealth. The alchemists regarded the winged dragon as the "volatile element," which is exactly what is pictured here. Wings enable entities to travel in the element of air: the mental realm of thought. The image suggests the life force breaking free into a higher plane -- this could refer to anything from the invention of a better mousetrap to the attainment of an enlightened state of awareness. One is cautioned however, not to get carried away with this sudden release of power -- it is always advantageous to meet with the "great man" -- that is, stay connected to the best that is in you lest you ascend to the condition imaged in line six. That the great man "rouses himself to his work" suggests that an open and decorous handling of one's power is in accordance with the intent of the Self from which it emanates.
The hero's main feat is to overcome the monster of darkness: it is the long hoped-for and expected triumph of consciousness over the unconscious. The coming of consciousness was probably the most tremendous experience of primeval times, for with it a world came into being whose existence no one expected before. "And God said, Let there be light'" is the projection of that immemorial experience of the separation of consciousness from the unconscious. Jung -- The Archetypes and the Collective Unconscious
A. Incredible energy is being released within the psyche. Maintain your connection with your best intuition.
B. You are in harmony with your Tao.
C. You have all the power you need to achieve your goal.
Other titles: Work On What Has Been Spoiled, The Symbol of Destruction, Decay, Arresting of Decay, Work after Spoiling, Fixing, Rectifying, Corrupting, Branch, Degeneration, Misdeeds "Can refer to heredity and psychological traits.” -- D. F. Hook
Judgment
Legge: Successful progress is indicated for those who properly repair what has been spoiled. It is advantageous to cross the great stream. One should consider carefully the events three days before the turning point and the tasks remaining for three days afterward.
Wilhelm/Baynes:Work On What Has Been Spoiled has supreme success. It furthers one to cross the great water. Before the starting point, three days. After the starting point, three days.
Blofeld:Decay augurs sublime success and the advantage of crossing the great river (or sea). [I.e. of going on a journey or of going forward with one's plans.] What has happened once will surely happen again (literally, "three days before the commencement; three days after the commencement"). [It would have been hard to make sense of these words, were it not that the Confucian Commentary on the Text clearly explains them; hence the liberty I have taken with the Text.]
Liu: Work after spoiling. Great success. It is of benefit to cross the great water. Before starting, three days. After starting, three days. [This hexagram implies that, although conditions are bad now, improvement can be expected.]
Ritsema/Karcher: Corrupting, Spring Growing. Harvesting: wading the Great River. Before seedburst three days, after seedburst three days. [This hexagram describes your situation in terms of disorder, perversion and putrefaction. It emphasizes that letting things rot away so they become obsolete is the adequate way to handle it...]
Shaughnessy: Branch: Prime auspiciousness; receipt. Beneficial to ford the great river; preceding jia by three days, following jia by three days.
Cleary (1): Correcting degeneration is greatly developmental. It is beneficial to cross great rivers. Three days before the start, three days after the start. [The way to correct degeneracy is not in empty tranquility without action; it is necessary to work in the midst of great danger and difficulty, to act in the dragon’s pool and the tiger’s lair. Only then can one restore one’s original being, cultivating it into something indestructible.]
Cleary (2): From degeneration comes great development, etc.
Wu: Misdeeds is great and pervasive. It will be advantageous to cross the big river. It would be advisable to begin an undertaking three days before Jia and examine the ongoing progress three days thereafter.
The Image
Legge: The image of wind below the mountain forms Repair. The superior man, in accordance with this, stimulates the virtue of the people.
Wilhelm/Baynes: The wind blows low on the mountain: the image of Decay. Thus the superior man stirs up the people and strengthens their spirit.
Blofeld: This hexagram symbolizes wind blowing at the foot of a mountain. The Superior Man, by stimulating people's hearts, nourishes their virtue.
Liu: Wind blowing around the foot of the mountain symbolizes Work after Spoiling. The superior man encourages people to cultivate virtue.
Ritsema/Karcher: Below mountain possessing wind. Corrupting. A chun tzu uses rousing the commoners to nurture actualizing-tao. [Actualize-tao: ...ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): There is wind in the mountains; degeneration. Thus superior people rouse the people and nurture virtue.
Cleary (2): … Leaders thus arouse the people to nurture virtue.
Wu: There is wind at the foot of the mountain; this is Misdeeds. Thus the jun zi arouses the people and nurtures his own virtue.
COMMENTARY
Confucius/Legge: The dynamic trigram is above, and the magnetic trigram is below. Pliancy is below, and Stopping above: these suggest troubled conditions verging on ruin. But Repair brings order to all under heaven, and he who advances will encounter the business to be done. The end of confusion is the beginning of order; such is the procedure of heaven.
Legge: Repair means the performance of painful but necessary duties. It shows a situation in which things are going to ruin, as if through poison or venomous worms. In order to justify the auspice of progress and success, the duty of the figure is to rectify this and restore conditions to health. This will require a major effort, such as crossing the great stream, and the careful differentiation of the causes of the problem, as well as the measures taken to fix it. The attribute of the lower trigram is Pliancy, and the upper represents Stoppage or Arrest. Hence, the feeble pliancy of decadence is stopped cold by the immovable mountain. The three days before and after the turning point symbolize the careful attention and differentiation necessary for any rectification to succeed.
On the Image, Ch'eng-tzu says: "When the wind encounters the mountain, it is driven back, and the things about are all scattered in disorder; such is the emblem of the state denoted by Repair." The nourishing of virtue appears especially in line six -- all the other lines belong to the helping of the people.
NOTES AND PARAPHRASES
Judgment:Repair means to set your house in order. Analyze your choices before the renovation and evaluate their consequences afterward.
The Superior Man orders his thoughts and feelings, reforms old attitudes, and strengthens his will. (Psychologically, to "stimulate the virtue of the people" (Legge) is to rectify the components of a complex.)
To imagine any truly objective state of perception we must include all that exists: the entire cosmos. Each differentiation of this, from atom to galaxy, is one slice out of an infinite whole. As a portion of the entirety, we are always linked with our ancestors in an infinite web of relationships which includes our family history, our racial-cultural-historical heritage and Homo sapiens as a species. Though seldom aware of them, it is useful to remember these links. Emanating from an unfathomable complexity, their karmically-charged morphogenetic fields are constantly shaping our lives. It follows that, although we perceive ourselves as separate from our ancestors, the separation is a subjective experience which is true only in a temporally limited sense.
Every line of Repair, except two and six, shows a son dealing with the troubles caused by his father. This reminds us of the biblical curse:
For I the Lord thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me. Exodus 20: 5
The father archetype has a wide range of meanings: this extends from the Primal Spirit ("God the Father"), to a prior cause or intent in the psyche which has engendered a present condition. Psychologically interpreted, it is this latter reading which usually applies. If a "father" symbolizes the cause, then a "son" is the effect. If the effect is imperfect, then to rectify it is also to rectify the original intent.
To a large extent our lives consist of well-intentioned but misguided choices which create less than perfect consequences. To modify our attitude or behavior so that it corrects errors in our original intent is to "deal with the troubles caused by the father."
For example: In a misconceived expression of affection, a parent allows his child unrestricted access to candy. As a consequence of this choice, the kid's teeth become rotten, and the only logical way to correct the original error is to now curtail his intake of sugar. The fact that this new choice will create stress in the relationship between parent and child is just a consequence of the original choice and has no bearing at all on what is correct in the situation.
In some situations this hexagram may be interpreted as a response to a karmic chain of cause and effect:
To harmonize with the Wisdom Teachings, the scripture should read that the karma of the "father" is visited upon the "child" unto the fourth incarnation, not generation. The mistakes you made in the last four incarnations may be visited upon you in the form of karma flowing out of the heart seed atom in the present incarnation. Thus what you "fathered," or created, in your last incarnation may be the source ("parent") of your karma today. You are a child of that parent today. You have inherited from that parent -- the you of the past, not your physical parents -- all of your characteristics, weaknesses and strengths. Earlyne Chaney -- The Mystery of Death and Dying
The interpretation of any oracle response can only be as profound as our minds are prepared to accept. As moderns we find it difficult to empathize with "ancestor worship," yet properly understood, it can provide useful insights into the Work. In the unconscious realm all time is immediate, not sequential, and the Objective Psyche consists of a non- temporal web of forces shading from personal to universal. This means that if we have a complex engendered in us by our father, for example, we can reasonably assume that he was passing on what he received from his own parents. In this way, the unresolved complexes of the ancestors shape our own personalities: they live in and through us right now, even if they had their birth in forefathers long forgotten. This is a kind of near-immortality: individuals may die, but beliefs, attitudes, complexes live as long as they have receptive vessels to inhabit. (This is probably the engine of karma.) To the extent that an ancestral chain of causality still motivates our choices, we are totally responsible for "setting right what has been spoiled by the father."
SUGGESTIONS FOR MEDITATION
Most people have some level of unfinished business with their parents: psychologists would have little to do if this weren't true. It can be a healing ritual to set up an altar to a deceased parent and meditate there on the stresses that still remain between you. To approach the situation without judgment, to realize (non-logically) that forces pre-existing you provoked the condition as much as your parent did, will elicit much insight. Be especially aware of the presence of the past and the illusion of linear time. (Is it possible somehow to be your own great-grandfather?) Ancestor “worship” of this sort can be profoundly therapeutic.