Wiki I Ching

Enthusiasm 16.1.2.3.5.6 1 The Creative

Harness the power of inspired energy to ignite your limitless potential.

From
16
Enthusiasm
To
1
The Creative

Being spotted unknowingly
One does not think that they have been seen.
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Enthusiasm 16
Inspiration fuels energy; align enthusiasm with purpose to move forward effectively.


Line 1
Premature action or expression of enthusiasm can lead to problems.
It is wise to wait for the right moment.


Line 2
Steadfastness and patience are required.
By holding firm, success will come in due time.


Line 3
Overreaching or hesitating can lead to regret.
It is important to find a balance and act with confidence.


Line 5
Despite challenges and difficulties, perseverance will lead to survival and eventual success.


Line 6
Misguided enthusiasm can lead to mistakes, but recognizing and correcting them will prevent blame.


The Creative 1
Pure potential.
Creative energy.
Initiate bold actions.



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Original Readings

16
Enthusiasm


Other titles: The Symbol of Harmonious Joy, Repose, Happiness, Providing-for/Provision, Excess, Merriment, Self-confidence, Contentment, Harmonize, Excitement, Intemperance, Self-deception "Repose in the absolute confidence that the action now being taken is right. Also refers to music." -- D.F. Hook

 

Judgment

Legge: Enthusiasm indicates that feudal princes may be set up and the army advantageously mobilized.

Wilhelm/Baynes:Enthusiasm. It furthers one to install helpers and to set armies marching.

Blofeld:Repose profits those engaged in building up the country and sending forth armies. [This means that perfect certainty as to the rightness of our cause is of great value under the conditions mentioned. The usual meaning of this character is "beforehand" or "happiness." In the English translation of Wilhelm's version, it appears as "enthusiasm." "Repose" was suggested by the Chinese experts who kindly vetted this manuscript. At first I felt hesitant about adopting it, until I realized that, where it is used favorably, it must be understood as the kind of mental repose which follows absolute confidence that the action now being taken is the right one. In lines one, three and six, however, it clearly means failure to act when action is essential; in line five, failure to act owing to incapacity.]

Liu:Happiness. It is of benefit to build up the country (or business), and send the army forth. [Receivers of this hexagram should be wary of exhibiting excessive enthusiasm when beginning a new undertaking. If they are not, there will be misfortune. The hexagram also advises that everything necessary for advancement should be made ready. Then if an opportunity presents itself, it should be seized immediately, without hesitation.]

Ritsema/Karcher: Providing-for , Harvesting: installing feudatories to move legions. [This hexagram describes your situation in terms of what is needed to meet the future. It emphasizes that accumulating strength through foresight and prudence so things can be fully enjoyed is the adequate way to handle it. To be in accord with the time, you are told to: provide-for!]

Shaughnessy: Excess: Beneficial to establish a lord and to move troops.

Cleary (1):Joy. It is advantageous to set up a ruler and mobilize the army.

Wu:Merriment indicates the advantage of establishing principalities and taking military actions.

 

The Image

Legge: Thunder exploding out of the Earth -- the image of Enthusiasm. The ancient kings, in accordance with this, composed their music and honored virtue, offering it especially to God when they worshipped him at the service of their ancestors.

Wilhelm/Baynes: Thunder comes resounding out of the earth: the image of Enthusiasm. Thus the ancient kings made music in order to honor merit, and offered it with splendor to the Supreme Deity, inviting their ancestors to be present.

Blofeld: This hexagram symbolizes thunder over the earth. The ancient rulers venerated heaven's gifts with solemn music and they sacrificed abundantly to the Supreme Lord of Heaven in order to be worthy of their ancestors.

Liu: Thunder arising from the earth symbolizes Happiness. The ancient kings composed music to honor virtue, offering it to God and the spirits of their ancestors.

Ritsema/Karcher: Thunder issuing-forth-from earth impetuously. Providing-for. The Earlier Kings used arousing delight to extol actualizing-tao. Exalting worship's Supreme Above. Using equalizing the grandfather predecessors. [Actualize-tao:ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]

Cleary (1): When thunder emerges the earth stirs: Thus did the kings of yore make music to honor virtue, offering it in abundance to God, thereby to share it with their ancestors.

Wu: Thunder breaks out above the earth with a boom; this is Merriment. Thus the ancient kings used music to praise virtuous accomplishments and made grand offerings to the Supreme Being to be accompanied by their ancestors.

 

COMMENTARY

Confucius/Legge: Enthusiasm shows one dynamic line inspiring responsive obedience in all the others: devoted obedience takes action. Such obedient action conforms to natural law and creates order and discipline in the people. The planets and the seasons follow their natural cycles. The sages similarly obey the laws of their nature and the people acknowledge their regulations and punishments as just.

Legge:Enthusiasm shows harmony and contentment throughout the kingdom -- a time when the people rejoice in their sovereign and readily obey him. At such a time his appointments and any military undertakings would be hailed and supported. Because he is close to the fifth place of dignity, the dynamic fourth line is seen as the chief executive officer of the ruler. The ruler has confidence in him, and all of the magnetic lines yield their obedience. Obedience is the attribute of the lower trigram which here takes the initiative and uses Movement, which is the attribute of the upper trigram.

The symbolism of the Image is more obscure than usual. The use of music at sacrifices is supposed to assist in producing the union between God and his worshippers as well as the present and past generations.

 

NOTES AND PARAPHRASES

Judgment: Delegate authority and gather your forces.

The Superior Man synchronizes his will with the intent of the Self via the principles of the Work.

Enthusiasm is the reverse of the preceding hexagram of Temperance. In Temperance we saw the calm strength of a mountain concealed within the earth. In Enthusiasm we see thunder exploding out of the ground into the sky: the strength that was formerly tempered and restrained is now released. It is significant to note that while every line of Temperance is more or less "favorable,” every line of Enthusiasm is either negative or cautionary -- even the generally positive fourth line carries a hint of warning about “doubt.”

Negatively, Self-Deception (the passion of True Believers) seems to be what this hexagram is portraying. The figure often suggests a callow or deluded buoyancy -- the kind of outlook associated with romantic idealists. In its most negative aspect, Enthusiasm is Intemperance -- the exact opposite of the moderation and restraint shown in the preceding hexagram. The behavior of an untrained Great Dane puppy suddenly bursting into a formal dinner party could be described as "enthusiasm,” but hardly a desirable form thereof. The lower trigram of Obedient Devotion has suddenly employed the action and energy of the upper trigram of Thunderous Shock to express itself. This is inconsistent with the code of the superior man.

Conversely, in its most positive sense, Enthusiasm suggests the surety of total self-confidence. Blofeld translates this as Repose, explaining that the name was suggested to him by his Chinese advisors. We begin to understand this subtle distinction when we compare the seemingly obscure connection with music in the Image with a passage from Chuang- tse:

He who understands the music of heaven lives in accordance with nature in his life and takes part in the process of change of things in his death. In repose, his character is in harmony with the yin principle; in activity, his movement is in harmony with the yang principle. Therefore he who understands the music of heaven is not blamed by heaven or criticized by men ... It is said, "In action he is like heaven. In repose he is like the earth ... Because his mind has found repose, therefore the creation pays homage to him.”

To understand “the music of heaven” is to attain Repose, which is another way of describing the tranquility that comes with furthering the intent of the Self. The only dynamic line in the hexagram is in the minister's place just below the fifth-line ruler. He has the confidence of his sovereign and his actions therefore accord with heaven. We can turn to the Stoics to find an illustration of this idea:

My will is simply that which comes to pass. For I esteem what God wills better than what I will. To Him will I cleave as His minister and attendant; having the same movements, the same desires, in a word the same will as He.
-- Epictetus

Thus we see that the hexagram can describe either one of two opposite conditions -- the intemperate Enthusiasm of ego-confidence (a synonym for Self-Deception), or the calm Repose of true SELF-confidence. The fifteenth and sixteenth hexagrams, each the inverse of the other, represent magnetic and dynamic aspects of the same general idea: Enthusiasm, when it emanates from the Self, is just Temperance in action.


Line 1

Legge: The first line, magnetic, shows its subject proclaiming her pleasure and satisfaction. There will be evil.

Wilhelm/Baynes:Enthusiasm that expresses itself brings misfortune.

Blofeld: The crowing of the cock bespeaks repose -- an evil omen! [A sleepy cockcrow is not likely to bring men leaping from their beds, yet the traditional role of the cock is to sound the call to renewed action.]

Liu: Happiness that shows itself off brings misfortune.

Ritsema/Karcher: Calling Provision. Pitfall. [Provide(-for)/Provision, YU: ready, prepared for; prearrange, take precaution, think beforehand; satisfied, contented, at ease.]

Shaughnessy: Calling out in excess; inauspicious.

Cleary (1): Trumpeting joy is inauspicious.

Wu: Crowing over merriment will be foreboding.

 

COMMENTARY

Confucius/Legge: Her wishes have been satisfied to overflowing. Wilhelm/ Baynes: This leads to the misfortune of having the will obstructed. Blofeld: The evil mentioned in this passage is that which results from utter exhaustion of the will-power. Ritsema/Karcher: Purpose exhausted, pitfall indeed. Cleary (2): Trumpeting joy bodes ill when the aspiration reaches an impasse. [The first yin harmonizes with the fourth yang above and rejoices in this; having no real qualities in oneself, only aspiring to cleave to others, how can one not come to an impasse?]Wu: Lacking aspiration will be foreboding.

Legge: Line one is magnetic, with a dynamic correlate in the fourth place. She may well enjoy the happiness of the time, but unable to contain herself, she erupts in boastful enthusiasm and calls undue attention to herself. Enthusiasm has thus been her undoing.

 

NOTES AND PARAPHRASES

Siu: At the outset, the man is enthusiastic and boastful.

Wing: Although you may have a harmonious connection with someone in a high position, it does not necessarily indicate that you are on top of the situation. Furthermore, if you boast of your advantage, you will surely invite disaster.

Editor: The meaning here can be subtle. Something (a strong emotion or attitude perhaps) is upsetting one’s equilibrium. In addition to the usual meaning of “enthusiasm,” this can symbolize any release or loss of energy (even despair, anguish, depression or grief – “Anti-Enthusiasm,” if you will), which serves to demolish Repose. Shaughnessy labels it Excess. Wilhelm and Blofeld render the Confucian commentary in terms of the obstruction or exhaustion of willpower. Ritsema/Karcher describe a loss of purpose; Cleary and Wu, blocked aspiration. If this is the only changing line, the hexagram changes to Shock, a plausible consequence in this case.

But woe unto you that are rich! For ye have received your consolation. Woe unto you that are full! For ye shall hunger. Woe unto you that laugh now! For ye shall mourn and weep.
Luke 6: 24-25

A. A false sense of well-being – or, a false sense of despair. Examine the situation to determine where your conscious outlook or emotional response does not conform with the goals of the Work.

B. Ego/Self Repose is obstructed by inappropriate belief.

Line 2

Legge: The second line, magnetic, shows one who is firm as a rock. She sees a thing without waiting till it has come to pass; with her firm correctness there will be good fortune.

Wilhelm/Baynes: Firm as a rock. Not a whole day. Perseverance brings good fortune.

Blofeld: Unmoved as a rock; before the end of day, righteous persistence will bring good fortune. [Unmoved as a rock because of the repose which results from absolute confidence in a decision already taken.]

Liu: Firm and stable like a rock. Do not wait a whole day. Continuing brings good fortune.

Ritsema/Karcher: Chain-mail tending-towards petrification: Not completing the day. Trial: significant.

Shaughnessy: Scratched on a rock; not to the end of the day; determination is auspicious.

Cleary (1): Firm as a rock, not procrastinating, rectitude is good.

Wu: He is upright like a rock. In less time than the passing of the day, he discriminates the good from the bad. To be persevering is auspicious.

 

COMMENTARY

Confucius/Legge: This is shown by the central and correct position of the line. Wilhelm/Baynes: Because it is central and correct. Blofeld: This is indicated by the suitable position of this line which is central to the lower trigram. Ritsema/Karcher: Using centering correcting indeed. Cleary (2):

It is balanced in the right way. Wu: Because he is central and correct.

The Master said:"Does not he who knows the inception of things possess spirit-like wisdom? The superior man, in his intercourse with the high, uses no flattery, and, in his intercourse with the low, no coarse freedom: does not this show that he knows the inception of things? Those beginnings are the slight stirrings of movement, and the earliest indications of good fortune or ill. The superior man sees them, and acts accordingly without waiting for the delay of a single day. As is said in the I Ching, `He is firm as a rock, and acts without waiting for the delay of a single day. With firm goodness there will be good fortune.' Firm as a rock, how should he have to wait a single day to ensure his knowing those beginnings and his course? The superior man knows the minute and the manifested; he knows what is weak, and what is strong: he is a model to ten-thousand."

Legge: The magnetic second line is in her correct central position in the lower trigram. Quietly and firmly she is able to abide in her place and exercise a far-seeing discrimination. All is indicative of good fortune.

 

NOTES AND PARAPHRASES

Siu: The man is quiet, but firm as a rock, yet sensitive to the first imperceptible signs of impending changes. He does not delay in taking action.

Wing: To be able to recognize the early signs of a change in fortune is a tremendous gift. While others may be swept away by compelling rhythms and fads, you adhere firmly to the underlying principles of your nature and react appropriately to the demands of the time. Such is the behavior of leaders.

Editor: All translations except Legge and Cleary's render the second sentence in the imagery of "not waiting for a whole day to pass,” which suggests action taken on the basis of foresight, premonition or intuition. This line is sometimes an injunction to follow your common sense -- saying in effect, that an oracle is unnecessary to proclaim the obvious.

You don't need a weatherman to know

which way the wind blows.

-- Bob Dylan

A. Proper discrimination knows when to act, and when to refrain from action.

B. Your own intuition already knows the answer to your query.

Line 3

Legge: The third line, magnetic, shows one looking up for favors, while she indulges the feeling of pleasure and satisfaction. If she would understand! If she be late in doing so, there will indeed be occasion for repentance.

Wilhelm/Baynes:Enthusiasm that looks upward creates remorse.

Hesitation brings remorse.

Blofeld: To gaze reposefully brings regret; tardy action brings regret. [This suggests inactivity prolonged beyond reasonable measure.]

Liu: Looking upward leads to remorse. Delay brings regret.

Ritsema/Karcher: Skeptical Providing-for, repenting. Procrastinating possesses repenting.

Shaughnessy: A bowl's excess; regret; being slow there is regret.

Cleary (1): Looking up to joy, if repentance is tardy, there will be regret.

Cleary (2): Looking up in joy, repent. If too late, there is regret.

Wu: Gazing at merriment will bring regret. Loitering about will bring regret.

 

COMMENTARY

Confucius/Legge: This is intimated by the position not being the appropriate one. Wilhelm/Baynes: The place is not the appropriate one. Blofeld: This is indicated by the line's unsuitable position. Ritsema/ Karcher: Situation not appropriate indeed. Cleary (2): Wu: Because his position is improper.

Legge: Line three is magnetic in a dynamic place. She looks upward and depends upon the ruling line above while she does nothing herself but indulge in pleasure. Unless she changes her attitude, the auspice is bad.

 

NOTES AND PARAPHRASES

Siu: The man looks upward for favors and continues his dependency upon others. He indulges in visions of pleasure and affluence. Unless he changes immediately, he will be sorry.

Wing: You have waited complacently for a cue from someone else to motivate you. Whatever the reasons for your hesitation, whether it is idle pleasure in the present or simply inertia, you are losing your independence and self-reliance. You can still save yourself. Move.

Editor: This line is magnetic when the times call for dynamic action, giving us an image of indolent dependency. Without doing anything, she wants to "have her cake and eat it too.” Sometimes one receives this line when in a state of despair: feeling as if abandoned to one's fate by an incomprehensible cosmos. The idea is that fate isn't going to make the transition for you: you must do it yourself.

To those who are self-conceited and vain of their imaginary knowledge of exterior things, having no real wisdom, nothing can be shown, because the perverted action of their own minds opposes the harmonious action of the Universal Mind and repulses it. The spheres of their souls become narrow and contracted, and cannot expand towards the whole. They rest self-satisfied, buried in the shadow of their own ignorance, and are inaccessible to the light of Nature.
Paracelsus -- Philosophia Sagax

A. Stop indulging yourself and do what you know to be correct in the matter at hand.

B. Your confidence is misplaced.

C. The image suggests weakness and dependency.

Line 5

Legge: The fifth line, magnetic, shows one with a chronic complaint, but who lives on without dying.

Wilhelm/Baynes: Persistently ill, and still does not die.

Blofeld: Illness is presaged, but it will not last long or cause death.

Liu: Long illness, but still living.

Ritsema/Karcher: Trial: affliction. Persevering, not dying.

Shaughnessy: Determination is illness; if constant you will not die.

Cleary (1): There is a persistent illness, but one never dies.

Cleary (2): Chaste in illness, one never dies.

Wu: It is like having a persistent illness, but not fatal.

 

COMMENTARY

Confucius/Legge: She is mounted on a dynamic line in the central position, and her memories of the past have not yet perished. Wilhelm/Baynes: It rests upon a hard line. That it nevertheless does not die is due to the fact that the middle has not yet been passed. Blofeld: Illness is indicated because this yielding line comes immediately above a firm one. Recovery rather than death is to be expected because this line is, nevertheless, central to the upper trigram. Ritsema/Karcher: Trial: affliction. Riding a solid indeed. Persevering, not dying. Center not-yet extinguished indeed. Cleary (2): Being chaste in illness means riding on firmness. Never dying means not losing balance. Wu: Because its position remains central.

Legge: Line five is magnetic in the place of a dynamic ruler, and in danger of being carried away by the lust of enthusiasm. Her proximity to the powerful influence below is a source of danger. Hence she is represented as suffering from a chronic complaint.


NOTES AND PARAPHRASES

Siu: The man is continually complaining. Yet the very struggling against the daily troubles constitutes his immediate incentive for living.

Wing: Total harmony is obstructed and impossible. Yet the very awareness of this will keep you from sinking again into chaos and eventual defeat.

Wilhelm/Baynes: Here enthusiasm is obstructed. A man is under constant pressure, which prevents him from breathing freely. However, this pressure has its advantage – it prevents him from consuming his powers in empty enthusiasm. Thus constant pressure can actually serve to keep one alive.

Anthony: The situation is difficult and uncomfortable. We are still under the influence of striving to achieve results or hedging to prevent them. However, our discomfort is useful in causing us to seek out these attitudes which block our progress.

Editor: At its most neutral, the image suggests a chronic condition currently not amenable to being cured. Sometimes this feels like ironic irritation: the oracle seems to be asking: "When are you ever going to learn?” The ego is clinging to outmoded ways (the "memories" mentioned in Legge's Confucian commentary), and is yet unable to fully comprehend the demands of the Work. If this is the only changing line, the hexagram becomes #45, Gathering Together, with a corresponding line hinting that the source of our illness may be less-than-pristine dedication. Cleary (2):Gathering around the position, there is no blame. If those who are not loyal remain ever-faithful to their original commitment, regret vanishes.”

Better is one’s own dharma, though imperfectly performed, than the dharma of another well performed.
Bhagavad Gita

A. A chronic problem remains unresolved.

B. Nobody’s perfect: do the best you can with what you have.

C. Old illusions obstruct your growth.

Line 6

Legge: The sixth line, magnetic, shows its subject with darkened mind devoted to the pleasure and satisfaction of the time. But if she changes her course even when it may be considered as completed, there will be no error.

Wilhelm/Baynes: Deluded enthusiasm. But if after completion one changes, there is no blame.

Blofeld: Madcap repose. Fortunately a change takes place, so no blame is involved. [Madcap repose implies being tardy to the point of extreme rashness in the face of approaching danger or of a need to act.]

Liu: Deluded happiness. Change after completion. No blame.

Ritsema/Karcher: Dim Providing-for. Accomplishment: possessing denial. Without fault.

Shaughnessy: Dark excess; if complete perhaps you will be informed; there is no trouble.

Cleary (1): Oblivious in joy. What comes about has change; there is no blame.

Cleary (2): … What has come about changes, etc.

Wu: Merriment is obscured. There may be success, but changes are pending. There will be no error.

 

COMMENTARY

Confucius/Legge: How can one in such a condition continue for long? Wilhelm/Baynes: Deluded enthusiasm in a high place: how could this last? Blofeld: Since this is a top line, the state of madcap repose cannot possibly last long. Ritsema/Karcher: Dim Providing-for located above. Wherefore permitting long-living indeed? Cleary (2): Oblivion in joy is at the top. What can last? Wu: How can the situation continue for long?

Legge: The magnetic sixth line at the end of the hexagram is all but lost.

The action of the figure is over, and if she postpones changing her evil ways any longer, there is no hope remaining for her. However, there is still a chance of safety if she will but change.

 

NOTES AND PARAPHRASES

Siu: The man is distracted by pleasure and satisfaction. If he changes after the events of the day have run their course, however, the sober awakening will prevent future errors.

Wing: The person in this position is lost in the memory of a compelling and harmonious experience. The time is past, and what is left is empty egotism. Fortunately, reform is possible. There is an opportunity to move on to a situation of new growth.

Editor: This line has a similar auspice as that of its (improper) correlate in line three. Wilhelm's commentary states: "A sober awakening from false enthusiasm is quite possible and very favorable." Note that “no blame” is mentioned, suggesting that you are more ignorant than culpable in the situation at hand.

While he is in a state of bondage, that is while lusts and falsities rule, the man who is subjected by them supposes that he is in a state of freedom; but it is a gross falsity, for at the very time he is carried along by the delight of his lusts and of the pleasures derived from them, that is, by the delight of his loves; and because it is by a delight it appears to him as free. Everyone thinks himself free while he is being led by some love -- so long as he follows whithersoever it leads.
Swedenborg -- Arcana Coelestia

A. Conquer your illusions and change your ways.

B. Illusions are shattered when pursued to their logical conclusions.

1
The Creative


Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father

 

Judgment

Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.

Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.

Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.

Liu:The Creative brings great success, benefiting all through perseverance.

Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]

Shaughnessy:The Key: Primary reception; beneficial to determine.

Cleary(1):Heavencreates, develops, brings about fruition and consummation.

Cleary(1): The creative is successful; this is beneficial if correct.

Wu:The Originator is primordial, pervasive, prosperous and persevering.

 

The Image

Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.

Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.

Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.

Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.

Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.

Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.

Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.

 

COMMENTARY

Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.

Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.

The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.

 

NOTES AND PARAPHRASES

Judgment:The Dynamic is the life force itself.

The Superior Man tirelessly furthers the Great Work of Transformation.

The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:

In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.

This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.

Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.

When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."

The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."

In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.

There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit.
F. Hartmann -- Paracelsus: Life and Prophecies

 

SUGGESTIONS FOR MEDITATION

To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:

1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.

2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.

3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.