Other titles: Biting Through, Gnawing, The Symbol of Mastication and Punishment by Pressing and Squeezing, Gnawing Bite, Severing, Chewing, Punishment, Reformation, Reform, Differentiation, Discrimination, Making a Distinction, Getting the message "Something which should be, or has to be bitten through. This is essentially the legal hexagram. When asking about a man's intentions, he is probably married." -- D.F. Hook
Judgment
Legge: Success is found in Discernment. The restrictions of the law bring advantage.
Wilhelm/Baynes:Biting Through has success. It is favorable to let justice be administered.
Blofeld: Gnawing. Success! The time is favorable for legal processes. [The concept of gnawing is suggested by the component trigrams, which are regarded (owing to the arrangement of their lines) as not commingling; they are as separate from each other as the upper and lower jaw when something tough is being gnawed.]
Liu: Chewing: Success. It benefits to administer justice. [Chewing indicates success through hard work. Those who get this hexagram will have trouble in the beginning.]
Ritsema/Karcher:Gnawing Bite, Growing. Harvesting: availing of litigating. [This hexagram describes your situation in terms of confronting a tenacious obstacle. It emphasizes that biting through and picking things clean until the essential is revealed is the adequate way to handle it. To be in accord with the time, you are told to: gnaw and bite through!]
Shaughnessy: Biting and chewing: Receipt; beneficial to use a court case.
Cleary (1):Biting through is developmental. It is beneficial to administer justice.
Cleary (2): Biting through is successful. It is beneficial to apply justice.
Wu: Discernment is pervasive. It will be advantageous to exact punishments.
The Image
Legge: The images of thunder and lightning form Discernment. Thus the ancient kings promulgated their laws and framed their penalties with intelligence.
Wilhelm/Baynes: Thunder and lightning: The image of Biting Through. Thus the kings of former times made firm the laws through clearly defined penalties.
Blofeld: This hexagram symbolizes lightning accompanied by thunder. The ancient rulers, after making their legal code perfectly clear to all, enforced the laws vigorously. [The firm and yielding lines more or less alternate; or the lower trigram can be regarded as filled with the power of thunderous force, while the upper trigram, representing beauty, is soft and yielding. (Li, the upper trigram, stands for lightning as well as for fire, beauty, etc.) I do not know what the ancient Chinese views on thunder and lightning were; it appears from this that they were regarded as two forces which, like steel and flint, emitted brilliance when brought into sharp contact with each other. A pair of trigrams both with yielding centers is not felt to be a good arrangement; that it nevertheless favors the process of the law may have been suggested to the writer of the Text by the fact that the weak lines (morally weak people?) are fully contained by the strong (prison walls, warders and so forth?)]
Liu: Thunder and lightning symbolize Chewing. The ancient kings made the laws and clarified the penalties.
Ritsema/Karcher: Thunder, lightning. Gnawing Bite. The Earlier Kings used brightening flogging to enforce the laws.
Cleary (1): Thunder and lightning, biting through. Thus did the kings of yore clarify penalties and proclaim laws. [Those who administer laws should emulate the ancient kings in first clarifying them before executing them, in order to avoid mistakenly injuring life.]
Wu: Thunder and lightning form Discernment. Thus the ancient kings made just punishments and upheld the law of the land.
COMMENTARY
Confucius/Legge: The existence of something between the jaws gives rise to the name Discernment-- union by means of biting through the intervening article. The dynamic and magnetic lines are equally divided in the figure. Movement is denoted by the lower trigram, and Clarity by the upper -- thunder and lightning uniting in them, and having brilliant manifestation. The magnetic fifth line is in the center, and acts in her high position. Although she is not in her proper place, this is advantageous for the use of legal constraints.
Legge: Discernment means literally "union by gnawing." The figure consists of undivided lines in the top, bottom and fourth places -- giving the image of open jaws with something in them "being gnawed." When the object has been bitten through, the upper and lower jaws come together in union -- hence: " Union by gnawing." Remove the obstacles to union and high and low will meet together in understanding. The force exerted by gnawing suggests the idea of legal constraints.
The equal division of the dynamic and magnetic lines is seen by taking them in pairs, though the order of the first pair is different from the other two. The magnetic fifth line is the ruler of the hexagram, indicating that judgment is tempered by leniency.
Ch'eng-tzu says that thunder and lightning are always found together, and hence their trigrams go together to give the idea of union intended in Discernment: one trigram symbolizing majesty and the other intelligence.
Cleary (1): Practice of the Tao is like administering justice: Discerning true and false, right and wrong, is like the judge deciding good and bad; getting rid of falsehood and keeping truth, so as to preserve essence and life, is like the [just] administration rewarding the good and punishing the bad, so as to alleviate the burden of injustice.
NOTES AND PARAPHRASES
Judgment: Further the Work through careful Discernment between what is true and false, right and wrong, correct and incorrect.
The Image portrays the connection between cause and effect, where consequences are always based on the inexorable laws of nature.
To bite is to comprehend, and to bite through is to make distinctions. The top and bottom lines of the hexagram represent the upper and lower jaws, and both bear images of restriction and punishment. Each of the lines between them portrays some version of biting through flesh. Hence, the jaws define the general problem, and the teeth differentiate the details.
The symbol of losing teeth has the primitive meaning of losing one's grip because under primitive circumstances and in the animal kingdom, the teeth and mouth are the gripping organ. If one loses teeth, one loses the grip on something. Now this can mean a loss of self-control, etc. The English word grip is contained in the German word begriff (conception or notion). The Latin word conceptio means the same, i.e., catching hold of something, having a grip on something. Jung -- Letters
In I Ching symbolism, the "ancient kings” are always synonymous with spiritual authority. Analogous to gods or cosmic forces, their "laws" are like the laws of karma or of nature -- inexorable in their outcome. Therefore, the punishment theme in the hexagram warns us that a lack of Discernment in the matter at hand has built-in penalties: i.e., "Get the message or suffer the consequences.”
Behold, sin and punishment are one, and the fire of punishment is the fire that refines my works. Even in the sinner I am the actor, and I, too, am the sufferer in the experience of punishment. P.F. Case -- The Book of Tokens
To receive this hexagram without changing lines indicates a need to make some important distinctions in the matter at hand. “Figure it out” might make a good alternate title at such times. Cleary’s Taoist note on the image (“Those who administer laws should emulate the ancient kings in first clarifying them before executing them, in order to avoid mistakenly injuring life”) is a clear admonition to get all of your facts straight before proceeding with your inquiry. That you don’t know or understand something is implied.
SUGGESTIONS FOR MEDITATION
The twenty-first hexagram turned upside down becomes the twenty-second. The message for the superior man in the Image of each concerns the enforcement of law. What is the relationship between Discernmentand Persona in such a context? The component trigrams of these two figures also make up hexagrams number fifty-five, Expansion of Awareness and number fifty-six, Transition.The messages for the superior man in each of these figures also relate to litigation. Why? What do the four hexagrams suggest about the nature of the Work?
Line 1
Legge: The first line, dynamic, shows one with his feet in the stocks and deprived of his toes. There will be no error.
Wilhelm/Baynes: His feet are fastened in the stocks so that his toes disappear. No blame.
Blofeld: The feet are shackled so that they may not walk -- no error is involved! [This line suggests that extreme firmness would not be culpable at this time.]
Liu: His feet are put in the stocks. It will injure his toes. No blame.
Ritsema/Karcher: Shoes locked-up, submerging the feet. Without fault.
Shaughnessy: Wearing stocks on the feet and with cut off feet; there is no trouble.
Cleary (1): Wearing stocks stopping the feet, there is no blame.
Wu: He wears a pair of shackles, which covers his toes. There is no error.
COMMENTARY
Confucius/Legge: There is no walking to do evil. Wilhelm/Baynes: He cannot walk. Blofeld: This method is used to prevent evil-doers from progressing in their wickedness. Ritsema/Karcher: Not moving indeed. Cleary (2): Means not acting. Wu: The light punishment warns him not to walk the wrong path again.
The Master said:The inferior man is not ashamed of what is not benevolent, nor does he fear to do what is not righteous. Without the prospect of gain he does not stimulate himself to what is good, nor does he correct himself without being moved. Self-correction, however, in what is small will make him careful in what would be of greater consequence; and this is the happiness of the inferior man. It is said in the I Ching, "His feet are in the stocks, and he is disabled in his toes - there will be no further occasion for blame."
Legge: The first and last lines of the hexagram are undergoing punishment which is inflicted by the other lines. Line one's offense is minor, and he is confined to the stocks to prevent him from making it worse.
NOTES AND PARAPHRASES
Siu: At the outset, the man receives a mild sentence as a warning for a small offense.
Wing: Since this is only your first departure from the right path, only a mild punishment is forthcoming. This should serve the purpose of early Reform.
Editor: To be deprived of one's toes is to be unable to move -- the toes (or feet in some translations) are found in seven hexagrams, and all but one appear in the first line which indicates the beginning of movement. The idea is to nip a bad choice in the bud before it gains momentum. Sometimes the line can refer to circumstances beyond one's control which prevent one from taking an ill-considered or harmful action.
Even the venerable Church Fathers had to admit that evil is not only unavoidable but actually necessary in order to avert a greater evil... Punishment is also an evil and just as much a transgression as crime. It is simply the crime of society against the crime of the individual. And this evil, too, is unavoidable and necessary. Jung --Letters
A. You are held fast to prevent mistakes. Comprehension or growth is effected through restricted circumstances.
B. Circumstances impede or prevent action.
Line 2
Legge: The second line, magnetic, shows one biting through soft flesh, and going on to bite off the nose. There will be no error.
Wilhelm/Baynes: Bites through tender meat, so that his nose disappears. No blame.
Blofeld: Gnawing flesh so that the nose is hidden in it --no error! [The meaning of this line is not at all obvious. The Chinese additional commentaries take it to mean that we may do a little harm to our own interests but that we shall not deserve blame for what happens.]
Liu: Biting the skin, his nose is cut. No blame.
Ritsema/Karcher: Gnawing flesh, submerging the nose. Without fault.
Shaughnessy: Biting flesh and cutting off the nose; there is no trouble.
Cleary (1): Biting skin, cutting off the nose, etc.
Cleary (2): Biting through the skin, destroying the nose, etc. [This is investigating principle and gradually penetrating.]
Wu: He bites through a skin burying his nose in it, etc. [This makes it easy for him to judge the case like biting through a soft skin …The judgment seems to have cautioned mildly not to over-judge an easy case.]
COMMENTARY
Confucius/Legge: She is mounted on the dynamic first line. Wilhelm/
Baynes: He rests upon a hard line. Blofeld: This is indicated by the position of the line (a yielding one) above a firm one. Ritsema/Karcher: Riding a solid indeed. Cleary (2): Riding on strength. Wu: He is riding on a yang.
Legge: Line two is appropriately magnetic in a central place, therefore her action should be effective. This is shown by her biting through the soft flesh -- an easy thing. Immediately below, however, is a strong offender represented by the first line. Before he will submit it is necessary to bite off his nose. Punishment is the rule, and it must be continued and increased until the end is secured. Ch'eng-Tzu says: "Being mounted on the dynamic first line means punishing a strong and vehement man, when severity is required, as is denoted by the central position of the line."
NOTES AND PARAPHRASES
Siu: The hardened sinner must be punished severely to secure the desired ends. Although indignation often goes too far in meting out punishment, it may still be just.
Wing: Punishment and retribution come swiftly and thoroughly to the person who continues in wrong behavior. Even though it may seem overly severe, it will effectively bring about Reform. Finally, there is no mistake in this.
Editor: This is an interestingly ambiguous line which admits of more than one interpretation. I have always taken the hexagram as symbolic of the process of differentiation, so the following associations come from that perspective: Bite: To "get your teeth into" something is to get a grip on it, to comprehend it. Flesh: Meat, food, nourishment -- the raw material, data or experience of the situation at hand. Soft: Easily bitten and penetrated. An easy discrimination. Nose: Intuition, subtle discrimination, as: "I smell a rat.” The various translators indicate that the nose is either injured or buried in the meat, suggesting that the intuitive faculty is damaged or obscured by an overly easy act of mental discrimination. A simplistic comprehension goes too far, but since the idea of "No Blame" is attached to the line this seems to be a natural consequence of the situation. A syllogism might go like this: "Drunk drivers are bad. George is a drunken driver, therefore George is bad.” This is the easy discrimination. The subtlediscrimination is that George, normally a modest drinker, was required by his Embassy job to drink toasts with the Russian ambassador and he miscalculated his capacity to hold his liquor. The easy distinction over-rides the subtle one because the offense is serious enough to require a severe punishment. The line can sometimes suggest the squabbles of lawyers, and the differences between the spirit and letter of the law.
The world of the soul and the realms of the spirit can only be known to him whose inner senses are awakened to life. The things of the body are seen through the instrumentality of the body, but the things of the soul require the power of spiritual perception. F. Hartmann -- Paracelsus: Life and Prophecies
A. An oversimplification is better than a total illusion: half-true is better than totally false.
B. Suggests a conclusion based upon simplistic reasoning. You only see the obvious: seek the subtle hidden within the obvious.
C. “There is more to the subject than meets the eye.”
Line 3
Legge: The third line, magnetic, shows one gnawing dried flesh, and meeting with what is disagreeable. There will be occasion for some small regret, but no great error.
Wilhelm/Baynes: Bites on old dried meat and strikes something poisonous. Slight humiliation. No blame.
Blofeld: Gnawing dried meat, he was poisoned, but not severely enough to indispose him for long -- no error! [This line presages trouble through no fault of ours which will not, however, incapacitate us for long.]
Liu: By chewing dried salt meat one gets poisoned. Small humiliation, but no blame.
Ritsema/Karcher: Gnawing seasoned meat. Meeting poison. The small abashed. Without fault.
Shaughnessy: Biting dried meat and meeting with poison; small distress; there is no trouble.
Cleary (1): Biting on dried meat, running into poison. There is a little shame, but no blame.
Wu: He bites dried salted meat and gets an unpleasant aftertaste. There will be slight regret, but no error. [A yin in a yang position makes his judgment hard like biting on dried cured meat. The “unpleasant aftertaste” may suggest he is biting more than he can chew, he faces rowdy offenders, or he has a little rough time. But he makes no error.]
COMMENTARY
Confucius/Legge: She meets with what is disagreeable and hurtful -- her position is not the proper one for her. Wilhelm/Baynes: The place is not the appropriate one. Blofeld: His being poisoned is indicated by the unsuitable position of this line. Ritsema/Karcher: Situation not appropriate indeed. Wu: His position is improper.
Legge: Line three is magnetic in a dynamic place. Her action will be ineffective, and is symbolized by gnawing through tough meat only to taste something rancid. Since punishment is the rule in this hexagram, the auspice is not all bad.
NOTES AND PARAPHRASES
Siu: The man lacks sufficient power and authority and the culprit does not submit to him. It is like biting through old dried meat and coming upon something poisonous. Some humiliation results but no blame.
Wing: You lack sufficient power and authority to bring about Reform. Your attempts meet with indifference, and you may feel humiliated at your ineffective actions. Yet Reform is necessary, and therefore your endeavors are justified.
Editor: In his commentary Wilhelm emphasizes that "the matter at issue is
an old one.” A magnetic line in a dynamic place suggests weakness or passivity which is unable to deal very effectively with a long-standing problem. Implicit also is the idea of confronting something disagreeable within one's own psyche.
For there are very many kinds of evil which formed the delight of his former life, that is of the old life. These evils cannot all be subdued at once and together; for they cleave tenaciously, since they have been inrooted in the parents for many ages back, and are therefore innate in man, and are confirmed by actual evils from himself from infancy. Swedenborg -- Arcana Coelestia
A. You seem impotent in coming to grips with an old issue. Recognition and acceptance of this are the first steps toward initiating needed reforms.
Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook
Judgment
Legge: The Sacrificial Vessel means great progress and success.
Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.
Blofeld: A Sacrificial Vessel -- supreme success!
Liu:The Cauldron. Great good fortune. Success.
Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]
Shaughnessy:The Cauldron: Prime auspiciousness; receipt.
Cleary (1): The cauldron is basically good; it is developmental.
Cleary (2): The Cauldron is very auspiciously developmental.
Wu: The Cauldron indicates great auspiciousness and pervasiveness.
The Image
Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.
Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.
Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.
Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.
Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.
Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.
Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.
Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.
COMMENTARY
Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.
Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.
The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.
NOTES AND PARAPHRASES
Judgment: You are the Sacrificial Vessel.
The Superior Man holds to the principles of the Work to attain transcendence.
The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.
When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.
The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel. M.E. Harding -- Psychic Energy
Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:
The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle. Liu I-ming
SUGGESTIONS FOR MEDITATION
In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?