Let authenticity shine through simplicity, and let openness guide you to boundless possibilities.
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22
Grace
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2
The Receptive
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Grace22
Refinement and grace enhance your presence. Focus on beauty and elegance in actions, but do not let appearance overshadow substance. Simplicity often holds the truest value.
↓ Line 1
Simple grace is best. Avoid ostentation and proceed with humility.
↓ Line 3
Maintain inner grace and integrity; this will lead to success.
↓ Line 6
True grace is simple and unadorned. Avoid excess and remain true to oneself.
↓ The Receptive2
Receptive, nurturing energy; embody patience, openness, and gentle support. Embrace the path of yielding and adapt to circumstances.
Other titles: Grace, The Symbol of Decoration, Elegance, Gracefulness, Luxuriance, Adorning, Public Image, Adornment, Beauty, Conceit, Vanity, Veneer, Façade, Manners, Embellishment, Superficiality, Superficial Appearances, Form vs. Function, "Art," Ego-trips, "Often refers to conceit, vanity or beauty. It stresses that the content is more important than the outward appearance." -- D.F. Hook
Judgment
Legge: Persona should be given its due, but there is no advantage in allowing it to advance and take the lead.
Wilhelm/Baynes:Grace has success. In small matters it is favorable to undertake something.
Blofeld: Elegance. Success! Some small advantage can be derived from having a particular goal (or destination). [The implication is that the advantage is not sufficient to make it worth while to seek that goal or destination unless no special difficulty or inconvenience is involved. The arrangement of the lines in this hexagram is very similar to that in the previous one, but it is adjudged much more suitable. The general idea is that, like nature, we should conform to a regular and well ordered pattern of behavior which, since we are human beings and not mere animals, involves a high degree of refinement. From the point of view of divination, it would seem that this is a time to watch carefully so as to learn how those involved in the situation think and behave, the better to influence them for the good when the opportunity arises.]
Liu:Gracefulness, success. Small undertakings benefit.
Ritsema/Karcher: Adorning , Growing. The small, Harvesting: possessing directed going. [This hexagram describes your situation in terms of its outward presentation. It emphasizes that building intrinsic value by embellishing appearance and displaying valor is the adequate way to handle it...]
Shaughnessy: Luxuriance : Receipt; a little beneficial to have someplace to go.
Cleary (1):Adornment is developmental. It is beneficial to go somewhere in a minimal way.
Cleary (2):Adornment is successful. It is beneficial to go somewhere in a small way.
Wu:Adornment is pervasive and shows small advantage of an undertaking. [Adornment does not change the nature of what it adorns, but merely makes what it adorns appear more attractive. In other words, the change is mostly superficial but not substantive…]
The Image
Legge: Fire at the foot of the mountain -- the image of Persona. Thus the superior man adorns his rule with grace, but makes important decisions in conformance with higher laws.
Wilhelm/Baynes: Fire at the foot of the mountain: the image of Grace. Thus does the superior man proceed when clearing up current affairs. But he dare not decide controversial issues in this way.
Blofeld: This hexagram symbolizes fire at the foot of a mountain. The Superior Man, desiring to ensure the enlightened functioning of the various departments of state, dare not make light decisions regarding legal matters. [The component trigrams, fire below mountain, suggest a brilliance which cannot be perceived from afar. The Chinese commentators go on to suggest that this symbolizes a firm and somewhat severe exterior which hides brilliance and the beauty within. For purposes of divination, this should be taken as a pattern for our comportment in the matter at issue.]
Liu: Fire illuminates the base of the mountain symbolizing Gracefulness. Thus the superior man clarifies ordinary affairs, but does not judge lawsuits.
Ritsema/Karcher: Below mountain possessing fire. Adorning. A chun tzu uses brightening the multitudinous standards without daring to sever litigating.
Cleary (1): There is fire below the mountain, adorning it. Thus do superior people clarify governmental affairs, without presumptuous adjudication. [What superior people see in this is that just as the light of a fire below a mountain is not great, when people are lacking in capacity their vision is not far reaching; therefore the superior people administer and clarify the simple matters of governmental affairs, and do not act presumptuously in difficult matters of adjudication… Not judging presumptuously thus has the meaning of respect for life.]
Wu: There is fire at the foot of the mountain; this is Adornment. The jun zi brings openness to administering civil affairs, but refrains from judging cases in criminal litigation.
COMMENTARY
Confucius/Legge: In Persona we see the magnetic central line ornamenting the dynamic lines of the lower trigram, and hence it is said that ornament should have free course. On the other hand, the dynamic top line ornaments the magnetic lines of the upper trigram, and hence it is said that there will be little advantage if ornament is allowed to advance and take the lead. The elegance and intelligence of the lower trigram is regulated by the restraint of the upper trigram. This suggests the observances which adorn human society. We observe the ornamental figures of the sky, and thereby ascertain the changes of the seasons. We observe the ceremonial customs of society, and understand how transformation is accomplished in the world.
Legge: Persona is the symbol of what is ornamental and of the act of adorning. As there is adornment in nature, so should there be in society, but its place is secondary to that which is substantial.
The K'ang-hsi editors say that the magnetic line coming and ornamenting the two dynamic lines in the lower trigram shows how substantiality should have the benefit of ornamentation. The dynamic line ornamenting the two magnetic lines in the upper trigram shows how ornamentation should be restrained by substantiality. Ornament has its use, but it should be kept in check.
The figures of the sky are all the heavenly bodies in their relative positions and various movements, producing day and night, heat and cold, etc. The observances of society are the ceremonies and performances which regulate and beautify the intercourse of men.
"A mountain," says Ch'eng-tzu, "is a place where we find grass, trees, and a hundred other things. A fire burning below it throws up its light, and brings them all out in beauty. This gives the idea of ornament, or being ornamented. The various processes of government are small matters, and elegance and ornament help their course, but great matters of judgment demand the simple, unadorned truth.”
NOTES AND PARAPHRASES
Judgment: There's nothing wrong with showing a little style, but don't become so identified with a role that it makes your decisions for you.
The Superior Man displays wit and charm when that is appropriate, but relies upon shrewd discernment when making serious choices.
Confucius points out the correct attitude for this hexagram in his third sentence -- the elegant intelligence, or "brilliant wit" of the lower trigram is being "sat on" by the mountain of the upper trigram. Brilliant wit is often just an "ornament" to make one look clever in the company of others. Like seasoning on food, a little bit ofPersona or ornamentation is life-enhancing, but too much curry powder overwhelms the meal.
Jung's conception of the Persona points out the fact that it is a major vehicle for the complexes to express themselves under the guise of social interaction:
(The Persona) is only a mask for the collective psyche, a mask that feigns individuality, and tries to make others and oneself believe that one is individual, whereas one is simply playing a part in which the collective psyche speaks. Jung -- The Relations between the Ego and the Unconscious
For an urban shipping clerk to wear cowboy clothes may be a legitimate expression of his personality, or it may be the only outlet available for repressed portions of his psyche. When he begins driving a pickup truck and frequenting Country-Western bars we might suspect that his role is playing him and the real Self is being masked by excessive ornamentation orPersona.
The person cannot be more than an instrument for the manifestation of the self. But people get so attached to their mask that they cannot free themselves from it any more ... They make a king out of the servant and separate themselves from their true being. They force their higher self into exile, into the unconscious. Elisabeth Haich --Initiation
To receive this hexagram without changing lines suggests that perhaps you are more focused on form than meaning, or that superficial appearances are concealing something more substantive in the situation. Look deeper – what’s really going on?
Line 1
Legge: The first line, dynamic, shows one adorning the way of his feet. He can discard a carriage and walk on foot.
Wilhelm/Baynes: He lends grace to his toes, leaves the carriage and walks.
Blofeld: Elegantly shod, he leaves his carriage and proceeds on foot.
Liu: He decorates his toes and leaves the carriage. He would rather walk. [Activity benefits, but stagnation does not.]
Ritsema/Karcher: Adorning one's feet. Stowing-away the chariot and-also afoot.
Shaughnessy: Making luxurious his feet; discarding the chariot and going on foot.
Cleary (1): Adorning the feet, leaving the car and walking.
Cleary (2): Adorn the feet; leave the car and walk.
Wu: He adorns his toes, leaves the carriage behind and walks.
COMMENTARY
Confucius/Legge: Righteousness requires that he should not ride. Wilhelm/ Baynes: It accords with duty not to ride. Blofeld: He declines to make use of the carriage at his disposal. [This implies progressing in the way we know to be right and declining the help of those who are anxious to lead us from the path of rectitude.] Ritsema/Karcher: Righteously nothing to ride indeed. Cleary (2): It is right not to ride. Wu: Because it is right not to ride in it.
Legge: Line one is dynamic in a dynamic place at the bottom of the hexagram. He is also the first line in the trigram of fire or light, suggesting what is elegant and bright. He has nothing to do but to attend to himself; therefore he cultivates (adorns) himself in his humble position. If righteousness demands it he can give up every luxury and indulgence. He neither cares for nor needs adornment, and will walk in the way of righteousness without it.
NOTES AND PARAPHRASES
Siu: At the outset, the man is tempted to create a falsely flattering public image for himself. A simple demeanor is more gracious and fitting to his position.
Wing: Move forward under your own power and avoid false appearances, dubious shortcuts, or ostentatious behavior. It is most important now that you rely upon your own worth.
Wilhelm: (from Lectures on the I Ching): Now the attribute of art, or grace, consists of discarding all nonessential adornments. It consists of leaving out everything superfluous and of confining art to its appointed place.
Editor: The feet here are regarded as more substantive than the carriage, suggesting that one must rely on one's own inner worth rather than a "vehicle" of ostentatious superficiality. Suggested is the need to abandon a crutch of some kind.
The Self is the entity, then, that "plots" the way for an individual life, that directs and demands in an individual fashion. But the Self also insists that the ego take responsibility within the limits that are set for it. The wisdom of life lies in discovering where individual will and choice can operate, where limitations and responsibility begin and end. E.C. Whitmont -- The Symbolic Quest
A. You are able to make your own decisions: you can "stand on your own two feet." Rely now upon your own resources and initiative. (Could be a test.)
Line 3
Legge: The third line, dynamic, shows its subject with the appearance of being adorned and bedewed with rich favors. But let him ever maintain his firm correctness, and there will be good fortune.
Wilhelm/Baynes: Graceful and moist. Constant perseverance brings good fortune.
Blofeld: His adornments are such that he appears to glisten -- righteous determination maintained up to the very end brings good fortune.
Liu: Decoration with moisture. If you continue, you will have good fortune.
Wu: He appears to have adorned and moisturized himself. Perseverance will bring good fortune.
COMMENTARY
Confucius/Legge: If he maintains his firm correctness, in the end no one will insult him. Wilhelm/Baynes: The good fortune of constant perseverance cannot, in the end, be put to shame. Blofeld: This implies that, to the very end, no one will thwart our purposes. Ritsema/Karcher: Perpetual Trial's significance. Completing absolutely-nothing: having a mound indeed. Cleary (2): No one can ever slight you. Wu: No one would dare to humiliate him.
Legge: The third line is dynamic, and between two magnetic lines which adorn and bestow their favors on him. But this happy condition is due to the accident of place -- he must maintain his correctness to ensure its continuance. It is not ornament, but correct firmness which secures the respect of others.
NOTES AND PARAPHRASES
Siu: The man is enjoying a charmed life, and is given many honors. He should guard against convivial indolence and be aware of its consequences.
Wing: You are in a moment of perfect grace, living a charmed existence. Do not allow such good fortune to make you indolent, for this would bring unhappiness. Continue to persevere in your endeavors and principles.
Wilhelm (from Lectures on the I Ching): When form and its meaning penetrate each other completely, when the work of art is rendered totally transparent, this is only a transitory state, which will necessarily pass.
Editor: The image suggests that circumstances are in your favor, though they may not be due to any particular virtue on your part. Following Wilhelm's insight (see his commentary on the preceding line), that the second and third places in this hexagram are closely interdependent, a Jungian interpretation of their alliance suggests itself: line 2 being the Persona and line 3 being the Ego through which it acts as conditions require. This implies that ego and persona are here coordinated with the Self's agenda -- even if that may be unclear at the moment.
For someone who adheres to [the goal of the knowledge of God] will not be moved to decorate walls with gold or to put a gold border on his garment – unless he intends thereby to give delight to his soul for the sake of its health and to drive sickness from it, so that it will be clear and pure to receive the sciences. Maimonides
A. You're sitting pretty -- don't blow it!
Line 6
Legge: The sixth line, dynamic, shows one with white as his only ornament. There will be no error.
Wilhelm/Baynes: Simple grace. No blame.
Blofeld: Simple elegance. No error!
Liu: Simple decoration. No blame.
Ritsema/Karcher: White adorning. Without fault.
Shaughnessy: White luxury; there is no trouble.
Cleary (1): Adornment by simplicity is impeccable.
Wu: He is unadorned and there will be no error.
COMMENTARY
Confucius/Legge: The line shows how he has attained his aim. Wilhelm/ Baynes: The one above attains his will. Blofeld: This top line indicates the fulfillment of our will. Ritsema/Karcher: Acquiring purpose above indeed. Cleary (2): One attains one’s aspiration above. Wu: His aspiration has prevailed.
Legge: At the top of the hexagram ornament has run its course and there is a return to pure white simplicity. Substantiality is better than ornament. The subject of the sixth line shows more of the spirit of the hexagram than most. His being clothed in simple white crowns the lesson that ornament must be kept in a secondary place.
NOTES AND PARAPHRASES
Siu: The man reaches the peak of his development, and displays perfect grace through the true expression of his character without pretensions. He understands the patterns of human frailties.
Wing: You can rely now upon the sincerity of your true nature to supply your external radiance. Pretensions, form, and adornments are no longer necessary to achieve your aims. Simplicity is the path you must take. In this way you will make no mistakes.
Wilhelm (from Lectures on the I Ching): Highest spirituality is connected with complete absence of outward pretense.
Editor: Questions concerning artistic creativity are sometimes addressed by this line -- differentiating the intent of the muse (Self) from the ambitions of the artist (ego). We are reminded of the difference between unity and multiplicity -- unity being one simple whole, multiplicity being many diverse complexities or "ornaments."
Only the truly intelligent understand this principle of the leveling of all things into One. They discard the distinctions and take refuge in the common and ordinary things. The common and ordinary things serve certain functions and therefore retain the wholeness of nature. From this wholeness, one comprehends, and from comprehension, one comes near to Tao. There one stops. To stop without knowing how one stops -- this is Tao. Chuangtse
Other titles: The Receptive, The Symbol of Earth, Submission, The Passive Principle, Field, The Flow, Responsive Service, Yin, Natural Response, The Bearer
Judgment
Legge:The Magnetic means success through the docility of a mare. If the superior man takes the initiative, he goes astray, but if he follows, he finds his proper lord. It is advantageous to find one's friends in the southwest, and to lose them in the northeast. Through a passively firm correctness, there will be good fortune.
Wilhelm/Baynes: The Receptive brings about sublime success, furthering through the perseverance of a mare. If the superior man undertakes something and tries to lead, he goes astray; but if he follows, he finds guidance. It is favorable to find friends in the west and south, to forgo friends in the east and north. Quiet perseverance brings good fortune.
Blofeld:The Passive Principle. Sublime success! Its omen is a mare, symbolizing advantage. The Superior Man has an objective and sets forth to gain it. At first he goes astray, but later finds his bearings. It is advantageous to gain friends in the west and the south, but friends in the east and the north will be lost to us. Peaceful and righteous persistence brings good fortune
Liu: The Receptive : great success. Benefiting from the quality of a mare -- perseverance. The superior man has an undertaking; in the beginning he will go astray, but later will receive guidance. He can find a friend in the southwest and lose friends in the northeast. Peacefulness and continuance. Good fortune.
Ritsema/Karcher: Field: Spring Growing Harvesting, female horse's Trial.
A chun tzu possesses directed going. Beforehand delusion, afterwards
acquiring. A lord Harvesting. Western South: acquiring partnering. Eastern North: losing partnering. Quiet Trial significant. [This hexagram describes your situation in terms of the primal structuring power confronted with many forces and obstacles. It emphasizes that giving way in order to serve and yield results, the action of Field, is the adequate way to handle it. To be in accord with the time, you are told to yield!]
Shaughnessy:The Flow: Prime receipt; beneficial for the determination of a mare; the gentleman has someplace to go, is first lost but later gains his ruler; beneficial to the southwest to gain a friend, to the northeast to lose a friend; contented determination is auspicious.
Cleary(1): With earth, creativity and development are achieved in the faithfulness of the female horse. The superior person has somewhere to go. Taking the lead, one goes astray; following, one finds the master. It is beneficial to gain companionship in the southwest and lose companionship in the northeast. Stability in rectitude is good.
Cleary(2): The creative is successful. It is beneficial to be correct like a mare. People with developmental potential have a goal; if they go ahead before this, they will get lost. If they follow, they get the benefit of the director. Companionship is found in the southwest; companionship is lost in the northeast. Stability and correctness bode well.
Wu:The Bearer is primordial, pervasive, prosperous, and has the perseverance of a mare. When the jun zi is going to undertake a task, he will lose his direction if he leads, and he will find guidance if he follows. This will be advantageous. If he goes south or west, he will win friends; if he goes north or east, he will lose them. If he can be content and single-hearted, he will have good fortune.
The Image
Legge: The capacity and sustaining power of the Earth is shown in The Magnetic. The superior man supports men and things with his large virtue.
Wilhelm/Baynes: The earth's condition is receptive devotion. Thus the superior man who has breadth of character carries the outer world.
Blofeld: This hexagram symbolizes the passivity of the terrestrial forces. The Superior Man displays the highest virtue by embracing all things.
Liu: The earth's condition is that of the Receptive. The superior man has the greatness of character to bear with everything in the world.
Ritsema/Karcher: Earth potency: Field. A chun tzu uses munificent actualizing-tao to carry the beings. [Actualize-tao: ...ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary(1): The configuration of earth is receptive; superior people support
others with warmth.
Cleary(2): The attitude of earth is receptivity. Thus do leaders support people with rich virtue.
Wu:The Bearer symbolizes the physical features and resources of the earth. Thus the jun zi uses his immense virtue to bear his responsibilities.
COMMENTARY
Confucius/Legge: All things owe their birth to the great originating capacity of The Magnetic -- it obediently receives the influences of Heaven. Its largeness contains and supports all things, and its capacity matches the unlimited power of The Dynamic. Its comprehension is wide, its brilliance great, and through it all things are fully developed. The mare is a creature of the earth, with a limitless power to traverse the land. She is mild and docile, with stamina and capacity for work. Such is the path of the superior man. If he takes the initiative, he loses his way; if he follows, he finds it again. In the southwest he will walk with his own kind. To lose friends in the northeast means he is well rid of them. The passively firm correctness of the superior man imitates the unlimited capacity of the earth.
Legge: The same attributes are ascribed to The Magnetic as in the former hexagram to The Dynamic -- but with a difference: The Dynamic originates, The Magnetic produces, or gives birth to what has been originated. This figure, made of six divided lines, symbolizes the idea of subordination and docility. The superior man described here must not take the initiative, and by following he will find his lord – the subject ofThe Dynamic. The firm correctness is analogous to a mare -- docile and strong, but a creature for the service of man. That it is not the sex of the animal which is paramount is plain from the mention of the superior man and his lord.
The superior man will bring his friends with him to serve the ruler. The southwest is the direction proper forThe Magnetic.The northeast is the direction proper for the trigram of the Mountain -- hence a direction of obstruction and impasse, the opposite of magnetic receptivity. Thus the injunction to seek friends who are receptive, and shun those who are recalcitrant.
Concerning The Image, Lin Hsi-yuan says: "The superior man, in his single person sustains the burden of all under the sky. The common people depend on him for their rest and enjoyment. Birds and beasts and creeping things, and the tribes of the vegetable kingdom, depend on him for the fulfillment of their destined being. If he be of a narrow mind and cold virtue, how can he help them? Their hope in him would be in vain."
NOTES AND PARAPHRASES
Judgment: The ego bears the burden of the Work. Success is found in compliance with the will of the Self.
The Superior Man supports the Work through its many transformations.
In terms of the symbolism of the Work, the second hexagram clearly shows the proper role of the ego as one of receptivity to the will of the Self. The sexual, male-female metaphor must be interpreted as one of polarity. The ego, inhabiting a physical body, is the psychological link which connects the material dimension of spacetime with the world of thought where the Self resides. To be receptive to the influence of the Self is to allow its energy to work through the ego-body to attain its purpose. This earth-like receptivity is seen as a feminine quality, as the Heavenly dynamic force emanating from the Self is seen as masculine. Earth means the body in spacetime, and Heaven means the realm of thought transcending spacetime -- the Pleroma of the gnostics which Jung referred to as the Collective Unconscious. The concept is also found in the Kabbalah:
I am the Door of Life, The passage from the world of ideas Into the world of form... Now, as Daleth [the Door], I present myself as the Portal Through which life, Eternal and Unbounded, Entereth the realm of temporal and limited creation... I am the fruitful womb Whence all creatures have their birth.
P.F. Case -- The Book of Tokens
The message in the Judgment clearly indicates the ego's proper role –
"If the superior man takes the initiative, he goes astray." This is supplemented by the image of a docile mare which uncomplainingly bears its load. Indeed, during certain phases of the Work it becomes painfully obvious that the ego really is just a beast of burden. The Self is beyond our full comprehension, and at times it uses us as if we were an expendable tool -- which, to a certain extent, we are. Only by realizing that our existence in spacetime consists mostly of illusions and that the Self is the only real thing in our lives, can we come to accept the Work as the duty we were created to perform.
SUGGESTIONS FOR MEDITATION
Compare the ego-Self relationship in hexagrams one and two with that in hexagrams seven and eight.