Other titles: Splitting Apart, The symbol of Falling or Flaying, Peeling Off, Decay, Flaying, Stripping Away, Intrigue, Deterioration, Collapse, Fracturing, Tearing, Disintegration, Ruin, Unraveling, "Can refer to a physical parting. Making a secure foundation." -- D.F. Hook
Judgment
Legge:Disintegration means that it is not advantageous to make a movement in any direction whatever.
Wilhelm/Baynes:Splitting Apart. It does not further one to go anywhere.
Blofeld: Peeling off. At present, there is no goal (or destination) which can be sought with advantage. [Peeling off in the sense of getting rid of hindrances (or hinderers) one after another. The first four lines of this hexagram symbolize a process of ridding ourselves progressively of all those upon whom we are accustomed to rely, for the powers of darkness are in the ascendant and no one can be trusted. However, in the long run, virtue triumphs, as indicated by line five, and ultimately we are all the more esteemed for our steadfastness, as can be seen from line six.]
Liu: Decay. It is unfavorable to undertake anything.
Ritsema/Karcher:Stripping not Harvesting: possessing directed going. [This hexagram describes your situation in terms of something outmoded or worn out. It emphasizes that eliminating what has become unusable is the adequate way to handle it...]
Shaughnessy: Flaying: Not beneficial to have someplace to go.
Cleary (1):Stripping away does not make it beneficial to go anywhere.
Cleary (2): … It is not beneficial, etc.
Wu: Tearing indicates that it is not advantageous to have any undertaking.
The Image
Legge: The image of a mountain adhering to the earth forms Disintegration. Superiors therefore strengthen their inferiors to secure the peace and stability of their own position.
Wilhelm/Baynes: The mountain rests on the earth: the image of Splitting Apart. Thus those above can ensure their position only by giving generously to those below.
Blofeld: This hexagram symbolizes a mountain resting upon the earth. The truly great shower generosity upon those under them to enable them to live in peace and comfort. [The upper and lower trigrams, mountain and Earth, symbolize the Superior Man and the people in his care.]
Liu: The mountain stands on the earth, symbolizing Decay. Those above should act with benevolence toward those below. Then there will be peace and security.
Ritsema/Karcher: Mountain adjoining with-respect-to earth. Stripping. Using munificence above to quiet the position below.
Cleary (1): Mountains are joined to the earth. Those above secure their homes by kindness to those below.
Wu: The mountain is subordinated to the earth; this is Tearing .Thus those above treat those below with liberal rewards to secure their own positions.
COMMENTARY
Confucius/Legge:Disintegration means overthrowing or being overthrown: the magnetic lines attack the dynamic line at the top in order to change it into one of themselves. It is unwise to move in any direction because inferior elements are now increasing in power. The superior man, observing this, stops all forward movement. He defers to the exigency of the time, realizing that increase and decrease, ripeness and decay are cyclic rhythms.
Legge:Disintegrationis the symbol of falling or causing to fall, and refers to the process of decay or overthrow in both the natural and political worlds. The figure consists of five yin lines below and one yang line on top. Decay has begun at the bottom and crept upward. The hexagram symbolizes the ninth month when summer has passed and the year is about to fall into the sterile arms of winter. In the political world, inferior men have gradually displaced good men until only one remains. The lesson for him is to wait because the power operating against him is too strong. Eventually a change for the better will appear. The specific image is that of a bed and its occupant, and the symbolism describes the attempts made to overthrow him. The lower trigram of Docility and the upper trigram of Keeping Still suggest to the superior man of line six how he can best deal with the prevailing circumstances. The situation is not hopeless -- winter is followed by spring, night by day, and the waning moon soon grows full again. So will it be in the course of human affairs.
The idea behind the Image is that a mountain has the earth for its foundation. If the earth is thick, the mountain preserves its height. So it is with the sovereign and people.
NOTES AND PARAPHRASES
Judgment:Disintegration means do not act.
The Superior Man stabilizes his responses and seeks tranquility.
The twenty-third hexagram is the inverse ofReturn, the hexagram immediately following it. Each figure depicts an opposite pole in a cyclic progression. Here the old cycle has disintegrated to the point of dissolution. The following hexagram depicts theReturnto the beginning of a new cycle.
The first four lines of Disintegration show the gradual erosion of a position or frame of reference, symbolized by a bed or couch. The inferior forces creep up from below like termites to undermine a solid foundation. The fifth line shows a gathering of forces for a potentially positive transformation, and the top line suggests the first stages of this transformation. The implication is that times of disintegration needn't always be regarded as negative, or a foregone conclusion. We still have the choice to alter conditions in our favor.
That the superior man "strengthens his inferiors" to insure the stability of his position, means that one stabilizes one's psychological situation by defusing the causes of rebellion -- safeguard the foundation where it is weak. Hexagram number forty-three, Resoluteness, is a negative picture of this figure, and the message in the Image is very similar: "The superior man does not hoard his wealth, but shares it with his subordinates." The idea is subtle -- it doesn't mean to indulge your weaknesses, but to monitor them encouragingly so that they may become transformed into positive forces.
Whenever we go deep enough toward the core of a sub- personality, we find that the core -- which is some basic urge, or need -- is good. For practical purposes, this can be considered an absolute. No matter how many layers of distortion may surround it, the basic need, the basic motivation, is a good one -- and if it becomes twisted, it was because of not being able to express itself directly. The real core -- not what the sub- personality wants, but what it needs -- is good. A basic purpose of the coordination phase is to discover this central urge or need, to make it conscious, and to find acceptable ways in which it can be satisfied and fulfilled. And, provided we have sufficient understanding and skill, it can be satisfied -- if not fully, at least enough to maintain the process of growth. James Vargiu -- Subpersonalities
Line 2
Legge: The second line, magnetic, shows one overthrowing the couch by injuring its frame. The injury will go on to the destruction of all firm correctness, and there will be evil.
Wilhelm/Baynes: The bed is split at the edge. Those who persevere are destroyed. Misfortune.
Blofeld: He continues peeling off at the edge of the bed. There is no steadfastness -- misfortune!
Liu: The frame of the bed is rotting. If one continues despite this, misfortune.
Ritsema/Karcher: Stripping the bed, using marking-off. Discarding the Trial: pitfall.
Shaughnessy: Flaying the good together with the dividers; determination about the military is inauspicious.
Cleary (1): Stripping a bed of its frame, destroying rectitude brings misfortune.
Cleary (2): … Destroying uprightness, etc.
Wu: He strips away the panels of the bed. Without regard to what is correct, it will be foreboding.
COMMENTARY
Confucius/Legge: The superior man has as yet no associates. Wilhelm/ Baynes: One has no comrade. Blofeld: This implies being left without friends. Ritsema/Karcher: Not-yet possessing associating indeed. Cleary (2): There is nothing to work with. Wu: He does not have a responsive correlate.
Legge: line two has the same effect as line one, except that the foe has advanced from the legs to the frame of the couch.
NOTES AND PARAPHRASES
Siu: The inferior men grow stronger. No help is in sight. Great caution and stubborn adherence to personal convictions are required.
Wing: The time requires the utmost caution. You are without allies in a compromising situation. Adapt as best you can to the circumstances. Do not take a self-righteous position or you could be badly hurt.
Editor: The legs are what the bed stands upon; the frame is what defines its perimeter. Line two therefore suggests the destruction of a definition which is essential to a doctrine, belief or discipline. For example, a basic tenet of Alcoholics Anonymous is the idea that each member must abstain entirely from alcohol. To expand the rules to permit the consumption of one ounce of alcohol per day would be to "overthrow the couch" -- the entire concept of what Alcoholics Anonymous is would be destroyed by including such an idea in its framework. Sometimes receiving this line is a simple acknowledgment that an old viewpoint or belief was inadequate -- in which case it needed to be destroyed.
As long as soul stays true to itself, it loves the divinity and desires to be at one with it, as a daughter loves with noble love a noble father. When, however, the soul has come down here to human birth, it exchanges (as if deceived by the false promises of an adulterous lover) its divine love for one that is mortal. And then, far from its begetter, the soul yields to all manner of excess. Plotinus
A. Suggests a situation with weak or disintegrating boundaries.
B. Conclusions based on faulty premises are worthless. Rationalization may be a factor.
Line 3
Legge: The third line, magnetic, shows its subject among the over-throwers; but there will be no error.
Wilhelm/Baynes: He splits with them. No blame.
Blofeld: He peels them all off -- no error.
Liu: Falling apart. No blame.
Ritsema/Karcher: Stripping it, without fault.
Shaughnessy: Flaying; there is no trouble.
Cleary (1): Stripping away without fault.
Wu: He tears but he is blameless.
COMMENTARY
Confucius/Legge: That there will be no error on the part of this one among the over-throwers arises from the difference between her and the others above and below. Wilhelm/Baynes: He loses the neighbor above and the one below. Blofeld: This implies losing contact with those above and below. Ritsema/ Karcher: Letting-go Above and Below indeed. Cleary (2): Loses above and below. Wu: He is not associated with those around him.
Legge: Line three also represents an over-thrower, but it differs from the others by being the correlate of line six, who is her ally. Three's allegiance is to the sixth line and not, as with the other magnetic lines, to one of her own kind.
NOTES AND PARAPHRASES
Siu: Because of circumstances beyond his control, the man finds himself associating with evil men. His inner relationship with a superior man enables him to retain his righteous stability, leading to opposition from inferior people.
Wing: Circumstances have led you into a situation in which you must work with inferior persons or ideals. If you can, nevertheless, maintain a strong tie with a superior element, you will avoid Deterioration and free yourself of regretful errors.
Editor: Wilhelm says: "He splits with them." Blofeld renders it: "He peels them all off." These are images of separation or differentiation -- a setting apart. Disintegrationis an upside-down image of the hexagram of Return, and if it is inverted, this line takes the place of line four in Return: "Walking in the midst of others, one returns alone." Wu's Confucian commentary on line three here says: “He is not associated with those around him,” which reinforces this idea.
The disintegrating tendencies very often result in psychosis if the unconscious and conscious clash, for then they have prevailed and the person falls into all those parts which are hostile to each other, as, for instance, when the psychotic person hears different voices which quarrel with each other. On the other hand, we know also that the unconscious contains synthesizing or integrating tendencies, which issue from that regulating center which Jung calls the Self. M.L. Von Franz -- Alchemical Active Imagination
A. Make a distinction between yourself and inferior elements within the situation, perhaps an attitude.
Line 4
Legge: The fourth line, magnetic, shows its subject having overthrown the couch, and going on to injure the skin of him who lies on it. There will be evil.
Wilhelm/Baynes: The bed is split up to the skin . Misfortune.
Blofeld: He continues the peeling off at the mattress of his bed -- misfortune!
Liu: The entire bed rots, reaching the body. Misfortune.
Ritsema/Karcher: Stripping the bed, using flesh . Pitfall.
Shaughnessy: Flaying the good together with the skin; inauspicious.
Cleary (1): Stripping away even the skin on the bed , misfortune.
Cleary (2): Stripping a bed to the skin brings misfortune.
Wu: He rips off the matting in the bed . There will be foreboding.
COMMENTARY
Confucius/Legge: Calamity is very near at hand. Wilhelm/Baynes: This is a serious and immediate misfortune. Blofeld: This presages our being very close to a terrible misfortune. Ritsema/Karcher: Slicing close-to calamity indeed. Cleary (2): Getting very close to disaster. Wu: The danger is imminent.
Legge: Danger is imminent. The bed has been overthrown. The person of the occupant is at the mercy of the destroyers.
NOTES AND PARAPHRASES
Siu: Calamity is imminent. Neither warning nor protection is forthcoming. The man is at the mercy of destroyers.
Wing: You are exposed to danger. Calamity is imminent and you are unable to hold it back. Without warning, you are on the threshold of defeat.
Editor: This is one of the most negative lines in the I Ching-- an image of maximum destruction. Legge’s translation suggests that the dynamic sixth line may be regarded as the bed’s symbolic occupant -- i.e., it's his skin which is being flayed. Psychologically interpreted, this can suggest the Self which is in some sense em-bed-ed in its satellite complexes.
Even at the height of [Hitler's] power there was for him no Germany, there were no German troops for whom he felt himself responsible; for him there was -- at first sub-consciously, but in his last years fully consciously -- only one greatness, a greatness which dominated his life and to which his evil genius sacrificed everything -- his own ego. Colonel-General Franz Halder
Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook
Judgment
Legge: The Sacrificial Vessel means great progress and success.
Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.
Blofeld: A Sacrificial Vessel -- supreme success!
Liu:The Cauldron. Great good fortune. Success.
Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]
Shaughnessy:The Cauldron: Prime auspiciousness; receipt.
Cleary (1): The cauldron is basically good; it is developmental.
Cleary (2): The Cauldron is very auspiciously developmental.
Wu: The Cauldron indicates great auspiciousness and pervasiveness.
The Image
Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.
Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.
Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.
Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.
Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.
Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.
Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.
Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.
COMMENTARY
Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.
Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.
The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.
NOTES AND PARAPHRASES
Judgment: You are the Sacrificial Vessel.
The Superior Man holds to the principles of the Work to attain transcendence.
The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.
When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.
The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel. M.E. Harding -- Psychic Energy
Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:
The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle. Liu I-ming
SUGGESTIONS FOR MEDITATION
In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?