Overcome burdens by letting go of excess; find strength in simplicity and lighten your load.
From
28
Critical Mass
To
41
Decrease
Losing one's essence
One studies carefully the causes of one's decline. taoscopy.com
Critical Mass28
Embrace resilience during times of overwhelming pressure. Acknowledge the burden, make necessary adjustments, and seek support to prevent collapse. Balance is crucial for enduring success.
↓ Line 1
Taking precautions to prevent damage. A solid foundation is necessary.
↓ Line 3
Overburdening leads to collapse. Caution is needed to avoid disaster.
↓ Line 4
Stabilizing the situation brings good fortune, but hidden agendas can lead to disgrace.
↓ Line 5
Unexpected developments occur, but they are neutral in outcome. Acceptance is key.
↓ Line 6
Facing overwhelming challenges can lead to misfortune, but maintaining integrity prevents blame.
↓ Decrease41
Simplify and reduce. Embrace minimalism to gain clarity and focus on what truly matters. Letting go can bring unexpected abundance.
Other titles: Preponderance of the Great, The Symbol of Great Passing, Excess, Great Excess, The Passing of Greatness, Great Surpassing, Great Gains, Experience, Greater than Great, Greatness in Excess, Dominance by the Mighty, The Passing of Greatness, Excess of the Great, Law of Karma
Judgment
Legge:Critical Mass depicts a weak beam. Under such conditions it is advantageous to move in any direction whatever. Success is indicated.
Wilhelm/Baynes:Preponderance of the Great. The ridgepole sags to the breaking point. It furthers one to have somewhere to go. Success.
Blofeld:Excess! The ridgepole sags. It is favorable to have some goal (or destination) in view. Success! [A glance at the hexagram will show that it is too heavy in the middle and too weak at the ends. A number of firm lines is generally auspicious, but there can be too much of a good thing!]
Liu: Great Excess. The ridgepole is crooked. It benefits to go anywhere. Success.
Ritsema/Karcher:Great Exceeding, the ridgepole sagging. Harvesting; possessing directed going. Growing. [This hexagram describes your situation in terms of your connection to a ruling principle. It emphasizes that pushing the guiding idea beyond ordinary limits and accepting the results is the adequate way to handle it...]
Shaughnessy: Great Surpassing: The ridgepole bows upward; beneficial to have someplace to go; receipt.
Cleary (1): When the great is excessive, the ridgepole bends. It is good to go somewhere; that is developmental. [When the ridgepole snaps, the whole house falls down. In the same way, practitioners of the Tao who promote yang too much, who do not know when enough is enough, who can be great but cannot be small, suffer damage to their spiritual house.]
Cleary (2): When greatness passes, the ridgepole bends. It is beneficial to have somewhere to go, for you will succeed.
Wu:Excess of the Great indicates a beam that warps. It will be advantageous to have undertakings. It will be pervasive.
The Image
Legge: The image of trees beneath a marsh forms Critical Mass. The superior man, in accordance with this, fearlessly stands alone, and stays retired from the world without regret.
Wilhelm/Baynes: The lake rises above the trees: the image of Preponderance of the Great. Thus the superior man, when he stands alone, is unconcerned, and if he has to renounce the world, he is undaunted.
Blofeld: This hexagram symbolizes a forest submerged in a great body of water. The Superior Man, though standing alone, is free from fear; he feels no discontent in withdrawing from the world. [This is suggested by the component trigrams. Water is necessary for the nourishment of the trees, but too much of it can cause serious damage.]
Liu: The lake rising over the trees symbolizes Great Excess. The superior man, when isolated, is undisturbed. If he has to retreat from society, he feels no regret.
Ritsema/Karcher: Marsh submerging wood. Great Exceeding. A chun tzu uses solitary establishing not to fear. (A chun tzu uses) retiring-from the age without melancholy.
Cleary (1): Moisture destroys wood in excess. Thus superior people stand alone without fear, and leave society without distress.
Cleary (2): Moisture destroys wood. Developed people, etc. [Only when sustained by the power to stand alone without fear and avoid society without distress can learning be firmly rooted and development have a proper basis; then it is possible to refine and support the mediocre.]
Wu: Marsh covers over wood; This is Excess of the Great. Thus the jun zi stands alone without fear and withdraws from the world without melancholy.
CONFUCIAN COMMENTARY
Confucius/Legge: Excess is weakly supported at either end, with weakness in both the lowest and topmost lines. The dynamic lines are in excess, but two of them are in the central positions. The trigrams of Flexibility and Satisfaction indicate that there will be advantage in moving in any direction whatever -- there will be success. Great indeed is the work to be done during this extraordinary time.
Legge: Extraordinary times require extraordinary skill in their management. The figure shows two magnetic lines at top and bottom, with four dynamic lines between them -- giving the image of a great beam unable to sustain its own weight. Lines two and five are both dynamic and central however, and from this and the attributes of the component trigrams a good auspice is obtained.
NOTES AND PARAPHRASES
Judgment: A stressful situation is best managed with a comprehensive strategy. (Or: in the chess game of life, one succeeds by planning several moves in advance.)
The Superior Man serves The Work by going his own way, regardless of public opinion.
Wilhelm titles this hexagram Preponderance of the Great. I prefer R.L. Wing's paraphrase of Critical Massas more evocative of the figure's meaning in modern terminology.
In Critical Mass four dynamic lines lurk inside of the hexagram, weakly contained at top and bottom by two magnetic lines. This energetic concentration could explode in an unpredictable release of force, and hence the Judgment tells us to move now (remember: non-action is also action) to avoid unwanted consequences. (Often the outcome is predictable – be prepared to just walk away if and when that is your best move.)
Legge’s translation of the Judgment is:
"...It is advantageous to move in any direction whatever. "
This is a different message than Wilhelm's:
"...It furthers one to have somewhere to go."
Legge’s version implies an almost hysterical flight from danger while Wilhelm's rendition suggests prior intention and planning. The latter interpretation is definitely what is meant here, as confirmed by Cleary’s Buddhist commentary:
When the transformative path is flourishing, contaminations easily arise; it is best to set up guidelines and regulations. When meditation work is advanced, ignorance is about to dissolve; it is best to exercise the mind skillfully.
Coupled with Cleary’s translation of the Image as: “Developed people stand alone without fear, avoid society without distress,” the idea is that one should follow one's best intuition and ignore popular illusions, political correctness or inner fears. (Psychologically: conventional thinking, socially conditioned reflexes, knee-jerk responses, etc.). During a time of Critical Mass, pay close attention to direction from the Self to preserve the Work. This is not the time to follow the crowd. Sometimes this can mean that you are obliged to go it alone – one of the Work’s frequent tests (Cf. line 6):
The Gulf is something that has to be leaped, and leaped alone, stripped of all hindering burdens, in faith ... It is thus one of the crisis points of spiritual progress because of the great temptation to turn back from the unknown to the apparent safety of known things, and to succumb to this temptation is to lose all the fruits of past endeavor. G. Knight -- A Practical Guide to Kabbalistic Symbolism
SUGGESTIONS FOR MEDITATION
Compare the Judgment and Image of this hexagram with those of hexagram number 32, Consistency.
Anthony: We must regain modesty through the effort to rid ourself of strong elements that cause us to press forward. The strong elements may exist in someone else, causing them to assault us with their fear, mistrust or doubt. Strong refers to impetuous movement to resolve what is ambiguous … We can meet the challenge by remaining detached and letting things go through their changes … To be truly rich is to remain modest; to be truly powerful is to remain reticent.
Line 1
Legge: The first line, magnetic, shows one placing mats of the white mao grass under things set on the ground. There will be no error.
Wilhelm/Baynes: To spread white rushes underneath. No blame.
Blofeld: For mats, use white rushes -- no error! [White rushes are less common than ordinary ones and probably make more beautiful mats. The implication may be that, if we decide to do things rather nicely, we might as well go a little further and do them as charmingly as possible.]
Liu: To spread white rushes below leads to no blame.
Ritsema/Karcher: A sacrifice availing-of white thatch grass. Without fault.
Shaughnessy: For the mat use white cogon-grass; there is no trouble.
Cleary (1): Spreading white reeds; no fault.
Cleary (2): Spreading a mat of white reeds, there is no blame.
Wu: Use of white mats in making offerings is blameless.
CONFUCIAN COMMENTARY
Confucius/Legge: She feels the weakness of being in the lowest place, and uses extraordinary care. Wilhelm/Baynes: The yielding is underneath.
Blofeld: The reference is derived from the position of this yielding line below so many firm ones. [A further commentary explains that they symbolize treating things with gentleness.]Ritsema/Karcher: Supple located below indeed. Cleary (2): Flexibility in a low position. Wu: Because the meek is in the low position.
The Master said: To place the things on the ground might be considered sufficient; but when one places mats of the white grass beneath them, what occasion for blame can there be? Such a course shows the height of carefulness. The white grass is a trivial thing, but through the use made of it, it may become important. One who goes forward using such careful art will not fall into any error.
Legge: The first line is magnetic, at the bottom of both the hexagram and the lower trigram of Humility or Flexibility. Therefore she is distinguished by carefulness, as in the matter mentioned, and there is a good auspice.
NOTES AND PARAPHRASES
Siu: At the outset, the man displays considerable care in embarking upon an important enterprise.
Wing: When embarking on an important endeavor, it is necessary to pay particular attention to details at the beginning. The times are indeed extraordinary, and you must be particularly careful to proceed in the right way. Being overcautious is not a mistake.
Editor: The idea is to lay a careful foundation for any enterprise to prevent later instability. Make careful choices now to prevent evil consequences later on.
Don't you know that the beginning is the most important part of every work and that this is especially so with anything young and tender? For at that stage it's most plastic, and each thing assimilates itself to the model whose stamp anyone wishes to give it. Plato --The Republic
A. Begin carefully.
B. Extreme caution is indicated.
Line 3
Legge: The third line, dynamic, shows a beam that is weak. There will be evil.
Wilhelm/Baynes: The ridgepole sags to the breaking point. Misfortune.
Blofeld: The ridgepole sags -- misfortune!
Liu: The ridgepole bends under pressure; misfortune.
Ritsema/Karcher: The ridgepole buckling. Pitfall.
Shaughnessy: The ridgepole sags; inauspicious.
Cleary (1): The ridgepole bends; misfortune.
Cleary (2): The ridgepole bending is foreboding.
Wu: The beam warps. Foreboding.
CONFUCIAN COMMENTARY
Confucius/Legge: No help can be given to the condition thus represented. Wilhelm/Baynes: The misfortune of the sagging and breaking of the ridgepole is due to its finding no support. Blofeld: The misfortune of being without adequate support. Ritsema/Karcher: Not permitted to use possessing bracing indeed. Cleary (2): There is no way to help. Wu: Because no support will help.
Legge: The third line is dynamic in a dynamic place and confident in his own strength. But his correlate line six is magnetic. Alone, he is unequal to the extraordinary strain. Any attempt to sustain the broken beam will have no effect in supporting the roof.
NOTES AND PARAPHRASES
Siu: The man becomes overconfident in his limited strength. He rushes ahead in opposition to advice from those in a position to help. This leads to the loss of voluntary support. His burdens increase, and he proves unequal to the task.
Wing: You are inclined to force your way forward when, in fact, there are obstacles that cannot be overcome in this way. Even worse, you cannot accept advice from others because it is not what you wish to hear. Misfortune will inevitably follow.
Editor: This is the weak beam referred to in the Judgment. In the metaphor of Wing’s title of Critical Mass, the situation is about to detonate
Owing to neglect the rooftree gives way;
for want of care the house lets in the rain.
Ecclesiastes 10: 18
A. The situation is unstable.
B. You have no support in the matter at hand.
C. Your assumptions have no foundation.
Line 4
Legge: The fourth line, dynamic, shows a beam curving upwards. There will be good fortune. If the subject of the line looks for other help but that of line one, there will be cause for regret.
Wilhelm/Baynes: The ridgepole is braced. Good fortune. If there are ulterior motives, it is humiliating.
Blofeld: The ridgepole is upheld -- good fortune! Were it otherwise, there would be cause for blame.
Liu: The ridgepole is strengthened; good fortune. But something else may cause humiliation.
Ritsema/Karcher: The ridgepole crowning. Significant. Possessing more: abashment.
Shaughnessy: The ridgepole bows upward; auspicious; there is harm; distress.
Cleary (1): The ridgepole is raised; good fortune. There is another shame.
Cleary (2): … This is auspicious, but there is another shame.
Wu: The beam is held upright, and there will be good fortune. There may be humiliation in unexpected situations.
CONFUCIAN COMMENTARY
Confucius/Legge: The good fortune arises because it does not bend toward what is below. Wilhelm/Baynes: It does not sag downward and break. Blofeld: Good fortune in the sense that it does not fall. [This would seem to be good fortune of a negative kind; not so much good fortune as the failure of expected bad fortune to materialize.] Ritsema/Karcher: Not sagging, reaching-to the below indeed. Cleary (2): It does not bend down. Wu: The beam (is) held upright, not warping downward.
Legge: Line four is just below the fifth line ruler. His duty is to meet the extraordinary exigency of the time. Although dynamic, he is in a magnetic place and his strength is tempered -- he will be equal to his task. Should he seek help from line one, that would affect him with another element of weakness, and his action would give cause for regret.
NOTES AND PARAPHRASES
Siu: The man becomes the master of the difficult situation by refusing the assistance of weak men. He relies on his own strength of character.
Wing: You can now find within yourself the strength and vision to achieve a successful outcome in your endeavors. Do not rely upon people or things outside of your Self for guidance. Dependence now on external things leads to humiliation.
Editor: This is one of those maddening lines of which every translator renders a subtly different version. Some aren't even internally consistent: Legge's translation says that there will be cause for regret if the subject "looks for other help but that of line one,” which I take to mean: "Only line one is the proper source of assistance.” Inexplicably, his exposition then cautions against such assistance, as does his Confucian commentary. Blofeld's version is a tautology effectively removing serious warning from the line. The Wilhelm and Liu translations are least confusing and imply that we are protected as long as we suppress our lower impulses and maintain allegiance to a higher principle. In my experience, this interpretation has been most accurate.
The patient must be alone if he is to find out what it is that supports him when he can no longer support himself. Only this experience can give him an indestructible foundation. Jung -- Psychology and Alchemy
A. The Work is protected if you keep the faith.
Line 5
Legge: The fifth line, dynamic, shows a decayed willow producing flowers, or an old wife in possession of her young husband. There will be occasion neither for blame nor for praise.
Wilhelm/Baynes: A withered poplar puts forth flowers. An older woman takes a husband. No blame. No praise.
Blofeld: The withered willow tree puts forth blossom -- an old woman takes a vigorous young husband; no blame, no praise! [No blame, in that there is no prohibition against such marriages; no praise, in that they are generally considered far more unsuitable than when the husband is much older than the wife.]
Liu: A withered poplar blossoms. An old woman gains a young husband: No blame, no praise.
Ritsema/Karcher: A withered willow giving-birth-to flowers. A venerable wife acquiring her notable husband. Without fault, without praise.
Shaughnessy: The bitter poplar gives life to flowers: the old wife gets her siring husband; there is no trouble, there is no praise.
Cleary (1): A withered willow produces flowers, and old woman gets a young man for a husband: no blame, no praise.
Wu: A withered willow tree grows a flower. An old woman takes a young husband. There will be neither blame nor praise.
CONFUCIAN COMMENTARY
Confucius/Legge: A decayed willow produces flowers, but how can this secure its long continuance? An old wife and a young husband is also a thing to be ashamed of. Wilhelm/Baynes: How could this last long? It is nevertheless a disgrace. Blofeld: How can such blossom endure for long? From another point of view, both of them should feel ashamed. [The question of blaming or praising such a marriage is in any case of little importance, since it can scarcely be destined to endure for long. The second sentence of the commentary perhaps reveals that, for once, Confucius was inclined to disagree with his beloved mentor, the Book of Change, and to be taken aback by the words "no blame." From the point of view of divination, lines of this sort do not always indicate marriage; this line could mean that we shall do or have done something rather unusual of which the results will be more or less negative.] Ritsema/Karcher: Wherefore permitting lasting indeed? Truly permitting the demoniac indeed. Cleary (2): How can they last? (It) can also be embarrassing. Wu: How long can it last? (They) make an awkward couple.
Legge: Line five is dynamic and central and should be able to achieve extraordinary merit. But he has no proper correlate below, and as line two is inclined to line one, so is line five inclined to line six. But here the willow only produces flowers, not shoots -- its decay will soon reappear. An old wife will have no children. If the line is not to be condemned like line three, neither does his action deserve praise. The shoots produced in line two will grow into a new and vigorous tree, but here the flowers will soon decay, and the withered trunk continue the same. For what will a young man marry an old woman? There will be no children; it can only be from some mercenary motive.
NOTES AND PARAPHRASES
Siu: Notwithstanding promising potentialities the man gives up his alliances with the people below him and seeks the company only of those of higher rank. An unstable arrangement results. Instead of greater security, there will be less. No renewal occurs after the flower saps the tree's remaining energy.
Wing: In critical or significant times it is exhausting to cling to your ideals and ignore the realities of your environment. These realities are the superstructure that supports your life. If you ignore your foundations in your reach upward, you will become unstable and accomplish nothing at all.
Editor: Notice that the original line says that there will be neither praise nor blame. It is the Confucian commentary, written many hundreds of years later, that attaches the idea of "shame” to this position. Following Confucius, Blofeld's footnote also interprets the results as negative: but this is not really warranted from the line itself. The image is a reasonable portrayal of an inconclusive, fruitless or trivial situation. The condition emblemed is one of marking time: marching in place. Psychologically interpreted, the wife can symbolize an emotional component of the psyche: a desire or feeling; the husband would be a mental component: perhaps discrimination. If this is the only changing line, the new hexagram becomes number thirty-two: Consistency, with a corresponding line that confirms the ineffectual condition.
While man is a soul in essence he may, while incarnate in flesh, forget his real origins and indeed live out his whole existence in an animal [like] or vegetable [like] consciousness. Z.B.S. Halevi -- Adam and the Kabbalistic Tree
A. Marking time, treading water -- a harmless but fruitless diversion.
B. A flare-up of an old condition. Something returns, flowers, and dies to no particular purpose.
Line-6
Line 6
Legge: The sixth line, magnetic, shows its subject with extraordinary boldness wading through a stream, till the water hides the crown of her head. There will be evil, but no ground for blame.
Wilhelm/Baynes: One must go through the water. It goes over one's head. Misfortune. No blame.
Blofeld: While he was fording the river, the water rose above his head -- misfortune, but he was not at fault.
Liu: One walks through the water and it goes over his head. Misfortune, no blame.
Ritsema/Karcher: Exceeding wading submerges the peak. Pitfall. Without fault.
Shaughnessy: Surpassing and fording causes the top of the head to vanish; inauspicious; there is no trouble.
Cleary (1): Excess reaching the peak of destruction is unfortunate; there is no blame on other people. [At the end of Excess of the Great, being ignorant and acting arbitrarily, not knowing the medical substances or the firing process, doing whatever comes to mind, going astray and not returning, the damage is worse the higher one goes; excess reaches the peak of destruction. One calls misfortune upon oneself – it is no fault of others. This is Excess of the Great in the sense of being weak and entertaining illusions.]
Cleary (2): Going too far, passing away at the peak, there is misfortune, but no blame. [Here are only the virtues of flexibility and uprightness, without the ability to solve difficulties, so misfortune cannot be avoided; but one is really not to blame. In Buddhist terms, this is when correct concentration has no insight, winding up as a fall at the peak.]
Wu: He is drowned while crossing the river. This is foreboding, but blameless.
CONFUCIAN COMMENTARY
Confucius/Legge: Evil follows wading with extraordinary boldness through the stream, but the act affords no ground for blame. Wilhelm/Baynes: One should not join blame to the misfortune of going through the water. Blofeld: This presages a misfortune for which we cannot possibly be blamed. Ritsema/ Karcher: Not permitting fault indeed. Cleary (2): The misfortune of going too far cannot be blamed. Wu: The ill fortune of getting drowned should not be a cause for blame.
Legge: The sixth line pursues her daring course with an intent to rectify the extraordinary exigency of the time and benefit all under the sky. She is unequal to the task and sinks beneath it, but her motive justifies the judgment on her conduct.
NOTES AND PARAPHRASES
Siu: The man pursues his objectives for the public good, regardless of the consequences and danger. Misfortune results. But no blame is attached to his conduct, because there are certain things more important than life itself.
Wing: The goal is worth accomplishing, although the sacrifice to attain it may be confounding in its enormity. No blame is attached to such action, although you should realize the extraordinary reality of what is happening.
Anthony: It is careless to wish to accomplish our task, no matter what happens. Plunging ahead on our own is always dangerous and willful. It is best to retain carefulness, allowing ourself to be guided. Meanwhile, having followed our principles is without blame, even though the result may be dangerous.
Editor: Like anyline in theI Ching, this one is open to more than one interpretation. It can suggest suffering while undertaking a necessary but difficult task, or it can portray one ignorantly “pushing the river” in pursuit of goals one doesn’t really understand. Legge's commentary about being “unequal to the task” is not explicit in the original line -- i.e.: failure is not necessarily a foregone conclusion. Life's lessons are often painful -- that's just the way it is, and you are not to blame for it. Cleary (1)’s mention of “medical substances, etc.,” refers to Taoist alchemical procedures.
If anyone wants to be a follower of mine, let him renounce himself and take up his cross every day and follow me. For anyone who wants to save his life will lose it; but anyone who loses his life for my sake will save it. Luke 9: 23-25
A. Plunge in and accept the consequences of your choices: Bite the bullet and do your duty.
B. A painful lesson in the school of hard knocks.
C. “The road to hell is paved with good intentions.”
Other titles: Decrease, The Symbol of Lessening, Loss, Diminishing, Reduction, Diminution of Excesses, Decline, Bringing into Balance, Dynamic Balance, Sacrifice, "Not necessarily material loss. Can mean decreasing the lower self to increase the higher." -- D.F. Hook
Judgment
Legge: Compensating Sacrifice means that sincerely maintained rectitude brings great success. Action is appropriate if one's sacrifice is sincere -- even two baskets of grain, though there be nothing else, may be offered.
Wilhelm/Baynes:Decrease combined with sincerity brings about supreme good fortune without blame. One may be persevering in this. It furthers one to undertake something. How is this to be carried out? One may use two small bowls for the sacrifice.
Blofeld: Loss accompanied by confidence -- sublime good fortune and no error! It is favorable to have in view some goal (or destination). If there is doubt as to what to use for the sacrifice, two small bowls will suffice.
Liu:Decrease with sincerity: great good fortune, no blame. One may continue. It is beneficial to go somewhere. How can this (decrease with sincerity) be done? One may use two bamboo containers of grain for a sacrifice.
Ritsema/Karcher: Diminishing, possessing conformity. Spring significant. Without fault, permitting Trial. Harvesting: possessing directed going. Asking-why: having availing of. Two platters permit availing-of presenting. [This hexagram describes your situation in terms of sacrifice and loss. It emphasizes that lessening yourself and decreasing your involvements is the adequate way to handle it...]
Shaughnessy: There is a return; prime auspiciousness; there is no trouble. It can be determined. Beneficial to have someplace to go. Why use two tureens; you can use aromatic grass.
Cleary (1): Reduction with sincerity is very auspicious, impeccable. It should be correct. It is beneficial to go somewhere. What is the use of the two bowls? They can be used to receive.
Cleary (2): … It is beneficial to have somewhere to go, etc … They can be used for presentation.
Wu: Loss indicates that with confidence there will be great fortune, no error, perseverance, and advantage to have undertakings. What to use in offerings? Two boxes of grain are adequate.
The Image
Legge: The image of a mountain and beneath it the waters of a marsh form Compensating Sacrifice. The superior man, in accordance with this, restrains his wrath and represses his desires.
Wilhelm/Baynes: At the foot of the mountain, the lake: the image of Decrease. Thus the superior man controls his anger and restrains his instincts.
Blofeld: This hexagram symbolizes a marshy lake at the foot of a mountain. The Superior Man keeps his anger under control and is moderate in his desires.
Liu: The lake beside the mountain symbolizes Decrease. The superior man curbs his indignation and restricts his desires.
Ritsema/Karcher: Below mountain possessing marsh. Diminishing. A chun tzu uses curbing anger to block the appetites.
Cleary (1): There is a lake under a mountain, reducing it. Thus does the superior person eliminate wrath and cupidity.
Cleary (2): Lake below a mountain – Reducing. Thus do developed people eliminate anger and greed.
Wu: There is a marsh below the mountain; this is Loss. Thus the jun zi mitigates his anger and restrains his desires.
COMMENTARY
Confucius/Legge: In Compensating Sacrificethe lower trigram is diminished to increase the upper, and the flow is upward. The two baskets of grain accord with the time. There is a time when the strong should be diminished and the weak strengthened. Decrease and increase, overflowing and emptiness, take place in harmony with the demands of the time.
Legge: Ch'eng-tzu says: "Every diminution and repression of what we have in excess to bring it into accordance with right and reason is comprehended under Compensating Sacrifice. If there is sincerity in doing this it will lead to success and happiness, and even if the offering is small, yet it will be accepted."
The K'ang-hsi editors say: "What is meant by diminishing in this hexagram is the regulation of expenditure or contribution according to the time. This would vary in a family according to its poverty or wealth, and in a state according to the abundance or scantiness of its resources. If one supplements the insufficiency of his offering with the abundance of his sincerity, the insignificance of his two baskets will not be despised."
The waters of a marsh are continually rising up in vapor to bedew the hill above it, and thus increase its verdure. What is taken from the marsh gives increase to the hill.
NOTES AND PARAPHRASES
Judgment: A sacrifice creates equilibrium.
The Superior Man sacrifices his appetites to a higher principle.
The traditional name for this hexagram is Decrease, but the lines and commentary all describe a compensating exchange of forces to attain equilibrium. The idea of "sacrifice" is mentioned in the Judgment, and that also might make a good title, though the image of two baskets of grain suggests a balancing scale: a "compensating" device. In this hexagram, the flow of energy moves from below upwards -- the waters of the lake or marsh are dispersed to enrich the mountain. In psychological terms we think of the ego sacrificing or decreasing its autonomy to achieve psychic equilibrium with the Self: we forfeit something valuable to obtain something even more valuable. Without this quid pro quo, the concept of sacrifice is meaningless and irrational.
A sacrifice is meant to be a loss, so that one may be sure that the egoistic claim no longer exists. Therefore the gift should be given as if it were being destroyed. But since the gift represents myself, I have in that case destroyed myself, given myself away without expectation of return. Yet, looked at in another way, this intentional loss is also a gain, for if you can give yourself it proves that you possess yourself. Nobody can give what he has not got. Jung -- Transformation Symbolism in the Mass
Compare the Image message from hexagram number 15, Temperance with the notion of a compensating balance: "The superior man, in accordance with this, diminishes his excesses to augment his insufficiencies, thus creating a just balance." We are reminded of another "Temperance" -- the 14th Arcanum of the Tarot, which depicts an angel pouring water from one vessel into another: "compensating." A comparison of its symbolism with that of hexagram number 41 yields many insights:
The Path of ... TEMPERANCE, leads from ... the Personality [ego] to the Higher Self ... The whole experience is one of preparation of the Personality [ego], and the body in which it is operating, to deal with an influx of Light which would be devastating to a system unready to handle such energy. Most important here is the monitoring of progress, the continual testing from above. It is the angel here which is at once the Higher Self and the initiatory forces of Nature, which pours the elixir from vase to vase. This is an ongoing process of testing; measuring to see how much the physical vehicle can bear. R. Wang --The Qabalistic Tarot
Without belaboring the point, we can see that all sacrifice is a kind of remuneration: it couldn't be otherwise in an interconnected universe. The Image instruction for the superior man to “control his anger” is also echoed in the Temperance card. This relates to:
...an aspect of the Mysteries only rarely discussed, and certainly germane to the Twenty-Fifth Path [the Kabbalistic equivalent of the relationship between lines one and four in this hexagram]: this is the very real hostility often felt by the student toward the Path itself, as he works day after day and seems to be getting nowhere. Such hostility and frustration is in itself a major test; it is part and parcel of the work prior to the emergence of inner proofs. -- Ibid
"Decrease with sincerity" (Liu) refers to one's continuous sacrifice for the goals of the Work, and "curbing anger" (Ritsema/Karcher) is how one handles the archetypal forces evoked when the decrease seems endless and you've yet to receive anything in return. Like any other hexagram, Compensating Sacrifice can symbolize an infinity of possible situations, but psychologically speaking we can first regard it as an image of sacrifice for the purpose of attaining a balance of power within the psyche. Without the sacrificial devotion of the ego, the Self cannot attain its will; and if the Self can't make it, the ego is doomed by default.