Strength to endure challenges leads to a transformation, turning pressure into a vessel of new opportunity and wisdom.
From
28
Critical Mass
To
50
The Cauldron
Responding to an emergency
One rushes things when one needs results immediately. taoscopy.com
Critical Mass28
Embrace resilience during times of overwhelming pressure. Acknowledge the burden, make necessary adjustments, and seek support to prevent collapse. Balance is crucial for enduring success.
↓ Line 5
Unexpected developments occur, but they are neutral in outcome. Acceptance is key.
↓ Line 6
Facing overwhelming challenges can lead to misfortune, but maintaining integrity prevents blame.
↓ The Cauldron50
Transformation and nourishment lead to inner and outer change. Embrace renewal by discarding the old and refining the new.
Other titles: Preponderance of the Great, The Symbol of Great Passing, Excess, Great Excess, The Passing of Greatness, Great Surpassing, Great Gains, Experience, Greater than Great, Greatness in Excess, Dominance by the Mighty, The Passing of Greatness, Excess of the Great, Law of Karma
Judgment
Legge:Critical Mass depicts a weak beam. Under such conditions it is advantageous to move in any direction whatever. Success is indicated.
Wilhelm/Baynes:Preponderance of the Great. The ridgepole sags to the breaking point. It furthers one to have somewhere to go. Success.
Blofeld:Excess! The ridgepole sags. It is favorable to have some goal (or destination) in view. Success! [A glance at the hexagram will show that it is too heavy in the middle and too weak at the ends. A number of firm lines is generally auspicious, but there can be too much of a good thing!]
Liu: Great Excess. The ridgepole is crooked. It benefits to go anywhere. Success.
Ritsema/Karcher:Great Exceeding, the ridgepole sagging. Harvesting; possessing directed going. Growing. [This hexagram describes your situation in terms of your connection to a ruling principle. It emphasizes that pushing the guiding idea beyond ordinary limits and accepting the results is the adequate way to handle it...]
Shaughnessy: Great Surpassing: The ridgepole bows upward; beneficial to have someplace to go; receipt.
Cleary (1): When the great is excessive, the ridgepole bends. It is good to go somewhere; that is developmental. [When the ridgepole snaps, the whole house falls down. In the same way, practitioners of the Tao who promote yang too much, who do not know when enough is enough, who can be great but cannot be small, suffer damage to their spiritual house.]
Cleary (2): When greatness passes, the ridgepole bends. It is beneficial to have somewhere to go, for you will succeed.
Wu:Excess of the Great indicates a beam that warps. It will be advantageous to have undertakings. It will be pervasive.
The Image
Legge: The image of trees beneath a marsh forms Critical Mass. The superior man, in accordance with this, fearlessly stands alone, and stays retired from the world without regret.
Wilhelm/Baynes: The lake rises above the trees: the image of Preponderance of the Great. Thus the superior man, when he stands alone, is unconcerned, and if he has to renounce the world, he is undaunted.
Blofeld: This hexagram symbolizes a forest submerged in a great body of water. The Superior Man, though standing alone, is free from fear; he feels no discontent in withdrawing from the world. [This is suggested by the component trigrams. Water is necessary for the nourishment of the trees, but too much of it can cause serious damage.]
Liu: The lake rising over the trees symbolizes Great Excess. The superior man, when isolated, is undisturbed. If he has to retreat from society, he feels no regret.
Ritsema/Karcher: Marsh submerging wood. Great Exceeding. A chun tzu uses solitary establishing not to fear. (A chun tzu uses) retiring-from the age without melancholy.
Cleary (1): Moisture destroys wood in excess. Thus superior people stand alone without fear, and leave society without distress.
Cleary (2): Moisture destroys wood. Developed people, etc. [Only when sustained by the power to stand alone without fear and avoid society without distress can learning be firmly rooted and development have a proper basis; then it is possible to refine and support the mediocre.]
Wu: Marsh covers over wood; This is Excess of the Great. Thus the jun zi stands alone without fear and withdraws from the world without melancholy.
CONFUCIAN COMMENTARY
Confucius/Legge: Excess is weakly supported at either end, with weakness in both the lowest and topmost lines. The dynamic lines are in excess, but two of them are in the central positions. The trigrams of Flexibility and Satisfaction indicate that there will be advantage in moving in any direction whatever -- there will be success. Great indeed is the work to be done during this extraordinary time.
Legge: Extraordinary times require extraordinary skill in their management. The figure shows two magnetic lines at top and bottom, with four dynamic lines between them -- giving the image of a great beam unable to sustain its own weight. Lines two and five are both dynamic and central however, and from this and the attributes of the component trigrams a good auspice is obtained.
NOTES AND PARAPHRASES
Judgment: A stressful situation is best managed with a comprehensive strategy. (Or: in the chess game of life, one succeeds by planning several moves in advance.)
The Superior Man serves The Work by going his own way, regardless of public opinion.
Wilhelm titles this hexagram Preponderance of the Great. I prefer R.L. Wing's paraphrase of Critical Massas more evocative of the figure's meaning in modern terminology.
In Critical Mass four dynamic lines lurk inside of the hexagram, weakly contained at top and bottom by two magnetic lines. This energetic concentration could explode in an unpredictable release of force, and hence the Judgment tells us to move now (remember: non-action is also action) to avoid unwanted consequences. (Often the outcome is predictable – be prepared to just walk away if and when that is your best move.)
Legge’s translation of the Judgment is:
"...It is advantageous to move in any direction whatever. "
This is a different message than Wilhelm's:
"...It furthers one to have somewhere to go."
Legge’s version implies an almost hysterical flight from danger while Wilhelm's rendition suggests prior intention and planning. The latter interpretation is definitely what is meant here, as confirmed by Cleary’s Buddhist commentary:
When the transformative path is flourishing, contaminations easily arise; it is best to set up guidelines and regulations. When meditation work is advanced, ignorance is about to dissolve; it is best to exercise the mind skillfully.
Coupled with Cleary’s translation of the Image as: “Developed people stand alone without fear, avoid society without distress,” the idea is that one should follow one's best intuition and ignore popular illusions, political correctness or inner fears. (Psychologically: conventional thinking, socially conditioned reflexes, knee-jerk responses, etc.). During a time of Critical Mass, pay close attention to direction from the Self to preserve the Work. This is not the time to follow the crowd. Sometimes this can mean that you are obliged to go it alone – one of the Work’s frequent tests (Cf. line 6):
The Gulf is something that has to be leaped, and leaped alone, stripped of all hindering burdens, in faith ... It is thus one of the crisis points of spiritual progress because of the great temptation to turn back from the unknown to the apparent safety of known things, and to succumb to this temptation is to lose all the fruits of past endeavor. G. Knight -- A Practical Guide to Kabbalistic Symbolism
SUGGESTIONS FOR MEDITATION
Compare the Judgment and Image of this hexagram with those of hexagram number 32, Consistency.
Anthony: We must regain modesty through the effort to rid ourself of strong elements that cause us to press forward. The strong elements may exist in someone else, causing them to assault us with their fear, mistrust or doubt. Strong refers to impetuous movement to resolve what is ambiguous … We can meet the challenge by remaining detached and letting things go through their changes … To be truly rich is to remain modest; to be truly powerful is to remain reticent.
Line 5
Legge: The fifth line, dynamic, shows a decayed willow producing flowers, or an old wife in possession of her young husband. There will be occasion neither for blame nor for praise.
Wilhelm/Baynes: A withered poplar puts forth flowers. An older woman takes a husband. No blame. No praise.
Blofeld: The withered willow tree puts forth blossom -- an old woman takes a vigorous young husband; no blame, no praise! [No blame, in that there is no prohibition against such marriages; no praise, in that they are generally considered far more unsuitable than when the husband is much older than the wife.]
Liu: A withered poplar blossoms. An old woman gains a young husband: No blame, no praise.
Ritsema/Karcher: A withered willow giving-birth-to flowers. A venerable wife acquiring her notable husband. Without fault, without praise.
Shaughnessy: The bitter poplar gives life to flowers: the old wife gets her siring husband; there is no trouble, there is no praise.
Cleary (1): A withered willow produces flowers, and old woman gets a young man for a husband: no blame, no praise.
Wu: A withered willow tree grows a flower. An old woman takes a young husband. There will be neither blame nor praise.
CONFUCIAN COMMENTARY
Confucius/Legge: A decayed willow produces flowers, but how can this secure its long continuance? An old wife and a young husband is also a thing to be ashamed of. Wilhelm/Baynes: How could this last long? It is nevertheless a disgrace. Blofeld: How can such blossom endure for long? From another point of view, both of them should feel ashamed. [The question of blaming or praising such a marriage is in any case of little importance, since it can scarcely be destined to endure for long. The second sentence of the commentary perhaps reveals that, for once, Confucius was inclined to disagree with his beloved mentor, the Book of Change, and to be taken aback by the words "no blame." From the point of view of divination, lines of this sort do not always indicate marriage; this line could mean that we shall do or have done something rather unusual of which the results will be more or less negative.] Ritsema/Karcher: Wherefore permitting lasting indeed? Truly permitting the demoniac indeed. Cleary (2): How can they last? (It) can also be embarrassing. Wu: How long can it last? (They) make an awkward couple.
Legge: Line five is dynamic and central and should be able to achieve extraordinary merit. But he has no proper correlate below, and as line two is inclined to line one, so is line five inclined to line six. But here the willow only produces flowers, not shoots -- its decay will soon reappear. An old wife will have no children. If the line is not to be condemned like line three, neither does his action deserve praise. The shoots produced in line two will grow into a new and vigorous tree, but here the flowers will soon decay, and the withered trunk continue the same. For what will a young man marry an old woman? There will be no children; it can only be from some mercenary motive.
NOTES AND PARAPHRASES
Siu: Notwithstanding promising potentialities the man gives up his alliances with the people below him and seeks the company only of those of higher rank. An unstable arrangement results. Instead of greater security, there will be less. No renewal occurs after the flower saps the tree's remaining energy.
Wing: In critical or significant times it is exhausting to cling to your ideals and ignore the realities of your environment. These realities are the superstructure that supports your life. If you ignore your foundations in your reach upward, you will become unstable and accomplish nothing at all.
Editor: Notice that the original line says that there will be neither praise nor blame. It is the Confucian commentary, written many hundreds of years later, that attaches the idea of "shame” to this position. Following Confucius, Blofeld's footnote also interprets the results as negative: but this is not really warranted from the line itself. The image is a reasonable portrayal of an inconclusive, fruitless or trivial situation. The condition emblemed is one of marking time: marching in place. Psychologically interpreted, the wife can symbolize an emotional component of the psyche: a desire or feeling; the husband would be a mental component: perhaps discrimination. If this is the only changing line, the new hexagram becomes number thirty-two: Consistency, with a corresponding line that confirms the ineffectual condition.
While man is a soul in essence he may, while incarnate in flesh, forget his real origins and indeed live out his whole existence in an animal [like] or vegetable [like] consciousness. Z.B.S. Halevi -- Adam and the Kabbalistic Tree
A. Marking time, treading water -- a harmless but fruitless diversion.
B. A flare-up of an old condition. Something returns, flowers, and dies to no particular purpose.
Line-6
Line 6
Legge: The sixth line, magnetic, shows its subject with extraordinary boldness wading through a stream, till the water hides the crown of her head. There will be evil, but no ground for blame.
Wilhelm/Baynes: One must go through the water. It goes over one's head. Misfortune. No blame.
Blofeld: While he was fording the river, the water rose above his head -- misfortune, but he was not at fault.
Liu: One walks through the water and it goes over his head. Misfortune, no blame.
Ritsema/Karcher: Exceeding wading submerges the peak. Pitfall. Without fault.
Shaughnessy: Surpassing and fording causes the top of the head to vanish; inauspicious; there is no trouble.
Cleary (1): Excess reaching the peak of destruction is unfortunate; there is no blame on other people. [At the end of Excess of the Great, being ignorant and acting arbitrarily, not knowing the medical substances or the firing process, doing whatever comes to mind, going astray and not returning, the damage is worse the higher one goes; excess reaches the peak of destruction. One calls misfortune upon oneself – it is no fault of others. This is Excess of the Great in the sense of being weak and entertaining illusions.]
Cleary (2): Going too far, passing away at the peak, there is misfortune, but no blame. [Here are only the virtues of flexibility and uprightness, without the ability to solve difficulties, so misfortune cannot be avoided; but one is really not to blame. In Buddhist terms, this is when correct concentration has no insight, winding up as a fall at the peak.]
Wu: He is drowned while crossing the river. This is foreboding, but blameless.
CONFUCIAN COMMENTARY
Confucius/Legge: Evil follows wading with extraordinary boldness through the stream, but the act affords no ground for blame. Wilhelm/Baynes: One should not join blame to the misfortune of going through the water. Blofeld: This presages a misfortune for which we cannot possibly be blamed. Ritsema/ Karcher: Not permitting fault indeed. Cleary (2): The misfortune of going too far cannot be blamed. Wu: The ill fortune of getting drowned should not be a cause for blame.
Legge: The sixth line pursues her daring course with an intent to rectify the extraordinary exigency of the time and benefit all under the sky. She is unequal to the task and sinks beneath it, but her motive justifies the judgment on her conduct.
NOTES AND PARAPHRASES
Siu: The man pursues his objectives for the public good, regardless of the consequences and danger. Misfortune results. But no blame is attached to his conduct, because there are certain things more important than life itself.
Wing: The goal is worth accomplishing, although the sacrifice to attain it may be confounding in its enormity. No blame is attached to such action, although you should realize the extraordinary reality of what is happening.
Anthony: It is careless to wish to accomplish our task, no matter what happens. Plunging ahead on our own is always dangerous and willful. It is best to retain carefulness, allowing ourself to be guided. Meanwhile, having followed our principles is without blame, even though the result may be dangerous.
Editor: Like anyline in theI Ching, this one is open to more than one interpretation. It can suggest suffering while undertaking a necessary but difficult task, or it can portray one ignorantly “pushing the river” in pursuit of goals one doesn’t really understand. Legge's commentary about being “unequal to the task” is not explicit in the original line -- i.e.: failure is not necessarily a foregone conclusion. Life's lessons are often painful -- that's just the way it is, and you are not to blame for it. Cleary (1)’s mention of “medical substances, etc.,” refers to Taoist alchemical procedures.
If anyone wants to be a follower of mine, let him renounce himself and take up his cross every day and follow me. For anyone who wants to save his life will lose it; but anyone who loses his life for my sake will save it. Luke 9: 23-25
A. Plunge in and accept the consequences of your choices: Bite the bullet and do your duty.
B. A painful lesson in the school of hard knocks.
C. “The road to hell is paved with good intentions.”
Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook
Judgment
Legge: The Sacrificial Vessel means great progress and success.
Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.
Blofeld: A Sacrificial Vessel -- supreme success!
Liu:The Cauldron. Great good fortune. Success.
Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]
Shaughnessy:The Cauldron: Prime auspiciousness; receipt.
Cleary (1): The cauldron is basically good; it is developmental.
Cleary (2): The Cauldron is very auspiciously developmental.
Wu: The Cauldron indicates great auspiciousness and pervasiveness.
The Image
Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.
Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.
Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.
Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.
Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.
Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.
Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.
Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.
COMMENTARY
Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.
Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.
The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.
NOTES AND PARAPHRASES
Judgment: You are the Sacrificial Vessel.
The Superior Man holds to the principles of the Work to attain transcendence.
The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.
When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.
The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel. M.E. Harding -- Psychic Energy
Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:
The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle. Liu I-ming
SUGGESTIONS FOR MEDITATION
In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?