Dive into life's challenges with courage; they are the gateway to a harmonious and thriving future.
From
29
Danger
To
11
Peace
Making false accusations
One accuses one's relatives of wrongdoing they could not commit. taoscopy.com
Danger29
Face repeated challenges with courage and determination. Embrace setbacks as opportunities to build resilience. Stay true to your principles to navigate through difficulties.
↓ Line 1
This line warns of the danger of falling into a cycle of misfortune. It suggests caution and awareness to avoid repeated mistakes.
↓ Line 3
This line suggests that when surrounded by danger, it is wise to pause and assess the situation before proceeding.
↓ Line 5
This line suggests maintaining balance and not overreaching in times of danger, which leads to stability and avoids blame.
↓ Peace11
Harmony and prosperity arise when opposites attract and balance is maintained. Positive energies are in alignment, and collaborative efforts lead to growth and advancement. Embrace peace and cooperation for continued success.
Other titles: The Abysmal, The Symbol of Sinking, Water, The Abyss, Gorge, Repeating Gorge, Repeated Entrapment, Double Pitfall, Multiple Danger, Double Water, The Deep, Dark Forces, The Perilous Pit, "May not be as bad as it sounds, but whatever happens, remain true to yourself." -- D.F. Hook
Judgment
Legge: The trigram of Danger, here repeated, shows the possession of sincerity, through which the mind is penetrating. Action in accordance with this will be of high value.
Wilhelm/Baynes:The Abysmal repeated. If you are sincere, you have success in your heart, and whatever you do succeeds.
Blofeld: Abyss upon abyss -- grave danger! All will be well if confidence is maintained and a sharp hold kept upon the mind; activities so conducted will win esteem.
Liu: Water doubled. Danger. Sincerity leads to success (peacefulness) in your heart and mind. You will succeed in your actions. [This hexagram means danger, misfortune, or entanglement in a difficult situation... You should be both careful and patient; do not struggle with all of the difficulties around you.]
Ritsema/Karcher: Repeating Gorge. Possessing conformity. Holding-fast the heart Growing. Movement possesses honor. [This hexagram describes your situation in terms of a dangerous situation you cannot avoid. It emphasizes that taking the risk without reserve, the action of Gorge, is the adequate way to handle it. To be in accord with the time, you are told to: venture and fall!]
Shaughnessy: Repeated Entrapment: There is a return; the appended heart; receipt; in motion there will be elevation.
Cleary (1): In mastering pitfalls there is truthfulness; thus the mind develops. There is excellence in practice.
Cleary (2): In multiple danger, if there is sincerity, the mind gets through and action has value.
Wu:Entrapment indicates there is confidence. The heart of the matter is that it is pervasive. Actions taken in its accord will be commendable.
The Image
Legge: The image of water flowing on continuously forms the repeated trigram of Danger. The superior man, in accordance with this, maintains constantly the virtue of his heart and the sincerity of his conduct, and practices the business of instruction.
Wilhelm/Baynes: Water flows on uninterruptedly and reaches its goal. The image of the Abysmal repeated. Thus the superior man walks in lasting virtue and carries on the business of teaching.
Blofeld: This hexagram symbolizes water flowing on and on and abyss upon abyss. [The trigram K'an is usually inauspicious; here it occurs in duplicate as the upper and the lower trigram; thus the implication is that we are beset by grave dangers from which, if we can escape them at all, the utmost skill and confidence will be required to extricate ourselves.] The Superior Man acts in accordance with the immutable virtues and spends much of his time instructing others in the conduct of affairs.
Liu: Water flows unceasingly into the depths symbolizing Water doubled. The superior man constantly preserves his virtue and practices his task of education.
Ritsema/Karcher: Streams reiterating culminating. Repeating Gorge. A chun tzu uses rules actualizing-tao to move. [A chun tzu uses] repeating to teach affairs. [Actualize-tao, TE: realize tao in action; power, virtue; ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): Water travels, double water. Thus do superior people consistently practice virtue and learn how to teach.
Cleary (2): Water comes repeatedly – multiple danger. Developed people practice teaching by constant virtuous action. [This is in perfect accord with the Tiantai Buddhist teaching of knowing how to get through an impasse, the method of making an impasse itself into a way through; this is also the method of skillfully using natural ills.]
Wu: Water comes time and again; this is Entrapment. Thus the jun zi practices virtuous conduct and reviews didactics.
COMMENTARY
Confucius/Legge: Danger repeated shows us one defile succeeding another. This is the nature of water -- it flows on, without accumulating its volume so as to overflow; it pursues its way through a dangerous defile, without losing its true nature. That the mind is penetrating is indicated by the dynamic line in the center. Advance in accordance with this will be followed by achievement. The dangerous height of heaven cannot be ascended; the difficult places of the earth are mountains, rivers, hills and mounds. Kings and princes arrange, by means of such strengths, to maintain their territories. Great indeed is the use of what is here taught about seasons of peril.
Legge: The trigram of Danger which is doubled to form this hexagram is the symbol of water, and means a pit, a perilous cavity or defile with water flowing through it. The trigrams consist of a dynamic central line between two magnetic lines. Together they symbolize danger -- how it should be encountered, its effects on the mind, and how to escape from it.
Liang Yin says: "Water stops at the proper time, and moves at the proper time. Is not this an emblem of the course of the superior man in dealing with danger?”
The K'ang-hsi editors say that to exercise one's self in meeting difficulty and peril is the way to establish and strengthen the character, and the use of such experience is seen in all measures for self-defense.
NOTES AND PARAPHRASES
Judgment: Commitment to the Work engenders a keen discernment of threatening situations and the factors which create them. With the ability to recognize the dangerous elements in a situation, success is assured.
The Superior Man maintains his connection with the Self and learns from the trials thus provided.
This is one of the first hexagrams that one learns to recognize by name and number, and it is usually received with trepidation. Like the Death card in Tarot, it is often interpreted as an evil omen, although a deeper understanding reveals opportunity rather than defeat in such images.
There is danger and suffering in the Work, but probably far less of it (in the long run) than in an ordinary unexamined life. Anguish in the service of purpose is ultimately tolerable -- it is the incredible suffering of ignorance that is truly tragic: all that pain and sorrow expended on worldly illusions!
The Confucian commentary provides some valuable insights concerning the defensive use of danger by kings and princes to protect their realms. To master a dangerous challenge before one can progress to a higher level of awareness is a classical theme of initiation: without it, the candidate would be destroyed by forces he wasn't ready to confront. (This is the purpose and meaning behind of the "Guardian of the Threshold" archetype.) Danger is evil or unfortunate only if one is intimidated by it -- correct behavior in accordance with the principles of the Work will always take you to your destination. The Self will seldom, if ever, give you a test that you cannot pass if you fully apply yourself. When it seems otherwise, bear in mind that failure often renders better lessons than success, or the illusion thereof.
A neurosis is by no means merely a negative thing, it is also something positive. Only a soulless rationalism reinforced by a narrow materialistic outlook could possibly have overlooked this fact. In reality the neurosis contains the patient's psyche, or at least an essential part of it; and if, as the rationalist pretends, the neurosis could be plucked from him like a bad tooth, he would have gained nothing but would have lost something very essential to him. That is to say, he would have lost as much as the thinker deprived of his doubt, or the moralist deprived of his temptation, or the brave man deprived of his fear. To lose a neurosis is to find oneself without an object; life loses its point and hence its meaning. This would not be a cure, it would be a regular amputation. Jung -- Civilization in Transition
Line 1
Legge: The first line, magnetic, shows its subject in the double defile, and yet entering a cavern within it. There will be evil.
Wilhelm/Baynes: Repetition of the Abysmal. In the abyss one falls into a pit. Misfortune.
Blofeld: Abyss upon abyss! In one of them, he tumbles into a cranny -- misfortune!
Liu: Water flows repeatedly. One falls into the pit of water. Misfortune.
Ritsema/Karcher: Repeating Gorge. Entering tending-towards the Gorge, the recess. Pitfall.
Shaughnessy: Repeated entrapment; entering the trap pit; inauspicious.
Cleary (1): Repeating pitfalls, one goes into a hole in a pit: bad results.
Cleary (2): Multiple danger, going into a hole in a pit, leads to misfortune.
Wu: Entrapment enters into the depths of a pit. There will be foreboding.
COMMENTARY
Confucius/Legge: She has missed her proper way, and there will be evil. Wilhelm/Baynes: One falls into the abyss because one has lost the way; this brings misfortune. Blofeld: Namely the misfortune of getting lost upon the way. Ritsema/Karcher: Letting-go tao: pitfall indeed. Cleary (2): The misfortune of losing the way. Wu: The misfortune of losing the way.
Legge: Line one is magnetic at the bottom of the figure, and has no correlate to help her. This renders her situation as hopeless. By her own efforts she will only make matters worse.
NOTES AND PARAPHRASES
Siu: At the outset, the man is hopelessly in danger. As a consequence of allowing himself to grow accustomed to evil, he has lost the right way. His efforts will only embroil him more deeply.
Wing: You have become accustomed to evil influences and no longer fight them. This could be the result of a weakness in your character. In any event, you've lost your way. The more action you take, the farther afield you'll stray. Begin again at another time.
Editor: There is no ambiguity here: To enter a cavern within a labyrinth, or "double defile" is to make things hopelessly worse.
Having once strayed into the labyrinth of evils, the wretched Soul finds no way out. Naassene Psalm
A. You have lost your way and are surrounded by negative forces.
B. An image of confusion compounded -- you are making a bad situation worse.
Line 3
Legge: The third line, magnetic, shows its subject, whether she comes or goes, descends or ascends, confronted by a defile. All is peril to her and unrest. Her endeavors will lead her into the cavern of the pit. There should be no action in such a case.
Wilhelm/Baynes: Forward and backward, abyss on abyss. In danger like this, pause at first and wait, otherwise you will fall into a pit in the abyss. Do not act in this way.
Blofeld: Abyss upon abyss rears up and the danger is acute. He falls into a cranny and there is nothing he can do to help himself.
Liu: Water flows on and on. One is in the pit of the abyss. Danger. Do not act.
Ritsema/Karcher: Coming's Gorge, the Gorge. Venturing moreover reclining. Entering tending-towards the Gorge, the recess. No availing-of.
Shaughnessy: Bringing it so entrappedly, both steep and deep; entering the trap pit; do not use it.
Cleary (1): Coming and going, pitfall upon pitfall, dangerous and obstructed, going into a hole: Don’t act this way.
Wu: There is danger in coming and there is danger in going. The subject is in danger and is stopped from exiting. He enters into the depths of a pit and nothing useful will come out of it.
COMMENTARY
Confucius/Legge: She will never in such circumstances achieve any success. Wilhelm/Baynes: Here any effort ends up as impossible. Blofeld: This presages our ultimate failure to accomplish anything at all. Ritsema/ Karcher: Completing without achieving indeed. Cleary (2): In the end there is no accomplishment. Wu: In the end nothing will be accomplished.
Legge: Line three is magnetic and occupies the place of a dynamic line. She is in an evil case. She goes and comes, moves up and down, backwards and forwards, making no advance. This can be of no use in extracting her from the danger.
Anthony: Every step leads to danger. Our attitude has brought out elements in others which further expose us to difficulty. We should take refuge in neutrality and disengagement until a way out shows itself.
NOTES AND PARAPHRASES
Siu: The man becomes entangled in danger at every turn. He should refrain from action, which only worsens the situation, and wait until the solution reveals itself.
Wing: You are surrounded by danger and you do not understand it. Any action will only make matters worse. Maintain your principles and wait for the solution to reveal itself.
Editor: Here is an image of raw panic -- the fear of a trapped animal: a bird in a house mindlessly battering itself against a plate-glass window. Hysteria is a grossly futile and incompetent response to stress: a demeaning lack of self- control. Get a grip on yourself!
Disquietude is always vanity, because it serves no good. Yes, even if the whole world were thrown into confusion and all things in it, disquietude on that account would be vanity. Saint John of the Cross
A. Stop right now! Calm down and wait it out.
Line 5
Legge: The fifth line, dynamic, shows the water of the defile not yet full, so that it might flow away; but order will soon be brought about. There will be no error.
Wilhelm/Baynes: The abyss is not filled to overflowing. It is filled only to the rim. No blame.
Blofeld: The abyss is not filled to the brim; the flowing water maintains its level -- no error!
Liu: The water does not overflow its bounds. The waves are calm. No blame. [People will achieve their goals smoothly and without endangering themselves.]
Ritsema/Karcher: Gorge not overfilled. Merely already evened. Without fault.
Shaughnessy: The trap is not filled, but the sandbar has been flattened; there is no trouble.
Cleary (1): The pit is not full, it has only reached level; there is no blame.
Cleary (2): The pit is not filled, only leveled. No blame.
Wu: Entrapment is not full. It is level and uneventful. There will be no blame.
COMMENTARY
Confucius/Legge: The virtue indicated by the central situation is not yet sufficiently great. Wilhelm/Baynes: The central line is not yet great. Blofeld: This is because the line, being central to the upper trigram, indicates a level that is not too high. [The danger threatening whoever receives a moving line for the fifth place is relatively less serious than for many of the others whose enquiries are answered by this unfortunate hexagram.]Ritsema/Karcher: Centering, not-yet great indeed. Cleary (2): The center is not yet great. Wu: The center has not manifested its greatness.
Legge: Line five is dynamic in its proper place as ruler, and on the verge of deliverance from danger. The waters of the abyss will soon disappear and the ground be made level and smooth.
NOTES AND PARAPHRASES
Siu: The man is almost extricated, but remains in danger because of excessive ambition. He does not learn from the water's example of rising only to the lowest point of the rim to flow out of a ravine. He should not attempt great and apparently unattainable things but should only try to escape danger by following the path of least resistance.
Wing: Only struggle as much as necessary to extricate yourself from your problems. Overly ambitious persons who attempt more than they should may create further difficulties. It is indicated here that the danger will pass of its own accord.
Editor: This depicts the crest of the flood, or just before the crest. Psychologically, the water is contained, and the unconscious forces do not overwhelm the psyche. Legge's Confucian commentary ("The virtue indicated by the central situation is not yet sufficiently great") is not convincing in the context of what is imaged. Blofeld's rendition suggests a more credible interpretation: the rising waters are not great enough to overflow their banks. This gives an image of the strong fifth line ruler as centered and able to cope with the danger surrounding him. In other words, the cup is full, but not over-full. The situation is dangerous, but not overwhelming. The dark forces have reached their maximum power -- now they can only wane.
Who pent up the sea behind closed doors when it leaped tumultuous out of the womb... when I marked the bounds it was not to cross and made it fast with a bolted gate? Come thus far, I said, and no farther: here your proud waves shall break. Job 38: 8-11
A. Danger peaks and stabilizes. Though perilous, the situation is contained.
Other titles: Peace, The Symbol of Successfulness, Prospering, Pervading, Greatness, Tranquility, Prosperity, Conjunction, Major Synthesis, Hieros Gamos, Holy Marriage, "Yang supporting yin and going to meet each other. Good prospects for a marriage or partnership." -- D.F. Hook
Judgment
Legge: Harmony shows the inferior departed and the great arrived. There will be good fortune with progress and success.
Wilhelm/Baynes:Peace. The small departs, the great approaches. Good fortune. Success.
Blofeld: Peace. The mean decline; the great and good approach -- good fortune and success! [In the following hexagram (Divorcement), where the trigrams symbolize heaven and earth in what would appear to be their normal positions, that arrangement is held to be disastrous; whereas here, where they seem to be upside down, everything is propitious. This may be because heaven above earth is held to imply that the two are existing separately without the intercourse which is the root of all growth; whereas here their intercourse is so absolute that heaven is actually supporting earth.]
Liu: Peace. The small is departing, the great is arriving. Good fortune. Success.
Ritsema/Karcher: Pervading . The small going, the great coming. significance Growing. [This hexagram describes your situation in terms of prospering and expanding. It emphasizes that continually spreading this prosperity through communicating is the adequate way to handle it...]
Shaughnessy: Greatness: the little go and the great come; auspicious; receipt.
Cleary (1): The small goes, the great comes. This is auspicious and developmental.
Cleary (2):Tranquility … Getting through auspiciously.
Wu:Prosperity shows that the small stays outside and the great stays inside. It will be auspicious and pervasive.
The Image
Legge: The intercourse of heaven and earth -- the image of Harmony.The wise ruler models his laws upon the principles of heaven and earth, and enforces them for the people's benefit.
Wilhelm/Baynes: Heaven and earth unite: the image of Peace. Thus the ruler divides and completes the course of heaven and earth; he furthers and regulates the gifts of heaven and earth, and so aids the people.
Blofeld: This hexagram symbolizes heaven and earth in communion. [The component trigrams illustrate the kind of close intercourse just alluded to. This is surely the only way of depicting it under the circumstances, for any mingling of their component lines would produce quite different trigrams having no reference to heaven and earth.] It is as though a mighty ruler, by careful regulation of affairs, has brought to fruition the way of heaven and earth. In harmony with the sequence of their motions, he gives help to people on every hand.
Liu: Heaven and earth are unified, symbolizing Peace. The ruler reforms and completes the way of heaven and earth; He observes the appropriate methods of heaven and earth to direct the people.
Ritsema/Karcher: Heaven and Earth mingling. Pervading. The crown-prince uses property to accomplish Heaven and Earth's tao. The crown-prince uses bracing to mutualize Heaven and Earth's propriety. The crown-prince uses the left to right the commoners.
Cleary (1): When heaven and earth commune, there is tranquility. Thus does the ruler administer the way of heaven and earth and assist the proper balance of heaven and earth, thereby helping the people.
Cleary (2): … So as to influence the people.
Wu:Prosperity results from the interaction of heaven and earth. The king uses the wealth of the nation to achieve the ways of heaven and earth and to support their designs, so as to bring the sentiments of the people to the center.
COMMENTARY
Confucius/Legge: Harmony shows the union of heaven and earth, and all things consequently united -- high and low, superior and inferior are all in accord. The lower trigram is made up of dynamic lines, and the upper of magnetic lines: strength is within, devotion is without; the superior man is inside and increasing, the inferior man is outside and decreasing.
Legge: The Judgment refers to the structure of the hexagram, with the three dynamic lines below, and the three magnetic lines above. The former are "the great," active and vigorous; the latter are "the inferior," passive and yielding. In many editions of theI Chingbeneath the hexagram of Harmonythere appears hexagram number fifty-four,Propriety, which becomes Harmonyif the third and fourth lines exchange places. A situation in which the motive forces are represented by three dynamic, and the opposing by three magnetic lines, must be progressive and successful.Harmonyis called the hexagram of the first month of the natural spring, when for six months the forces of growth are in ascendance.
Canon McClatchie translates: "The Image means that heaven and earth have now conjugal intercourse with each other, and the upper and lower classes unite together."
Ch'eng-tzu says on the Image that a ruler should frame his laws to operate like the seasons, so that the people exist within the structure of a natural rather than an arbitrary order.
NOTES AND PARAPHRASES
Judgment: Harmony depicts the waning of egotistical illusions and the waxing of true potential.
The Superior Man allows his inner virtue to rule the psyche.
Without changing lines, Harmony suggests a fruitful union of opposites and consequent state of balance in the matter at hand.
Wilhelm translates the opening phrase of the Confucian commentary as: "Heaven and earth unite." Blofeld renders it: "The celestial and terrestrial forces have intercourse and all things are in communion with one another." Legge has already called attention to McClatchie's version of: "Heaven and earth have now conjugal intercourse with each other."
This image is one of the most universal symbols produced by the human psyche: the sexual union of Spirit and Matter (heaven and earth). This is the hieros gamos or holy marriage of alchemy, the union of Shiva and Shakti in Hinduism, the conjoined male and female deities in tantric Buddhism, the syzygies of Gnosticism and the union of heaven and earth in the Kabbalah.
The notions of the couple and the sacred marriage held a very important place in ancient Chinese religious thinking. Every sacred power was twofold, male and female; but since only one half of the sacred couple was generally enclosed in any one sanctuary, the ritual was directed at reconstituting the whole... The complete being is male and female; since most men neglect or repress their feminine nature, they are out of balance; their male aggressiveness comes to the fore, and their whole vitality suffers. There can be no true Holiness without a prior revitalization of femininity. M. Kaltenmark --Lao Tzu and Taoism
Psychologically, the condition pictured by this hexagram is a metaphor for a high state of integration within the psyche. Here it is described in alchemical and Jungian terminology:
The hermetic vessel is oneself. In it the many pieces of psychic stuff scattered throughout one's world must be collected and fused into one, so making a new creation. In it must occur the union of the opposites called by the alchemists the coniunctio or marriage... (This union), in psychological terms corresponds to man with his feminine soul, the anima, or to a woman with her masculine counterpart, the animus -- the union in each case constituting the inner marriage, the hieros gamos by which the individual must become whole. M.E. Harding --Psychic Energy
To receive this hexagram does not necessarily mean that one has attained such a high integration, but it might indicate a step in that direction. The ultimate hieros gamos only occurs after all of the scattered and mismatched forces within the psyche have been brought together in correct alignment -- in I Ching terms, when all of the lines are in their proper places with proper correlates as imaged in hexagram number 63, Completion. Until this final union there are innumerable "lesser" conjunctions which must first take place -- a fact recognized in tantric yoga:
The final goal of the tantricist is to reunite the two contrary principles -- Shiva and Shakti -- in his own body. When Shakti, who sleeps, in the shape of a serpent, at the base of his body, is awoken by certain yogic techniques, she moves through a medial channel by way of the chakras up to the top of the skull, where Shiva dwells, and unites with him. The union of the divine pair within his own body transforms the yogin into a kind of "androgyne." But it must be stressed that "androgynization" is only one aspect of a total process, that of the reunion of the opposites. Actually, Tantric literature speaks of a great number of "opposing pairs" that have to be reunited. Mircea Eliade -- Myths, Rites, Symbols
The establishment of the " Kingdom of Heaven on Earth" is yet another metaphor for this process of psychic unification. Here is the Kabbalistic version:
It is by the establishment of the celestial on the terrestrial, or of heaven upon earth, that the house of the King (humanity) will become united and the King will rejoice thereat, for then the two kingdoms will become one and then the new and living way will become opened to those who make themselves susceptible and receptive of the Higher and Diviner life... When these two worlds become united and blended together they are symbolized by the union of the male and female, the one being the complement of the other. The Zohar
SUGGESTIONS FOR MEDITATION
Legge points out that many editions of the I Chingassociate hexagram number fifty-four,Propriety, with this figure. What do the changing third and fourth lines ofPropriety imply about the role of the ego in the Work? The traditional name forPropriety is "The Marrying Maiden" -- how does that relate to the concept of the holy marriage in Harmony? Compare the Judgments and Images of the two hexagrams and the role of the superior man in each. Note also the lesson implied when lines two and five in Harmony unite to make hexagram number sixty-three, Completion.