Dive deep into challenges with courage and emerge with a pure, genuine heart.
From
29
Danger
To
25
Innocence
Forcing sympathy
One compels one's friends by posing as a victim. taoscopy.com
Danger29
Face repeated challenges with courage and determination. Embrace setbacks as opportunities to build resilience. Stay true to your principles to navigate through difficulties.
↓ Line 1
This line warns of the danger of falling into a cycle of misfortune. It suggests caution and awareness to avoid repeated mistakes.
↓ Line 2
This line advises focusing on small, manageable goals to navigate through difficult situations safely.
↓ Line 4
This line indicates that simplicity and modesty in difficult times can lead to contentment and avoid blame.
↓ Line 6
This line warns of being trapped in a situation with no apparent escape, leading to prolonged misfortune. It advises seeking a new perspective or approach.
↓ Innocence 25
Embrace spontaneity and authenticity, avoiding needless complexity or pretense. Honor simplicity and genuine intentions, allowing truth to guide your actions without ulterior motives.
Other titles: The Abysmal, The Symbol of Sinking, Water, The Abyss, Gorge, Repeating Gorge, Repeated Entrapment, Double Pitfall, Multiple Danger, Double Water, The Deep, Dark Forces, The Perilous Pit, "May not be as bad as it sounds, but whatever happens, remain true to yourself." -- D.F. Hook
Judgment
Legge: The trigram of Danger, here repeated, shows the possession of sincerity, through which the mind is penetrating. Action in accordance with this will be of high value.
Wilhelm/Baynes:The Abysmal repeated. If you are sincere, you have success in your heart, and whatever you do succeeds.
Blofeld: Abyss upon abyss -- grave danger! All will be well if confidence is maintained and a sharp hold kept upon the mind; activities so conducted will win esteem.
Liu: Water doubled. Danger. Sincerity leads to success (peacefulness) in your heart and mind. You will succeed in your actions. [This hexagram means danger, misfortune, or entanglement in a difficult situation... You should be both careful and patient; do not struggle with all of the difficulties around you.]
Ritsema/Karcher: Repeating Gorge. Possessing conformity. Holding-fast the heart Growing. Movement possesses honor. [This hexagram describes your situation in terms of a dangerous situation you cannot avoid. It emphasizes that taking the risk without reserve, the action of Gorge, is the adequate way to handle it. To be in accord with the time, you are told to: venture and fall!]
Shaughnessy: Repeated Entrapment: There is a return; the appended heart; receipt; in motion there will be elevation.
Cleary (1): In mastering pitfalls there is truthfulness; thus the mind develops. There is excellence in practice.
Cleary (2): In multiple danger, if there is sincerity, the mind gets through and action has value.
Wu:Entrapment indicates there is confidence. The heart of the matter is that it is pervasive. Actions taken in its accord will be commendable.
The Image
Legge: The image of water flowing on continuously forms the repeated trigram of Danger. The superior man, in accordance with this, maintains constantly the virtue of his heart and the sincerity of his conduct, and practices the business of instruction.
Wilhelm/Baynes: Water flows on uninterruptedly and reaches its goal. The image of the Abysmal repeated. Thus the superior man walks in lasting virtue and carries on the business of teaching.
Blofeld: This hexagram symbolizes water flowing on and on and abyss upon abyss. [The trigram K'an is usually inauspicious; here it occurs in duplicate as the upper and the lower trigram; thus the implication is that we are beset by grave dangers from which, if we can escape them at all, the utmost skill and confidence will be required to extricate ourselves.] The Superior Man acts in accordance with the immutable virtues and spends much of his time instructing others in the conduct of affairs.
Liu: Water flows unceasingly into the depths symbolizing Water doubled. The superior man constantly preserves his virtue and practices his task of education.
Ritsema/Karcher: Streams reiterating culminating. Repeating Gorge. A chun tzu uses rules actualizing-tao to move. [A chun tzu uses] repeating to teach affairs. [Actualize-tao, TE: realize tao in action; power, virtue; ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): Water travels, double water. Thus do superior people consistently practice virtue and learn how to teach.
Cleary (2): Water comes repeatedly – multiple danger. Developed people practice teaching by constant virtuous action. [This is in perfect accord with the Tiantai Buddhist teaching of knowing how to get through an impasse, the method of making an impasse itself into a way through; this is also the method of skillfully using natural ills.]
Wu: Water comes time and again; this is Entrapment. Thus the jun zi practices virtuous conduct and reviews didactics.
COMMENTARY
Confucius/Legge: Danger repeated shows us one defile succeeding another. This is the nature of water -- it flows on, without accumulating its volume so as to overflow; it pursues its way through a dangerous defile, without losing its true nature. That the mind is penetrating is indicated by the dynamic line in the center. Advance in accordance with this will be followed by achievement. The dangerous height of heaven cannot be ascended; the difficult places of the earth are mountains, rivers, hills and mounds. Kings and princes arrange, by means of such strengths, to maintain their territories. Great indeed is the use of what is here taught about seasons of peril.
Legge: The trigram of Danger which is doubled to form this hexagram is the symbol of water, and means a pit, a perilous cavity or defile with water flowing through it. The trigrams consist of a dynamic central line between two magnetic lines. Together they symbolize danger -- how it should be encountered, its effects on the mind, and how to escape from it.
Liang Yin says: "Water stops at the proper time, and moves at the proper time. Is not this an emblem of the course of the superior man in dealing with danger?”
The K'ang-hsi editors say that to exercise one's self in meeting difficulty and peril is the way to establish and strengthen the character, and the use of such experience is seen in all measures for self-defense.
NOTES AND PARAPHRASES
Judgment: Commitment to the Work engenders a keen discernment of threatening situations and the factors which create them. With the ability to recognize the dangerous elements in a situation, success is assured.
The Superior Man maintains his connection with the Self and learns from the trials thus provided.
This is one of the first hexagrams that one learns to recognize by name and number, and it is usually received with trepidation. Like the Death card in Tarot, it is often interpreted as an evil omen, although a deeper understanding reveals opportunity rather than defeat in such images.
There is danger and suffering in the Work, but probably far less of it (in the long run) than in an ordinary unexamined life. Anguish in the service of purpose is ultimately tolerable -- it is the incredible suffering of ignorance that is truly tragic: all that pain and sorrow expended on worldly illusions!
The Confucian commentary provides some valuable insights concerning the defensive use of danger by kings and princes to protect their realms. To master a dangerous challenge before one can progress to a higher level of awareness is a classical theme of initiation: without it, the candidate would be destroyed by forces he wasn't ready to confront. (This is the purpose and meaning behind of the "Guardian of the Threshold" archetype.) Danger is evil or unfortunate only if one is intimidated by it -- correct behavior in accordance with the principles of the Work will always take you to your destination. The Self will seldom, if ever, give you a test that you cannot pass if you fully apply yourself. When it seems otherwise, bear in mind that failure often renders better lessons than success, or the illusion thereof.
A neurosis is by no means merely a negative thing, it is also something positive. Only a soulless rationalism reinforced by a narrow materialistic outlook could possibly have overlooked this fact. In reality the neurosis contains the patient's psyche, or at least an essential part of it; and if, as the rationalist pretends, the neurosis could be plucked from him like a bad tooth, he would have gained nothing but would have lost something very essential to him. That is to say, he would have lost as much as the thinker deprived of his doubt, or the moralist deprived of his temptation, or the brave man deprived of his fear. To lose a neurosis is to find oneself without an object; life loses its point and hence its meaning. This would not be a cure, it would be a regular amputation. Jung -- Civilization in Transition
Line 1
Legge: The first line, magnetic, shows its subject in the double defile, and yet entering a cavern within it. There will be evil.
Wilhelm/Baynes: Repetition of the Abysmal. In the abyss one falls into a pit. Misfortune.
Blofeld: Abyss upon abyss! In one of them, he tumbles into a cranny -- misfortune!
Liu: Water flows repeatedly. One falls into the pit of water. Misfortune.
Ritsema/Karcher: Repeating Gorge. Entering tending-towards the Gorge, the recess. Pitfall.
Shaughnessy: Repeated entrapment; entering the trap pit; inauspicious.
Cleary (1): Repeating pitfalls, one goes into a hole in a pit: bad results.
Cleary (2): Multiple danger, going into a hole in a pit, leads to misfortune.
Wu: Entrapment enters into the depths of a pit. There will be foreboding.
COMMENTARY
Confucius/Legge: She has missed her proper way, and there will be evil. Wilhelm/Baynes: One falls into the abyss because one has lost the way; this brings misfortune. Blofeld: Namely the misfortune of getting lost upon the way. Ritsema/Karcher: Letting-go tao: pitfall indeed. Cleary (2): The misfortune of losing the way. Wu: The misfortune of losing the way.
Legge: Line one is magnetic at the bottom of the figure, and has no correlate to help her. This renders her situation as hopeless. By her own efforts she will only make matters worse.
NOTES AND PARAPHRASES
Siu: At the outset, the man is hopelessly in danger. As a consequence of allowing himself to grow accustomed to evil, he has lost the right way. His efforts will only embroil him more deeply.
Wing: You have become accustomed to evil influences and no longer fight them. This could be the result of a weakness in your character. In any event, you've lost your way. The more action you take, the farther afield you'll stray. Begin again at another time.
Editor: There is no ambiguity here: To enter a cavern within a labyrinth, or "double defile" is to make things hopelessly worse.
Having once strayed into the labyrinth of evils, the wretched Soul finds no way out. Naassene Psalm
A. You have lost your way and are surrounded by negative forces.
B. An image of confusion compounded -- you are making a bad situation worse.
Line 2
Legge: The second line, dynamic, shows its subject in all the peril of the defile. He will, however, get a little of the deliverance that he seeks.
Wilhelm/Baynes: The abyss is dangerous. One should strive to attain small things only.
Blofeld: Danger lurks within the abyss; only in small matters can he obtain what he desires.
Liu: There is danger in the abyss. One should work for small gains only.
Ritsema/Karcher: Gorge possessing venturing. Seeking, the small acquiring.
Shaughnessy: The trap has depth; in seeking there is a little gain.
Cleary (1): There is danger in a pitfall. One finds a small gain. [Dwelling in the middle of two yins, daily in the company of petty people and not knowing to approach people imbued with Tao, one will ultimately fall and become a fool, just as there is danger in a pitfall.]
Cleary (2): … One seeks a small gain.
Wu: There is danger in Entrapment. It is all right to seek small gains.
COMMENTARY
Confucius/Legge: He will not yet escape from his environed position. Wilhelm/Baynes: "One should strive to attain small things only." For the middle has not yet been passed. Blofeld: Though he obtain these trifles, he remains within the abyss. [Whatever small successes we may win will not have any effect in lessening the danger that threatens.] Ritsema/ Karcher: Not-yet issuing-forth-from the center indeed. Cleary (2): Not yet gotten out of the middle. Wu: He has not stepped out of the center of danger.
Legge: Line two is dynamic and in the center. Although unable to escape the danger completely, at least he doesn't involve himself more deeply in it like the first line does, and therefore he obtains a measure of relief.
NOTES AND PARAPHRASES
Siu: A person in danger should not try to escape at one stroke. He should first calmly hold his own, then be satisfied with small gains, which will come by creative adaptations.
Wing: The danger is great and cannot be surmounted with one single action. Small, consistent efforts to stay afloat in a sea of difficulties are all that are possible at this time.
Editor: The image portrays a tight spot -- calm awareness of the realities of the situation enables one to prevail without panic. Go with the flow until an exit presents itself. In psychological terms, it is possible that inner forces are being stressed for integration -- the ego can only destroy the Work by giving them an outlet.
Knowledge of good is sharpened by experience of evil in those incapable of any sure knowledge of evil unless they have experienced it. Plotinus -- The Enneads
A. Don't fight dark forces -- adapt to your situation until you can escape.
B. A dangerous though stable position -- remain calm and don't rock the boat.
Line 4
Legge: The fourth line, magnetic, shows its subject at a feast, with simply a bottle of spirits, and a subsidiary basket of rice, while the cups and bowls are only of earthenware. She introduces her important lessons as her ruler's intelligence admits. There will in the end be no error.
Wilhelm/Baynes: A jug of wine, a bowl of rice with it; earthen vessels simply handed in through the window. There is certainly no blame in this.
Blofeld: A flagon of wine and a bamboo food-basket -- both. These objects were handed to him through a hole in the rock. To the very end he remains free from blame. [The terrible trouble in which we find ourselves occurs through no fault of ours; others are able to help us to some extent -- but it looks as though their help may serve only to prolong our agony.]
Liu: A jug of wine. Two bowls of food should be put into an earthen container and passed through the window. There is no blame in the end.
Ritsema/Karcher: A cup, liquor, a platter added. Availing-of a jar. Letting-in bonds originating-from the window. Completing, without fault.
Shaughnessy: Offering wine and tureens in pairs; use earthenware. Take in the angelica from the window; in the end there is no trouble.
Cleary (1): One jug of wine, two vessels. Use simplicity, sincerity, and openness, and in the end there will be no fault.
Cleary (2): A jug of wine with a ceremonial vessel of grain alongside. Use a plain cup; take in a pledge through the window. In the end there is no fault.
Wu: Using a jar of wine and a bamboo basket of food with ordinary table earthenware, he presents himself at the window. In the end, he will be blameless. [The judgment describes a person in a precarious position (the fourth) presenting himself in a simple way to his ruler (the fifth). The scene may also be viewed as a loyal minister offering his counsel to his king in time of crisis.]
COMMENTARY
Confucius/Legge: This describes the meeting of the dynamic and magnetic lines. Wilhelm/Baynes: It is the boundary between firm and yielding. Blofeld: This passage is suggested by the nature of the line, which forms a border between yielding and firm. Ritsema/Karcher: Solid and Supple, the border indeed. Cleary (2): The border of hard and soft. Wu: The meeting of the strong and weak.
Legge: Line four is the magnetic minister who will get no help from her first line correlate. She can't avert the danger herself, but she is close to the fifth line ruler whom she cautiously enlightens with the sincerity of her simple nourishment. Consequently, there will be no error.
Anthony: The Sage, knowing that we are in danger, voluntarily comes to our aid. Consequently, we are enlightened by a breakthrough in our understanding.
NOTES AND PARAPHRASES
Siu: The man is without a sponsor because of the lack of impressive gifts. Ceremonial forms and expensive gifts are unnecessary, however, during periods of great urgency. Spurred on by unostentatious sincerity, he presents his thoughts directly to the chief. No error will result from this honest request for mutual help during times of peril.
Wing: Take the simple and direct approach to solving your problems and overcoming difficulties. Strive for clarity of mind. Do not clutter your actions with useless pretense, since it will only confuse the situation.
Editor: This image implies that the dangerous elements in the situation are caused by some kind of complexity -- vanity, bureaucracy, or Byzantine intellectualism perhaps. Whatever it is, a return to basics is indicated. While surrounded by a feast (of choices) one partakes only of simple nourishment (options).
In order to effect a constructive and lasting change in our lives we must strive toward a transformation of the potentially disrupting or disruptive complexes by reaching their archetypal cores. Such a transformation can occur only when we have gone beyond the personal dimension to the universal. This process is sustained by guidance from the objective psyche through dreams and fantasies. E.C. Whitmont -- The Symbolic Quest
A. Reduce the situation to its lowest common denominator and proceed from there.
B. Complexity demands patience. Nourish yourself on simplicity.
C. An educational process. The image suggests patience and gradual change.
Line 6
Legge: The sixth line, magnetic, shows its subject bound with cords of three strands or two strands, and placed in the thicket of thorns. But in three years she does not learn the course for her to pursue. There will be evil.
Wilhelm/Baynes: Bound with cords and ropes, shut in between thorn-hedged prison walls: for three years one does not find the way. Misfortune.
Blofeld: Bound with black ropes and imprisoned amidst thorns, for three years he fails to obtain what he seeks. [This situation is far from cheerful, but not as hopeless as the situation of those who receive moving lines in the second and third places.]
Liu: Tied with thick ropes, one is put in prison among thorn bushes. One cannot find the way for three years. Misfortune. [If you receive this line, avoid all entanglements, both physical and mental. Be cautious, or you will be detained.]
Ritsema/Karcher: Tying availing-of stranded ropes. Dismissing tending-towards dense jujube-trees. Three year's-time, not acquiring. Pitfall.
Shaughnessy: The attachment uses braids and cords: place him in the clumped thorn bushes, for three years not getting him; inauspicious.
Cleary (1): Bound with rope, put in a briar patch, for three years one cannot find the way out; misfortune.
Cleary (2): … Helpless for three years – misfortune.
Wu: He is tied with black ropes and surrounded by thorny vines. He cannot set himself free for three years. Foreboding.
COMMENTARY
Confucius/Legge: She misses her proper course -- there will be evil for three years. Wilhelm/Baynes: This misfortune continues for three years. Blofeld: The line indicates that we lose our way and suffer misfortune for three years. Ritsema/Karcher: Pitfall: three year's-time indeed. Cleary (2): The top yin loses the way, unfortunate for three years. Wu: The sixth yin violates the proper way of doing things and the violation results in the misfortune for three years.
Legge: The case of line six is hopeless. When danger has reached its peak, there she is -- yielding, without a proper correlate. The thicket of thorns is a metaphor for a prison.
Anthony: Misfortune comes because we press on, taking matters into our hands. This line warns of the failure we may expect in maintaining this attitude and notes the obstinacy that has brought us to this impasse. The remedy is to return to the path of perseverance.
NOTES AND PARAPHRASES
Siu: The man is hopelessly enmeshed in his own faults after missing the proper course. No chances of escape are apparent.
Wing: None of your solutions or efforts have been appropriate. The way out of danger is blocked. There will come a long time of disorder. All you may do is wait.
Editor: On the face of it, there is little ambiguity in this line -- it depicts one who is severely confined because of not knowing the proper course to pursue. If we closely examine the psychological symbols of this restriction however, we see deeper into the possible reasons for it. Chetwynd, in his Dictionary of Symbols identifies cords or ropes with links to the inner psyche -- the umbilical cord being the connection to the Mother, or source of our physical-emotional being. He also points out that thorns are a common symbol of the dark side of the Mother principle. To be bound with cords and imprisoned by thorns then, is to be trapped in a "womb" of primitive emotional darkness, or suffocated by some entity which does not want to evolve into conscious awareness.
The rest of the souls are also longing after the upper world and they all follow, but not being strong enough they are carried round below the surface, plunging, treading on one another, each striving to be first; and there is confusion and perspiration and the extremity of effort; and many of them are lamed or have their wings broken through the ill-driving of the charioteers; and all of them after a fruitless toil, not having attained to the mysteries of true being, go away, and feed upon opinion. Plato -- Phaedrus
A. You have lost your way and are imprisoned by illusions.
B. Your limiting beliefs prevent you from furthering the Work.
Other titles: The Unexpected, The Unintentional, The Symbol of Freedom from Error, Integrity, Without Embroiling, Pestilence, Fidelity, No Error, Freedom from Vainness, Instinctive Goodness, The Simple, Correctness, Subconscious, "Whatever happens, keep calm and do what is right." -- D.F. Hook
Judgment
Legge:Innocenceindicates progress and success through firm correctness. If the action of its subject is incorrect, he will fall into error. In such a case it will not be advantageous to move in any direction.
Wilhelm/Baynes:Innocence. Supreme success. Perseverance furthers. If someone is not as he should be, he has misfortune, and it does not further him to undertake anything.
Blofeld: Integrity. (The Unexpected). [this hexagram has two widely different meanings, both of which occur in what follows.] Sublime success! Righteous persistence brings reward. Those opposed to righteousness meet with injury. It is not favorable to have in view any goal (or destination). [Usually this sentence may be taken to have a wide application; but, in this case, (the Confucian commentary) suggests that it applies only to the enemies of righteousness, though it does have a general application for those who receive a moving line for the sixth place.]
Liu: The Unexpected: sublime success. Benefit. Perseverance. Someone acts incorrectly: misfortune. No benefit for undertakings.
Ritsema/Karcher: Without embroiling. Spring Growing Harvesting Trial. One in-no-way correcting: possessing blunder. Not Harvesting: possessing directed going. [This hexagram describes your situation as being without confusion or fault. It emphasizes that acting while remaining free from entangling, vanity or recklessness is the adequate way to handle it. To be in accord with the time, you are told: act without becoming embroiled!]
Shaughnessy: Pestilence: Prime receipt; beneficial to determine. If it is not upright there will be an inspection; not beneficial to have somewhere to go.
Cleary (1):Fidelity is creative and developmental. It is beneficial to be correct; if it is not correct, there will be disaster, and it will not be beneficial to go anywhere.
Cleary (2):Freedom from error is very successful, beneficial for the upright. Denial of what is correct is mistaken, etc.
Wu:Freedom from Vainness is primordial, pervasive, prosperous and persevering. If it does not stay in the correct course, there will be calamities and there will be no advantage to have any undertaking.
The Image
Legge: Thunder rolls under heaven, and everything manifests its original nature, free from all insincerity. The ancient kings, in accordance with this, made their regulations in complete accordance with the seasons, thereby nourishing all things.
Wilhelm/Baynes: Under heaven thunder rolls: all things attain the natural state of innocence. Thus the kings of old, rich in virtue, and in harmony with the time, fostered and nourished all beings.
Blofeld: This hexagram symbolizes thunder rolling across the whole earth; from it, all things receive their integrity. [The lower trigram is pictured as thunder, but it acts through its power to quicken growth.] The ancient rulers gave abundant and timely nourishment to all.
Liu: Thunder rolls under heaven; everything is innocent. The ancient kings cultivated virtue and used the appropriate time to nourish all beings.
Without embroiling. The Earlier Kings used luxuriance suiting the season to nurture the myriad beings.
Cleary (2): Thunder travels under the sky; things accompany with no error. Ancient kings promoted flourishing appropriate to the time and nurtured myriad beings.
Wu: Thunder moves under heaven. All things participate in the spirit of Freedom from Vainness. The ancient kings acted in time to cause all people and things to flourish.
COMMENTARY
Confucius/Legge: Innocence shows the dynamic first line descending from the upper trigram to become the lord of the hexagram in the lower trigram. We see the attributes of Motive Power and Strength. The dynamic fifth line is central and responded to by the magnetic second line. It is the will of heaven that true progress can only proceed from correctness. If the action of the subject is incorrect he will fall into error, and it will be unfortunate for him to move in any direction. Where can one with the illusion of innocence proceed? Can anything be accomplished by someone without the assistance of heaven's will?
Legge: Of the two Chinese characters which symbolize Innocence, one is the symbol of being reckless, and often of being insincere; these two characters in combination describe a state of entire freedom from such a condition. The subject of the hexagram therefore, is one who is simple and sincere. This quality is characteristic of heaven, and of the highest style of humanity. The figure is an essay on this noble attribute. But an absolute rectitude is essential to it. The nearer one comes to the ideal of the quality, the more powerful will be his influence and the greater his success. But let him see to it that he never swerve from being correct.
Anthony: Innocence means to let go of the present, thereby letting the future become what it will and being at peace with it… When we have learned to do a thing for its own sake, we know the meaning of innocence… In keeping our minds open and free, we are able to meet unexpected events with the help of the Creative, which always points out the correct and most appropriate response.
NOTES AND PARAPHRASES
Judgment: Success is possible only if you are impeccably correct. If such is not the case, take no action at all. ("Let him who is without sin cast the first stone.")
The Superior Man acts in harmony with the times.
The ancient kings in the Image are mentioned by name in seven hexagrams. (See the commentary on hexagram number 20, Contemplation, for a fuller discussion of their symbolism.) Here, the Image shows them synchronizing their laws with the "laws of nature" -- an archetypal concept which is found in many mystical traditions. Here is the alchemical version:
The individual terrestrial life should correspond to the laws governing the universe; man's spiritual aspirations should be directed to harmonize with the wisdom of God. If we accomplish this, the inner consciousness will awaken to an understanding of the influences of the stars, and the mysteries of Nature will be revealed to his spiritual perception. Paracelsus
In terms of the hexagram of Innocence, the idea is that if you are truly synchronized with your inner cosmos, if you are truly "innocent" (i.e., perfect), you may succeed under the prevailing conditions, but if you are not in complete inner accord you would be well advised to sit tight and take no action. To paraphrase the last sentence of the Confucian commentary: "Can the ego do anything advantageously without the concurrence of the Self?"
“Be ye therefore perfect, even as your father which is in heaven is perfect.” Matthew 5: 48
To use the Christian injunction in illustration: the upper trigram of Heaven is perfect, and the lower trigram of Movement is asked to reflect on how far he conforms to this ideal. In psychological terms, how do the goals of the ego compare with those of the Self, the entity to whom the Work is dedicated?
Wilhelm has some interesting commentary on this hexagram, stating that it can indicate unexpected misfortune. In his book,Lectures on the I Ching, he comments:
Wu Wang is very peculiar, and its name is not easy to translate. I have used "Innocence," or the “Unintentional." Having meanwhile thought about the matter more, I would today render Wu Wang with the term “Subconscious," even though this expression seems somewhat too modern ... That which as [Divorcement] severs life enters here into unconscious realms ... Because the shock is within and is unconscious, it cannot take its course, and therefore causes the unexpected to happen. An unexpected disaster is afoot; something may be robbed or stolen.
See line three and its commentaries for further insights into Wilhelm's ideas here.
To receive this hexagram without changing lines is tantamount to being asked if you are perfect enough to take action without harm. Sometimes, depending on circumstances, it can also suggest that your position is correct and blameless. As always, the context of your query will leave no doubt when this latter interpretation is intended. If there is doubt, rephrase the question and ask until you understand. The oracle uses ambiguity to develop your intuition -- especially so on those occasions when all you want is a quick answer.
SUGGESTIONS FOR MEDITATION
Compare what is said here about the Ancient Kings with what is said about them in hexagrams 8, 16, 20, 21, 24, and 59. What common theme unites them, and how does it relate to the concept of the Work?