Dive deep into your challenges to discover hidden strengths, turning unexpected roles into opportunities for growth and wisdom.
From
29
Danger
To
54
The Marrying Maiden
Being gullible
One calculates one's interest without first checking what others are saying. taoscopy.com
Danger29
Face repeated challenges with courage and determination. Embrace setbacks as opportunities to build resilience. Stay true to your principles to navigate through difficulties.
↓ Line 1
This line warns of the danger of falling into a cycle of misfortune. It suggests caution and awareness to avoid repeated mistakes.
↓ Line 4
This line indicates that simplicity and modesty in difficult times can lead to contentment and avoid blame.
↓ Line 5
This line suggests maintaining balance and not overreaching in times of danger, which leads to stability and avoids blame.
↓ The Marrying Maiden54
Proceed cautiously, recognizing limitations and external influences. Adapt to circumstances with humility and patience, but remain aware of your own path and intentions.
Other titles: The Abysmal, The Symbol of Sinking, Water, The Abyss, Gorge, Repeating Gorge, Repeated Entrapment, Double Pitfall, Multiple Danger, Double Water, The Deep, Dark Forces, The Perilous Pit, "May not be as bad as it sounds, but whatever happens, remain true to yourself." -- D.F. Hook
Judgment
Legge: The trigram of Danger, here repeated, shows the possession of sincerity, through which the mind is penetrating. Action in accordance with this will be of high value.
Wilhelm/Baynes:The Abysmal repeated. If you are sincere, you have success in your heart, and whatever you do succeeds.
Blofeld: Abyss upon abyss -- grave danger! All will be well if confidence is maintained and a sharp hold kept upon the mind; activities so conducted will win esteem.
Liu: Water doubled. Danger. Sincerity leads to success (peacefulness) in your heart and mind. You will succeed in your actions. [This hexagram means danger, misfortune, or entanglement in a difficult situation... You should be both careful and patient; do not struggle with all of the difficulties around you.]
Ritsema/Karcher: Repeating Gorge. Possessing conformity. Holding-fast the heart Growing. Movement possesses honor. [This hexagram describes your situation in terms of a dangerous situation you cannot avoid. It emphasizes that taking the risk without reserve, the action of Gorge, is the adequate way to handle it. To be in accord with the time, you are told to: venture and fall!]
Shaughnessy: Repeated Entrapment: There is a return; the appended heart; receipt; in motion there will be elevation.
Cleary (1): In mastering pitfalls there is truthfulness; thus the mind develops. There is excellence in practice.
Cleary (2): In multiple danger, if there is sincerity, the mind gets through and action has value.
Wu:Entrapment indicates there is confidence. The heart of the matter is that it is pervasive. Actions taken in its accord will be commendable.
The Image
Legge: The image of water flowing on continuously forms the repeated trigram of Danger. The superior man, in accordance with this, maintains constantly the virtue of his heart and the sincerity of his conduct, and practices the business of instruction.
Wilhelm/Baynes: Water flows on uninterruptedly and reaches its goal. The image of the Abysmal repeated. Thus the superior man walks in lasting virtue and carries on the business of teaching.
Blofeld: This hexagram symbolizes water flowing on and on and abyss upon abyss. [The trigram K'an is usually inauspicious; here it occurs in duplicate as the upper and the lower trigram; thus the implication is that we are beset by grave dangers from which, if we can escape them at all, the utmost skill and confidence will be required to extricate ourselves.] The Superior Man acts in accordance with the immutable virtues and spends much of his time instructing others in the conduct of affairs.
Liu: Water flows unceasingly into the depths symbolizing Water doubled. The superior man constantly preserves his virtue and practices his task of education.
Ritsema/Karcher: Streams reiterating culminating. Repeating Gorge. A chun tzu uses rules actualizing-tao to move. [A chun tzu uses] repeating to teach affairs. [Actualize-tao, TE: realize tao in action; power, virtue; ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): Water travels, double water. Thus do superior people consistently practice virtue and learn how to teach.
Cleary (2): Water comes repeatedly – multiple danger. Developed people practice teaching by constant virtuous action. [This is in perfect accord with the Tiantai Buddhist teaching of knowing how to get through an impasse, the method of making an impasse itself into a way through; this is also the method of skillfully using natural ills.]
Wu: Water comes time and again; this is Entrapment. Thus the jun zi practices virtuous conduct and reviews didactics.
COMMENTARY
Confucius/Legge: Danger repeated shows us one defile succeeding another. This is the nature of water -- it flows on, without accumulating its volume so as to overflow; it pursues its way through a dangerous defile, without losing its true nature. That the mind is penetrating is indicated by the dynamic line in the center. Advance in accordance with this will be followed by achievement. The dangerous height of heaven cannot be ascended; the difficult places of the earth are mountains, rivers, hills and mounds. Kings and princes arrange, by means of such strengths, to maintain their territories. Great indeed is the use of what is here taught about seasons of peril.
Legge: The trigram of Danger which is doubled to form this hexagram is the symbol of water, and means a pit, a perilous cavity or defile with water flowing through it. The trigrams consist of a dynamic central line between two magnetic lines. Together they symbolize danger -- how it should be encountered, its effects on the mind, and how to escape from it.
Liang Yin says: "Water stops at the proper time, and moves at the proper time. Is not this an emblem of the course of the superior man in dealing with danger?”
The K'ang-hsi editors say that to exercise one's self in meeting difficulty and peril is the way to establish and strengthen the character, and the use of such experience is seen in all measures for self-defense.
NOTES AND PARAPHRASES
Judgment: Commitment to the Work engenders a keen discernment of threatening situations and the factors which create them. With the ability to recognize the dangerous elements in a situation, success is assured.
The Superior Man maintains his connection with the Self and learns from the trials thus provided.
This is one of the first hexagrams that one learns to recognize by name and number, and it is usually received with trepidation. Like the Death card in Tarot, it is often interpreted as an evil omen, although a deeper understanding reveals opportunity rather than defeat in such images.
There is danger and suffering in the Work, but probably far less of it (in the long run) than in an ordinary unexamined life. Anguish in the service of purpose is ultimately tolerable -- it is the incredible suffering of ignorance that is truly tragic: all that pain and sorrow expended on worldly illusions!
The Confucian commentary provides some valuable insights concerning the defensive use of danger by kings and princes to protect their realms. To master a dangerous challenge before one can progress to a higher level of awareness is a classical theme of initiation: without it, the candidate would be destroyed by forces he wasn't ready to confront. (This is the purpose and meaning behind of the "Guardian of the Threshold" archetype.) Danger is evil or unfortunate only if one is intimidated by it -- correct behavior in accordance with the principles of the Work will always take you to your destination. The Self will seldom, if ever, give you a test that you cannot pass if you fully apply yourself. When it seems otherwise, bear in mind that failure often renders better lessons than success, or the illusion thereof.
A neurosis is by no means merely a negative thing, it is also something positive. Only a soulless rationalism reinforced by a narrow materialistic outlook could possibly have overlooked this fact. In reality the neurosis contains the patient's psyche, or at least an essential part of it; and if, as the rationalist pretends, the neurosis could be plucked from him like a bad tooth, he would have gained nothing but would have lost something very essential to him. That is to say, he would have lost as much as the thinker deprived of his doubt, or the moralist deprived of his temptation, or the brave man deprived of his fear. To lose a neurosis is to find oneself without an object; life loses its point and hence its meaning. This would not be a cure, it would be a regular amputation. Jung -- Civilization in Transition
Line 1
Legge: The first line, magnetic, shows its subject in the double defile, and yet entering a cavern within it. There will be evil.
Wilhelm/Baynes: Repetition of the Abysmal. In the abyss one falls into a pit. Misfortune.
Blofeld: Abyss upon abyss! In one of them, he tumbles into a cranny -- misfortune!
Liu: Water flows repeatedly. One falls into the pit of water. Misfortune.
Ritsema/Karcher: Repeating Gorge. Entering tending-towards the Gorge, the recess. Pitfall.
Shaughnessy: Repeated entrapment; entering the trap pit; inauspicious.
Cleary (1): Repeating pitfalls, one goes into a hole in a pit: bad results.
Cleary (2): Multiple danger, going into a hole in a pit, leads to misfortune.
Wu: Entrapment enters into the depths of a pit. There will be foreboding.
COMMENTARY
Confucius/Legge: She has missed her proper way, and there will be evil. Wilhelm/Baynes: One falls into the abyss because one has lost the way; this brings misfortune. Blofeld: Namely the misfortune of getting lost upon the way. Ritsema/Karcher: Letting-go tao: pitfall indeed. Cleary (2): The misfortune of losing the way. Wu: The misfortune of losing the way.
Legge: Line one is magnetic at the bottom of the figure, and has no correlate to help her. This renders her situation as hopeless. By her own efforts she will only make matters worse.
NOTES AND PARAPHRASES
Siu: At the outset, the man is hopelessly in danger. As a consequence of allowing himself to grow accustomed to evil, he has lost the right way. His efforts will only embroil him more deeply.
Wing: You have become accustomed to evil influences and no longer fight them. This could be the result of a weakness in your character. In any event, you've lost your way. The more action you take, the farther afield you'll stray. Begin again at another time.
Editor: There is no ambiguity here: To enter a cavern within a labyrinth, or "double defile" is to make things hopelessly worse.
Having once strayed into the labyrinth of evils, the wretched Soul finds no way out. Naassene Psalm
A. You have lost your way and are surrounded by negative forces.
B. An image of confusion compounded -- you are making a bad situation worse.
Line 4
Legge: The fourth line, magnetic, shows its subject at a feast, with simply a bottle of spirits, and a subsidiary basket of rice, while the cups and bowls are only of earthenware. She introduces her important lessons as her ruler's intelligence admits. There will in the end be no error.
Wilhelm/Baynes: A jug of wine, a bowl of rice with it; earthen vessels simply handed in through the window. There is certainly no blame in this.
Blofeld: A flagon of wine and a bamboo food-basket -- both. These objects were handed to him through a hole in the rock. To the very end he remains free from blame. [The terrible trouble in which we find ourselves occurs through no fault of ours; others are able to help us to some extent -- but it looks as though their help may serve only to prolong our agony.]
Liu: A jug of wine. Two bowls of food should be put into an earthen container and passed through the window. There is no blame in the end.
Ritsema/Karcher: A cup, liquor, a platter added. Availing-of a jar. Letting-in bonds originating-from the window. Completing, without fault.
Shaughnessy: Offering wine and tureens in pairs; use earthenware. Take in the angelica from the window; in the end there is no trouble.
Cleary (1): One jug of wine, two vessels. Use simplicity, sincerity, and openness, and in the end there will be no fault.
Cleary (2): A jug of wine with a ceremonial vessel of grain alongside. Use a plain cup; take in a pledge through the window. In the end there is no fault.
Wu: Using a jar of wine and a bamboo basket of food with ordinary table earthenware, he presents himself at the window. In the end, he will be blameless. [The judgment describes a person in a precarious position (the fourth) presenting himself in a simple way to his ruler (the fifth). The scene may also be viewed as a loyal minister offering his counsel to his king in time of crisis.]
COMMENTARY
Confucius/Legge: This describes the meeting of the dynamic and magnetic lines. Wilhelm/Baynes: It is the boundary between firm and yielding. Blofeld: This passage is suggested by the nature of the line, which forms a border between yielding and firm. Ritsema/Karcher: Solid and Supple, the border indeed. Cleary (2): The border of hard and soft. Wu: The meeting of the strong and weak.
Legge: Line four is the magnetic minister who will get no help from her first line correlate. She can't avert the danger herself, but she is close to the fifth line ruler whom she cautiously enlightens with the sincerity of her simple nourishment. Consequently, there will be no error.
Anthony: The Sage, knowing that we are in danger, voluntarily comes to our aid. Consequently, we are enlightened by a breakthrough in our understanding.
NOTES AND PARAPHRASES
Siu: The man is without a sponsor because of the lack of impressive gifts. Ceremonial forms and expensive gifts are unnecessary, however, during periods of great urgency. Spurred on by unostentatious sincerity, he presents his thoughts directly to the chief. No error will result from this honest request for mutual help during times of peril.
Wing: Take the simple and direct approach to solving your problems and overcoming difficulties. Strive for clarity of mind. Do not clutter your actions with useless pretense, since it will only confuse the situation.
Editor: This image implies that the dangerous elements in the situation are caused by some kind of complexity -- vanity, bureaucracy, or Byzantine intellectualism perhaps. Whatever it is, a return to basics is indicated. While surrounded by a feast (of choices) one partakes only of simple nourishment (options).
In order to effect a constructive and lasting change in our lives we must strive toward a transformation of the potentially disrupting or disruptive complexes by reaching their archetypal cores. Such a transformation can occur only when we have gone beyond the personal dimension to the universal. This process is sustained by guidance from the objective psyche through dreams and fantasies. E.C. Whitmont -- The Symbolic Quest
A. Reduce the situation to its lowest common denominator and proceed from there.
B. Complexity demands patience. Nourish yourself on simplicity.
C. An educational process. The image suggests patience and gradual change.
Line 5
Legge: The fifth line, dynamic, shows the water of the defile not yet full, so that it might flow away; but order will soon be brought about. There will be no error.
Wilhelm/Baynes: The abyss is not filled to overflowing. It is filled only to the rim. No blame.
Blofeld: The abyss is not filled to the brim; the flowing water maintains its level -- no error!
Liu: The water does not overflow its bounds. The waves are calm. No blame. [People will achieve their goals smoothly and without endangering themselves.]
Ritsema/Karcher: Gorge not overfilled. Merely already evened. Without fault.
Shaughnessy: The trap is not filled, but the sandbar has been flattened; there is no trouble.
Cleary (1): The pit is not full, it has only reached level; there is no blame.
Cleary (2): The pit is not filled, only leveled. No blame.
Wu: Entrapment is not full. It is level and uneventful. There will be no blame.
COMMENTARY
Confucius/Legge: The virtue indicated by the central situation is not yet sufficiently great. Wilhelm/Baynes: The central line is not yet great. Blofeld: This is because the line, being central to the upper trigram, indicates a level that is not too high. [The danger threatening whoever receives a moving line for the fifth place is relatively less serious than for many of the others whose enquiries are answered by this unfortunate hexagram.]Ritsema/Karcher: Centering, not-yet great indeed. Cleary (2): The center is not yet great. Wu: The center has not manifested its greatness.
Legge: Line five is dynamic in its proper place as ruler, and on the verge of deliverance from danger. The waters of the abyss will soon disappear and the ground be made level and smooth.
NOTES AND PARAPHRASES
Siu: The man is almost extricated, but remains in danger because of excessive ambition. He does not learn from the water's example of rising only to the lowest point of the rim to flow out of a ravine. He should not attempt great and apparently unattainable things but should only try to escape danger by following the path of least resistance.
Wing: Only struggle as much as necessary to extricate yourself from your problems. Overly ambitious persons who attempt more than they should may create further difficulties. It is indicated here that the danger will pass of its own accord.
Editor: This depicts the crest of the flood, or just before the crest. Psychologically, the water is contained, and the unconscious forces do not overwhelm the psyche. Legge's Confucian commentary ("The virtue indicated by the central situation is not yet sufficiently great") is not convincing in the context of what is imaged. Blofeld's rendition suggests a more credible interpretation: the rising waters are not great enough to overflow their banks. This gives an image of the strong fifth line ruler as centered and able to cope with the danger surrounding him. In other words, the cup is full, but not over-full. The situation is dangerous, but not overwhelming. The dark forces have reached their maximum power -- now they can only wane.
Who pent up the sea behind closed doors when it leaped tumultuous out of the womb... when I marked the bounds it was not to cross and made it fast with a bolted gate? Come thus far, I said, and no farther: here your proud waves shall break. Job 38: 8-11
A. Danger peaks and stabilizes. Though perilous, the situation is contained.
Other titles: The Marrying Maiden, The Symbol of the Marriage of the Younger Sister, Marriageable Maiden, The Marrying Girl, Subordinate, The Second Wife, Converting Maidenhood, Returning maiden, Making a young girl marry, Marrying a young girl, Marrying a Maiden, Unilateral Action, Impropriety, Improper Advances, "Deals with life and death, sex and birth. It contains a warning about a person or situation. It deals essentially with discrimination. The first step on the Path without which we are useless." -- D.F. Hook
Judgment
Legge:Propriety indicates that action will be evil, and in no wise advantageous.
Wilhelm/Baynes: The Marrying Maiden. Undertakings bring misfortune. Nothing that would further.
Blofeld:The Marriageable Maiden. Advance brings misfortune. No goal (or destination) is now favorable.
Liu: The Marrying Girl. Undertaking leads to misfortune. Nothing benefits.
Ritsema/Karcher: Converting Maidenhood, chastising: pitfall. Without direction: Harvesting. [Without direction: Harvesting: ... In order to take advantage of the situation, do not impose a direction on events.] [This hexagram describes your situation in terms of the changing status of someone who cannot control their circumstances. It emphasizes that finding a real field of activity through accepting this imposition is the adequate way to handle it...]
Shaughnessy:Returning maiden: To be upright is inauspicious; there is no place beneficial.
Cleary (1): Making a young girl marry: To go on will lead to misfortune; no profit is gained.
Cleary (2):Marrying a young girl. To go on an expedition leads to misfortune, with nothing gained.
Wu: Marrying a Maiden indicates that it will be foreboding to make moves. There is nothing to be gained.
The Image
Legge: The waters of a Marsh with Thunder over it form the hexagram of Propriety. The superior man, in accordance with this, having regard to the far-distant end, knows the mischief that may be done at the beginning.
Wilhelm/Baynes: Thunder over the lake: the image of The Marrying Maiden. Thus the superior man understands the transitory in the light of the eternity of the end.
Blofeld: This hexagram symbolizes thunder over a pool. The Superior Man knows that, to achieve an enduring end, he must be aware of his mistakes at the beginning.
Liu: Thunder over the lake symbolizes the Marrying Girl. The superior man knows the cause of error, and persists in his virtue to the end.
Ritsema/Karcher: Above marsh possessing thunder. Converting Maidenhood. A chun tzu uses perpetually completing to know the cracked.
Cleary (1): There is thunder above a lake, making a young girl marry. Thus superior people persist to the end and know what is wrong.
Cleary (2): Thunder over a lake – Marrying a young girl. Developed people consider lasting results and know what is wrong. [The way developed people handle things is that before they take the time to ask how to start something, they first consider lasting results. If they think of lasting results, they know what is wrong with acting prematurely, like marrying an immature girl. If you understand the meaning of this, you can apply it to government and to contemplating mind as well.]
Wu: There is thunder above the marsh; this is Marrying a Maiden. Thus, the jun zi in the pursuit of lasting excellence realizes the flaws and corrects them.
COMMENTARY
Confucius/Legge: In the marriage of a young bride the proper relationship between heaven and earth is seen. Nothing could grow or flourish if heaven and earth did not unite. The marriage of a young bride is therefore both the commencement and goal of humanity. But here the desire of pleasure employs movement to attain union. This action will be evil because the lines are in inappropriate places, and the magnetic three and five are mounted on dynamic lines.
Legge: The Chinese phrase for this hexagram might be equivalent to the English "giving in marriage,” but there are some special meanings in this case which must be understood. The Judgment gives a bad auspice because the trigram of the Youngest Daughter is beneath the trigram of the Eldest Son. Since the action of the hexagram begins with the lowest trigram, we have two violations of propriety. First, the marriage is initiated by the woman and her friends. She goes unilaterally to her future home instead of the bridegroom coming to fetch her. Second, the parties are unequally matched -- there is too great a disparity in their ages. In addition, all the lines in the hexagram except the top and the bottom are in places inappropriate for them. Some commentators insist that the symbol of the contracting of a marriage in this hexagram sets forth some principles which should obtain in the relation between a ruler and his ministers.
The growth of things in nature from the interaction of heaven and earth is analogous to the increase of mankind through the interaction between male and female in marriage. The K'ang-hsi editors reconcile this good auspice with the unfavorable Judgment by saying: "The interaction of the yin and yang cannot be dispensed with, but we ought to be careful about it in the beginning in order to prevent mischief in the end.” The error here is that the desire for the marriage originated with the lady, and that she is heedless of the disparity in their ages.
NOTES AND PARAPHRASES
Judgment: Propriety means that unilateral action is inappropriate.
The Superior Man understands that the Work is guided from within, and that choices which ignore this truth can only retard its progress. (Present actions originate future consequences: pay heed to your choices.)
The traditional name for this hexagram is The Marrying Maiden -- a title which does not convey to modern western readers the subtlety of its symbolism. Blofeld says: "This hexagram is, on the whole, a most unfortunate omen ... We must not suppose that it deals only with marriage. What is said about the maiden symbolizes in some way or other what we may expect for ourselves within the context of our enquiry." The figure is certainly difficult, but "unfortunate" only if its import is resisted or denied: any portrayal of our situation which eliminates illusion (however painful the realization), must be regarded as a positive lesson.
Although the Confucian commentary describes this hexagram in terms of self-seeking aspiration, the wretched protagonist of the figure is not invariably culpable, and neither Judgment nor Image imply this. In addition to being at the very bottom of the social pecking order, the maiden is portrayed as half-blind, crippled and a "slave." Although condemned by the commentators for importuning a marriage that would raise her status, a close reading of the lines reveals that only the sixth place suggests possible impropriety -- the others all contain advice about how one of extremely low status should cope with restricted circumstances. The hexagram therefore can deal with either of two possible conditions: those involving Proprietyand those involving Making-do as an adaptation to adversity.
In the first instance, it is useful to compare the symbolism here with that of the preceding hexagram of Gradual Progress. There we see the organic progression of the Work allegorized as the proper marriage of a young woman. In this case, Gradual Progress has been turned upside down and the symbolism reversed: this young woman improperly pursues a marriage on her own initiative. Psychologically interpreted, it can be regarded as an image of the ego pushing its own agenda or desire for union.
The ego may move in directions and toward actions that are at variance with the intentions and standards of the Self ... The mature adult needs to recognize eventually his or her relative limitedness vis-à-vis the "Self- field" and the cosmic organism of which s/he is but a cell. We are subject to the ordering and growth intents of the entelechy of the whole. E. C. Whitmont -- The Alchemy of Healing
To recognize our `relative limitedness “vis-à-vis the Self-field” is to renounce our claim to unilateral action. Though the ego ardently desires a marriage with the Self, only the Self can initiate such a union. Chou Tun I, an early Neo-Confucian, makes an observation which illuminates Legge's Image:
"The superior man, in accordance with this, having regard to the far-distant end, knows the mischief that may be done at the beginning. The most important things in the world are tendencies. Tendencies may be strong or weak. If a tendency is extremely strong, it cannot be controlled. But it is possible to control it quickly if one realizes that it is strong. To control it requires effort. If one does not realize early enough, it will not be easy to apply effort.”
To receive this hexagram without changing lines can be an admonition to examine your motives and actions in the matter at hand. Where are you out of line? If no obvious impropriety is involved, it could also portray an essentially impotent predicament. At such times Ritsema/Karcher's synopsis bears repetition: "This hexagram describes your situation in terms of the changing status of someone who cannot control their circumstances. It emphasizes that finding a real field of activity through accepting this imposition is the adequate way to handle it.”
SUGGESTIONS FOR MEDITATION
Compare Propriety with hexagram number fifty-three, Gradual Progress, then compare them both with hexagram number thirty-one,Initiative. What are the similarities in their ideas? Now look at hexagrams number eleven, seventeen and twenty-two and observe the over-all philosophy which begins to emerge.