Illuminate your path with clarity, let go of excess, and welcome simplicity.
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30
Clarity
To
23
Splitting Apart
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One is having feelings for those who have less patience than one does. taoscopy.com
Clarity30
Clarity and adaptability. Embrace the light to illuminate your path. Recognize patterns in life, align with them, and nurture personal growth.
↓ Line 1
At the beginning, there is confusion and uncertainty. However, if one remains focused and determined, there will be no blame.
↓ Line 3
This line warns of the dangers of complacency and the fear of decline. It suggests that one should not dwell on past glories or future fears.
↓ Line 4
This line indicates sudden changes and the need to adapt quickly. It suggests that one should not cling to what is fleeting.
↓ Splitting Apart23
Unraveling structures; necessary endings. Prepare for new beginnings. Embrace the change, allowing the old to fall away.
Other titles: The Clinging, The Symbol of Brightness and of Separateness, Flaming Beauty, Radiance, Fire, The Net, Allegiance, The Cosmic Mean, Synergy, Sunlight, Perception, Pertaining to Comprehension, The Light, Consciousness, Lucidity
Judgment
Legge: The free course and success of Clarity comes from firm correctness. The nourishment of bovine docility creates good fortune.
Wilhelm/Baynes: The Clinging. Perseverance furthers. It brings success. Care of the cow brings good fortune.
Blofeld:Flaming beauty. Righteous persistence brings reward. Success! Rearing cows -- good fortune! [Cows are gentle creatures which require looking after; hence this sentence means that good fortune can be gained by looking after those in need of help.]
Liu: Fire. It is of benefit to continue. Success. To take care of the cow leads to good fortune.
Ritsema/Karcher: Radiance, Harvesting Trial. Growing. Accumulating female cattle. Significant. [This hexagram describes your situation in terms of expanding light, warmth and awareness. It emphasizes that joining with and depending on what spreads this light, the action of Radiance, is the adequate way to handle it...]
Shaughnessy:The Net: Beneficial to determine; receipt; raising a cow is auspicious.
Cleary(1):Fire is beneficial for correctness and development. Raising a cow brings good fortune.
Cleary (2): Fire is beneficial if correct; then there is success, etc. [In Buddhism, when demons cause disturbance, it is necessary to cleave to true teaching to get rid of aberrations.]
Wu: Allegiance indicates that it will be advantageous to be persevering and pervasion will follow. It will be auspicious to raise the cow.
The Image
Legge: The image of brightness repeated forms Clarity. The great man, in accordance with this, cultivates more and more his brilliant virtue, and diffuses its brightness over the four quarters of the land.
Wilhelm/Baynes: That which is bright rises twice: the image of Fire. Thus the great man, by perpetuating this brightness, illuminates the four quarters of the world.
Blofeld: This hexagram symbolizes fire rising in two tongues of brilliant flame. The Superior Man, by perpetuating the brilliance of the ancients, illuminates every quarter of the earth. [In other words, we should make ourselves as completely dependent on the principle of righteousness as natural objects are dependent upon nature; in this way, we are sure to be successful.]
Liu: Doubled brightness symbolizes Fire. A great man perpetuates the light and illuminates the four corners of the universe.
Ritsema/Karcher: Brightness doubled arousing Radiance. Great People use consecutive brightening to illuminate tending- towards the four sides.
Cleary (1):Light has dual function. Thus do great people illumine the four quarters with continuing light. [The sun goes in at night and comes out in the daytime; this pattern represents inner illumination and outer illumination, one light having dual function…Outer illumination has to be based on inner illumination… Illumination must reach inside and outside, so that both are illumined and both are correct.]
Cleary (2): Illumination doubled makes fire. Great people illumine the four quarters with continuing illumination.
Wu: Brightness doubled makes Allegiance. Thus the great man carries on the brightness to shine the four corners of the earth.
COMMENTARY
Confucius/Legge:Clarity means clinging attachment. The sun and moon have their roots in heaven, and all the growing things have their roots in the earth. The double brightness of the two trigrams is rooted in correctness, and all under heaven are thereby transformed. The magnetic second line is central and correct, indicating a free and successful course. Nourishing a passive docility will lead to good fortune.
Legge:Clarity is the trigram of fire and light, and the sun is the source of both of these. Its attribute is brightness, and by a natural metaphor: intelligence. But this trigram also means inhering or in adhering to -- being attached to. In the hexagram we have a double brightness -- a phrase which denotes the ruler. If we take the two central lines as emblematic of the situation, we have the magnetic dwelling with the dynamic above and below -- a condition requiring a docile humility and strict adherence to what is correct. Ch'eng-tzu says: "The nature of the ox is docile, and that of the cow is much more so. The subject of the hexagram adhering closely to what is correct must be able to act in obedience to it, as docile as a cow, and then there will be good fortune."
NOTES AND PARAPHRASES
Judgment: Willed persistence gets results. Be receptive to your inner light, and reflect it in your life.
The Superior Man cultivates his capacity to manifest his comprehension of the Work in his everyday choices.
Light is a symbol of both normal consciousness and super- consciousness. Probably every religion in the world uses it in the latter sense -- from the "Let there be light" in the first chapter of Genesis, to The Lord of Light (Ahura Mazda), the supreme being of Zoroastrianism. The TibetanBook of the Dead speaks of the "clear white light" which is the first thing encountered after bodily death -- a phenomenon reported as the experiential perception of those who have had near-death experiences. Light means Truth, it means Reality, and the "double brightness" of this hexagram tells us that Clarity is manifested both above and below.
Meditation on light is one of the most important exercises in the various schools of Tibetan Yoga. The more these psychic and spiritual powers can be achieved during life, the stronger is the ability to penetrate and overcome the bardo. D. I. Lauf, Secret Doctrines Of The Tibetan Book Of The Dead
The Confucian commentary gives the examples of the sun and moon in the heavens, and of growing things on the earth as emblems of Clarity. Sun and moon are certainly luminous, but growing things are not, and when we meditate on the reason for this strange juxtaposition we are led to the idea of the Self and the ego. The Self is the sun, the source of illumination which causes the ego to grow. Sun is to growing things as Self is to ego. This idea is repeated in the relationship between the sun and the moon -- the moon is not self-luminous, it can only reflect the light of the sun. Therefore, sun is to moon as Self is to ego.
The idea is that despite our illusions to the contrary, all of our power originates somewhere else. When we allow the power to work through us without interference, we become "docile" like the cow in the judgment. Clarity, therefore, is attained through docility -- the ability to subdue and restrain the autonomous components of the psyche, which left to their own devices would prefer to go around pontificating their brilliant illusions rather than quietly reflecting the truth. It is not easy to reflect the truth, and the superior man is counseled to constantly perfect his capacity to do so. It is only when Self and ego come together in a fusion reaction that the energy released attains the true "double brightness" imaged in the hexagram. The identical idea is found in the Kabbalah:
Said Rabbi Simeon: "When the Holy One arrays himself, it is in the ornaments from both the celestial and terrestrial worlds; from the former with that heavenly light on high that no human being can approach unto; from the latter with the souls of the righteous who the more they approximate themselves to this divine light the more receptive and filled with it do they become, so that through them it expands in all directions and the world like a cistern or ocean is filled with it." The Zohar
Wilhelm mentions that the hexagram "divided within and closed without, is an image of the meshes of a net in which animals remain snared." This gives us the image of Clarity as Comprehension -- a net which captures and encloses insights. To receive the figure without changing lines is often a confirmation of an idea or action -- it is saying: "You have comprehended," or "Your proposed action is lucid, intelligent, etc."
Line 1
Legge: The first line, dynamic, shows one ready to move with confused steps. But he treads at the same time reverently, and there will be no mistake.
Wilhelm/Baynes: The footprints run crisscross. If one is seriously intent, no blame. [It is precisely at the beginning that serious concentration is important, because the beginning holds the seed of all that is to follow.]
Blofeld: Approaching with reverent steps, he pays them his respects -- no error! [This suggests a rather delicate situation in which we should avoid any appearance of lacking respect for others.]
Liu: The footsteps are confused. If one is cautious, no blame. [Everyone should watch his steps so that he doesn’t injure his feet.]
Ritsema/Karcher: Treading, polishing therefore. Respecting it. Without fault.
Shaughnessy: Treading counter-wise; respect it; there is no trouble.
Cleary (1): The steps are awry. If you are heedful of this, there will be no fault.
Wu: The subject is treading cautiously. With due respect, he will be blameless.
COMMENTARY
Confucius/Legge: The reverent attention directed to his confused steps is the way by which error is avoided. Wilhelm/Baynes: Seriousness when footprints run crisscross serves in avoiding blame. Blofeld: He walks reverently expressly to avoid blame. Ritsema/Karcher: Using casting-out fault indeed. Cleary (2): Be heedful when the steps are awry, to avoid fault. Wu: Having due respect in cautious treading is to avoid being blamed.
Legge: Line one is dynamic at the bottom of the trigram of fire, the nature of which is to ascend. He therefore will move upwards, but is in danger of doing so coarsely and vehemently. However, since the lowest line has hardly entered into the action of the hexagram, this makes him reverently careful of his movements and there is no error.
NOTES AND PARAPHRASES
Siu: At the outset, the man is initially confused amid the bustle of life. He will avoid error by careful attention to the central issue at stake.
Wing: When you first begin on your new path, you are bombarded by impressions. Keep your goal in mind constantly and you can avoid confusion. Furthermore, do not forget your position as a beginner, somewhat outside the situation.
Editor: Wilhelm's commentary says that line one is analogous to the dawn, line two to noon, and line three to sunset. Here at the beginning of the day, full clarity has yet to manifest, but serious intent will compensate for your relative ignorance of the facts at hand.
When one follows the path of individuation, when one lives one's own life, one must take mistakes into the bargain; life would not be complete without them. There is no guarantee -- not for a single moment -- that we will not fall into error or stumble into deadly peril. Jung -- Memories, Dreams, Reflections
A. When in the dark, keep the faith: trust the Work and pick your way very carefully.
Line 3
Legge: The third line, dynamic, shows its subject in a position like that of the declining sun. Instead of playing on his instrument of earthenware, and singing to it, he utters the groans of an old man of eighty. There will be evil.
Wilhelm/Baynes: In the light of the setting sun, men either beat the pot and sing or loudly bewail the approach of old age. Misfortune.
Blofeld: In the light of the setting sun, young men do not beat upon their cooking pots or sing; the old sigh piteously -- misfortune!
Liu: Under the light of the setting sun, one sings without beating the pot, bemoaning one's old age. Misfortune.
Ritsema/Karcher: Sun going-down's radiance. Not drumbeating a jar and-also singing. By-consequence great old-age's lamenting. Pitfall.
Shaughnessy: The net of the sun's decline; not drumming the earthenware jar and yet singing, then the sighing of the great mourning kerchief; inauspicious.
Cleary (1): The afternoon light; unless you drum on a jug and sing, there will be the lament of old age, which is unfortunate.
Cleary (2): In the fire of the afternoon sun, you either drum on a jug and sing, or lament as in old age. This bodes ill. [When you use insight too much without concentration to balance it, sometimes you will be extremely joyful, drumming and singing, and sometimes you will be extremely anxious, lamenting as in old age. Sadness and joy disturb the song of your heart; intellectual insight cannot sustain itself – backsliding and loss are inevitable.]
Wu: The sun is passing the meridian. Ifhe does not playhis earthen instrument and sing, but sighs like an old man of eighty years, there will be foreboding. [The passing of the meridian is like the passing of the prime time in life. If one does not make the best of his life now, it will be gone forever.]
COMMENTARY
Confucius/Legge: A position like that of the setting sun -- how can it continue long? Wilhelm/Baynes: How can one wish to hold for long the light of the setting sun? Blofeld: Sunset beauty -- how can it endure for long? [This passage suggests that our present happiness or success is not destined to endure; we must prepare for a setback.] Ritsema/Karcher: Wherefore permitting lasting indeed? Cleary (2): Afternoon sun cannot last long. Wu: How long will the day last?
Legge: Line three is at the top of the lower trigram, whose light is now exhausted, suggesting a sunset. He should accept his position and resign himself to the ordinary amusements mentioned, but he groans and mourns instead. His restless activity interferes with the lowly contentment he should cherish. The K'ang-hsi editors say that the declining sun is an emblem of "obscuration coming over the virtue of the mind."
Anthony: Fear and worry over the length of time required to attain recognizable progress puts us in the wrong balance. If we can nobleheartedly accept that things will be fulfilled when they will, we secure our fate by making possible that it can be fulfilled. As long as the ego stands by expectantly, measuring and weighing our progress, the dark force of doubt operates and the power of good cannot manifest itself. Obtaining this line reminds us that adversity lasts only for a time; through it we mould our character.
NOTES AND PARAPHRASES
Siu: The man reaches his declining years and recalls the transitoriness of life. Instead of enjoying the ordinary pleasures while they last, he groans in melancholy.
Wing: The best attitude to cultivate at this time in your life is a general acceptance of fate. To totally lose yourself in the happiness of the moment is as bad as to bemoan the passing of time. Such folly of the mind and the emotions leads to a loss of inner freedom. Misfortune.
Editor: There is apparently more than one way to translate this line, best seen in the contrast between Cleary’s Taoist and Buddhist versions. One implies that frivolity is an antidote to depression, the other that both positions are extreme. Emphasized in all translations is the contrast between joy and sorrow, singing and groaning, youth and old age. The setting sun symbolizes the decline of awareness, the "darkening of the light," the advance of illusion. That is: to either mindlessly sing or to bewail one's fate is to be deluded -- one has forgotten one's Source. Frivolity and despair are polarized attitudes, and the line tells us that clarity wanes whenever one takes an extreme position. In another context, the setting sun suggests the inevitability of death. Those who believe that death is final usually respond in either of the two ways shown, and thus miss the mark. There is also a suggestion of the futility of trying to hold onto something that is by nature transitory. Note the similarity between this line and line three of Hexagram #61,Inner Truth: “He finds a comrade. Now he beats the drum, now he stops. Now he sobs, now he sings.” Wing’s paraphrase is probably the best.
No soul, not even our own, enters into the body completely. Soul always remains united by its higher part to the intelligible realm. But if the part that is in the realm of sense dominates, or rather becomes dominated and disturbed, it keeps us unaware of what the higher part of the soul contemplates. Plotinus -- The Enneads
A. An image of gross illusion. Clarity is lost when perception is polarized.
B. Nothing lasts here below, but that's only half the story -- the least interesting half.
C. “Gather your rosebuds while ye may.”
Line 4
Legge: The fourth line, dynamic, shows the manner of its subject's coming. How abrupt it is, as with fire, with death, to be rejected by all!
Wilhelm/Baynes: Its coming is sudden; it flames up, dies down, is thrown away.
Blofeld: How sudden its coming! Then with flamelike swiftness it is dead and cast away. [Apparently we may expect some unlooked for good fortune, but of a kind that will have passed away before we have had time to enjoy it.]
Liu: It comes abruptly; it burns up, dies, and is cast aside.
Shaughnessy: As if going out, as if coming, as if confused, as if dying, as if dismissing.
Cleary (1): The coming forth is abrupt, burning, dying, abandoned.
Wu: So abruptly it comes, like burning, like dying, like being abandoned. [The symbolic associations paint a scene of hell. Some scholars consider this judgment to be the most vicious of the 384 judgments of the lines in the Yi Jing.]
COMMENTARY
Confucius/Legge: None can bear with him. Wilhelm/Baynes: Yet in itself it has nothing that would cause it to be accepted. Blofeld: Its coming was sudden and there was no place for it. Ritsema/Karcher: Without a place to tolerate indeed. Cleary (2): There is no accommodation. [Why wait until burning out that this is not the way to a good end?] Wu: Because it is not accommodated.
Legge: Line four's dynamic activity in a magnetic place makes him appear in this unseemly manner -- a disaster to himself.
Anthony: We know that perseverance over a period of time is necessary to accomplish our goals; nevertheless, or inferiors complain of how long it takes. This causes us to doubt ourself, the great-man potential in others and the Creative. We need to rid ourselves of our complaining inferiors, thereby disconnect our inner gaze. In this way we overcome the ego and hold to clarity.
NOTES AND PARAPHRASES
Siu: The man forges upward too abruptly in his restlessness. Others cannot bear his unseemly manner, and he consumes himself like the fire.
Wing: Your display of overly enthusiastic energies and endeavors will exhaust you. Nothing will come of it all.
Editor: This is often an image of myopic enthusiasm -- perhaps a "brilliant idea” that will come to nothing because it does not harmonize with a larger reality. Although sometimes a warning about intemperate responses, at its most neutral the line can refer to a temporary situation which will end as soon as it begins. Despite Wu’s commentary about this being the most “vicious” line in the Book of Changes, it is more often an image of an inconsequential manifestation of some sort. [Added note 5/24/08: I concur with Wu. See paraphrase C.]
The second stage, that of emotional excitement or elation – when the individual is carried away by an excessive enthusiasm and cherishes the illusion of having arrived at a permanent attainment – calls for a gentle warning that his blessed state is, of necessity, but temporary and he should be given a description of the vicissitudes of the way ahead of him. R. Assagioli – Psychosynthesis
A. A flash in the pan -- a sudden but temporary burst of energy.
Other titles: Splitting Apart, The symbol of Falling or Flaying, Peeling Off, Decay, Flaying, Stripping Away, Intrigue, Deterioration, Collapse, Fracturing, Tearing, Disintegration, Ruin, Unraveling, "Can refer to a physical parting. Making a secure foundation." -- D.F. Hook
Judgment
Legge:Disintegration means that it is not advantageous to make a movement in any direction whatever.
Wilhelm/Baynes:Splitting Apart. It does not further one to go anywhere.
Blofeld: Peeling off. At present, there is no goal (or destination) which can be sought with advantage. [Peeling off in the sense of getting rid of hindrances (or hinderers) one after another. The first four lines of this hexagram symbolize a process of ridding ourselves progressively of all those upon whom we are accustomed to rely, for the powers of darkness are in the ascendant and no one can be trusted. However, in the long run, virtue triumphs, as indicated by line five, and ultimately we are all the more esteemed for our steadfastness, as can be seen from line six.]
Liu: Decay. It is unfavorable to undertake anything.
Ritsema/Karcher:Stripping not Harvesting: possessing directed going. [This hexagram describes your situation in terms of something outmoded or worn out. It emphasizes that eliminating what has become unusable is the adequate way to handle it...]
Shaughnessy: Flaying: Not beneficial to have someplace to go.
Cleary (1):Stripping away does not make it beneficial to go anywhere.
Cleary (2): … It is not beneficial, etc.
Wu: Tearing indicates that it is not advantageous to have any undertaking.
The Image
Legge: The image of a mountain adhering to the earth forms Disintegration. Superiors therefore strengthen their inferiors to secure the peace and stability of their own position.
Wilhelm/Baynes: The mountain rests on the earth: the image of Splitting Apart. Thus those above can ensure their position only by giving generously to those below.
Blofeld: This hexagram symbolizes a mountain resting upon the earth. The truly great shower generosity upon those under them to enable them to live in peace and comfort. [The upper and lower trigrams, mountain and Earth, symbolize the Superior Man and the people in his care.]
Liu: The mountain stands on the earth, symbolizing Decay. Those above should act with benevolence toward those below. Then there will be peace and security.
Ritsema/Karcher: Mountain adjoining with-respect-to earth. Stripping. Using munificence above to quiet the position below.
Cleary (1): Mountains are joined to the earth. Those above secure their homes by kindness to those below.
Wu: The mountain is subordinated to the earth; this is Tearing .Thus those above treat those below with liberal rewards to secure their own positions.
COMMENTARY
Confucius/Legge:Disintegration means overthrowing or being overthrown: the magnetic lines attack the dynamic line at the top in order to change it into one of themselves. It is unwise to move in any direction because inferior elements are now increasing in power. The superior man, observing this, stops all forward movement. He defers to the exigency of the time, realizing that increase and decrease, ripeness and decay are cyclic rhythms.
Legge:Disintegrationis the symbol of falling or causing to fall, and refers to the process of decay or overthrow in both the natural and political worlds. The figure consists of five yin lines below and one yang line on top. Decay has begun at the bottom and crept upward. The hexagram symbolizes the ninth month when summer has passed and the year is about to fall into the sterile arms of winter. In the political world, inferior men have gradually displaced good men until only one remains. The lesson for him is to wait because the power operating against him is too strong. Eventually a change for the better will appear. The specific image is that of a bed and its occupant, and the symbolism describes the attempts made to overthrow him. The lower trigram of Docility and the upper trigram of Keeping Still suggest to the superior man of line six how he can best deal with the prevailing circumstances. The situation is not hopeless -- winter is followed by spring, night by day, and the waning moon soon grows full again. So will it be in the course of human affairs.
The idea behind the Image is that a mountain has the earth for its foundation. If the earth is thick, the mountain preserves its height. So it is with the sovereign and people.
NOTES AND PARAPHRASES
Judgment:Disintegration means do not act.
The Superior Man stabilizes his responses and seeks tranquility.
The twenty-third hexagram is the inverse ofReturn, the hexagram immediately following it. Each figure depicts an opposite pole in a cyclic progression. Here the old cycle has disintegrated to the point of dissolution. The following hexagram depicts theReturnto the beginning of a new cycle.
The first four lines of Disintegration show the gradual erosion of a position or frame of reference, symbolized by a bed or couch. The inferior forces creep up from below like termites to undermine a solid foundation. The fifth line shows a gathering of forces for a potentially positive transformation, and the top line suggests the first stages of this transformation. The implication is that times of disintegration needn't always be regarded as negative, or a foregone conclusion. We still have the choice to alter conditions in our favor.
That the superior man "strengthens his inferiors" to insure the stability of his position, means that one stabilizes one's psychological situation by defusing the causes of rebellion -- safeguard the foundation where it is weak. Hexagram number forty-three, Resoluteness, is a negative picture of this figure, and the message in the Image is very similar: "The superior man does not hoard his wealth, but shares it with his subordinates." The idea is subtle -- it doesn't mean to indulge your weaknesses, but to monitor them encouragingly so that they may become transformed into positive forces.
Whenever we go deep enough toward the core of a sub- personality, we find that the core -- which is some basic urge, or need -- is good. For practical purposes, this can be considered an absolute. No matter how many layers of distortion may surround it, the basic need, the basic motivation, is a good one -- and if it becomes twisted, it was because of not being able to express itself directly. The real core -- not what the sub- personality wants, but what it needs -- is good. A basic purpose of the coordination phase is to discover this central urge or need, to make it conscious, and to find acceptable ways in which it can be satisfied and fulfilled. And, provided we have sufficient understanding and skill, it can be satisfied -- if not fully, at least enough to maintain the process of growth. James Vargiu -- Subpersonalities