Wiki I Ching

Clouded Perception 36.1.3.4 16 Enthusiasm

In moments of challenge, nurture your inner spark to ignite visions of possibility.

From
36
Clouded Perception
To
16
Enthusiasm

Shocking to get a reaction
One aspires to do more fear than harm.
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Clouded Perception 36
Stay resilient amidst adversity.
When in challenging circumstances, maintain inner clarity and integrity while concealing your light from those who may not understand or appreciate it.
Patience and perseverance are key.


Line 1
In times of adversity, one must be cautious and avoid drawing attention.
Perseverance is needed despite hardships.


Line 3
In challenging times, patience is required.
Immediate success is unlikely, and one must be prepared for setbacks.


Line 4
Understanding the core of the problem allows one to find a way out of adversity.
Insight leads to liberation.


Enthusiasm 16
Inspiration fuels energy; align enthusiasm with purpose to move forward effectively.



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Original Readings

36
Clouded Perception


Other titles: Darkening of the Light, The Symbol of the Appearance of Clear Intelligence Wounded, Injury, Wounding of the Bright, Brightness Hiding, Calling Pheasant, The Darkened Light, Concealment of Illumination, Injury of Illumination, Light Obliterated, Intelligence Unappreciated, Censorship, Hiding One's Light, The Dark Night of the Soul, Ignorance "Not necessarily as bad as it sounds, may just mean being restricted or restricting yourself." -- D.F. Hook

 

Judgment

Legge: Under the conditions of Clouded Perceptionbe aware of the difficulty of your position and maintain firm correctness.

Wilhelm/Baynes: Darkening of the Light. In adversity it furthers one to be persevering.

Blofeld:Darkening of the Light. Righteous persistence in the face of difficulty brings reward.

Liu:Darkening of the Light. It benefits one to carry on through hard times.

Ritsema/Karcher: Brightness Hiding, Harvesting: drudgery, Trial. [This hexagram describes your situation in terms of intelligence hidden or harmed. It emphasizes that deliberately concealing your light by entering what is beneath you is the adequate way to handle it. To be in accord with the time, you are told to: hide your brightness!]

Shaughnessy: Calling pheasant: Beneficial to determine about difficulty.

Cleary (1): In concealment of illumination, it is beneficial to be upright in difficulty.

Cleary (2): When illumination is damaged, it is beneficial to be upright in difficulty.

Wu:Light Obliterated indicates that it is advantageous to be persevering in time of danger.


The Image

Legge: The sun enters the earth -- the image ofClouded Perception.The superior man manages his subordinates and shows his intelligence by keeping it hidden.

Wilhelm/Baynes: The light has sunk into the earth: the image of Darkening of the Light. Thus does the superior man live with the great mass: He veils his light, yet still shines.

Blofeld: This hexagram symbolizes light hidden within the earth. In governing the people, the Superior Man, though taking care to conceal his light, nevertheless shines.

Liu: The sun sinking under the earth symbolizes the Darkening of the Light. In approaching the people the superior man veils his brightness, yet still has glory.

Ritsema/Karcher: Brightness entering earth center. Brightness Hiding. A chun tzu uses supervising the crowds to avail-of darkening and-also Brightening.

Cleary (1): Light enters into the earth, illumination is concealed.Thus do Superior people deal with the masses, acting unobtrusively while in fact illuminated. [When practitioners of the Tao are among the masses, if they use their illumination too much, they will startle the ignorant and amaze the worldly, easily bringing on abuse and slander.]

Cleary (2): Illumination goes underground, in concealment of illumination. In dealing with the masses, true leaders act unobtrusively while in fact being illuminated. [What sages learn is to become daily more illumined unbeknownst to others.]

Wu: The light enters the earth; this is Light Obliterated. Thus the jun zi uses the spirit of dimness in place of brightness to administer affairs of the populace. [By “dimming” his internal strength, he would make people feel that he is one of them.]

 

COMMENTARY

Confucius/Legge: The image of Brightness entering into the midst of the earth suggests clarity that has been wounded or obscured. The lower trigram shows Clarity, the upper Docility. King Wen had both of these qualities, yet he was involved in great difficulties. The individual concerned should obscure his brightness. Thus was Count Chi able to correctly maintain his mind and intent amidst the difficulties of his situation.

Legge: This hexagram shows an able officer going forth in the service of his country, notwithstanding the occupancy of the throne by a weak and unsympathetic ruler. Hence the name Clouded Perception or Intelligence Wounded -- that is, injured and oppressed. The lesson of the figure is to show how such an officer will conduct himself and maintain his purpose.

King Wen was not of the line of Shang. Though opposed and persecuted by its sovereign, he could pursue his own course, till his line came in the end to supersede the other. It could not be so with the Count of Chi, who was a member of the House of Shang. He could do nothing that would help on its downfall.

 

NOTES AND PARAPHRASES

Judgment: Recognize a difficult situation and use your willpower to cope with its restrictions.

The Superior Man manages the situation by subduing his need to speculate, meddle, or call attention to himself. (Alternate: When in the presence of arrogance, the wise man plays the fool.)

The thirty-fifth hexagram shows the trigram of Clarity progressing over the earth -- an image of advancing awareness. The thirty-sixth hexagram is the inverse of this -- it shows the trigram of Clarity swallowed up by the earth. If the image of Advance of Consciousness symbolizes noon, when the sun is at the midheaven, then Clouded Perception symbolizes midnight, when the sun is at the Imum Coeli, or undersky. It is a time of maximum darkness, maximum ignorance; a time when the dark forces of the unconscious are at their strongest. We are reminded of the Dark Night of the Soul, an inescapable and inevitable phase of the Work:

When, at length, they have practiced themselves for some time in the journey of virtue, persevering in meditation and prayer, wherein, with the suavity and relish they have found, they have become detached from worldly things, and acquired some spiritual strength in God, so as to be able to curb the creature appetites and in some small degree suffer for God some slight load and dryness, without turning back at the crucial moment; when, to their thinking, they are proceeding in these spiritual exercises to their entire satisfaction and delight; and when the Sun of Divine favors seems to them to shine most radiantly upon them, God darkens all this light, and shuts the door and fountain of the sweet spiritual water, which they were wont to drink in God as often and as long as they chose ... and thus, he leaves them in darkness so profound that they know not whither to direct the sense of the imagination and speculations of the mind.
St. John of the Cross

The Dark Night of the Soul is the universal experience of everyone who follows the way beyond the tried and true paths of the spiritual dilettante. It is an archetypal filter for determining the survival of the fittest in psychic evolution. For those who have entered this phase of the Work, it is good to remember that no one is given a test that they can't pass if they sincerely want to.

The situation in line five of this hexagram means little to one who is unacquainted with Chinese history. In its essence, the story of Count Chi concerns a superior man who was imprisoned by an evil emperor. The only way that he could survive this dark time was to feign insanity. Thus the message in the Image counsels us to show our intelligence by concealing it. There is a wide range of applications for this rule, and perhaps Lao Tse gives us the best paraphrase of the idea in his famous aphorism: He who knows does not speak; He who speaks does not know.

In terms of the Work this can mean that one must firmly understand that there are some things which cannot be shared with just anyone. Inner work is very fragile until it has had time to crystallize, and to expose its truths to the harsh light of unsophisticated intellect is to risk severe damage to the process of individuation.

One must not tell people of things they cannot grasp. There are mysteries that cannot be shared with everybody ... Some things can be told to no one and a secret told to a wrong person is destructive and even irresponsible.
M.L. Von Franz -- The Feminine in Fairytales

This hexagram can symbolize many situations, but sometimes it is a suggestion that you are ignorant or "in the dark" about the true state of affairs now prevailing.


Line 1

Legge: The first line, dynamic, shows its subject with clouded perception, flying, but with drooping wings. When the superior man is about his business he may go for three days without eating. Wherever he goes, the people there may speak derisively of him.

Wilhelm/Baynes: Darkening of the light during flight. He lowers his wings. The superior man does not eat for three days on his wanderings. But he has somewhere to go. The host has occasion to gossip about him.

Blofeld: Failure of the light during his progress through the sky caused him to lower his wings. When busy with affairs, the Superior Man may go without food for three days on end, so intent is he on reaching his goal; but his lord will have something to say about this.

Liu: The darkened light flies and droops its wings. The superior man fasts for three days during his wanderings. His host speaks of him with derision. He leaves to go someplace.

Ritsema/Karcher: Brightness Hiding tending-towards flying. Drooping one's wings. A chun tzu tending-towards moving: three days not taking in. Possessing directed going. A lord: people possessing words.

Shaughnessy: The calling pheasant in flight, drops its left wing: the gentleman on the move, for three days does not eat; there is someplace to go; the ruler has words.

Cleary (1): Concealing illumination in flight, letting the wings hang down; a superior man on a journey not eating for three days has a place to go. The master is criticized.

Cleary (2): Illumination concealed in flight, etc … The ruler has something to say.

Wu: It is like a bird in flight with its wings drooping. If the jun zi takes a journey, he may go without food for three days andhis host will have words about his undertakings.

 

COMMENTARY

Confucius/Legge: In such a case he feels it right not to eat. Wilhelm/ Baynes: It is the obligation of the superior man to refrain from eating during his wanderings. Blofeld: It is the duty of the Superior Man to go without food for three days if his activities require this of him. Ritsema/Karcher: A chun tzu tending-towards moving: righteously not taking-in indeed. Cleary (2): It is right that they do not eat. [This is like a just person fleeing a vicious tyrant … such is the speed of travel that they do not have the leisure to eat for three days.]Wu: For righteousness sake, he refuses to eat.]

Legge: Line one is dynamic, and in its right place. He should be going forward, but the general signification of the hexagram supposes him to be wounded. The wound, received at the commencement of the action, is but slight. It suggests a bird hurt so that it must droop its wings. The subject then appears directly as the superior man. He understands that he must desist from the struggle for a time, and is so rapt in the thought that he can fast for three days and not think of it. When he does withdraw, opposition may follow him, but he holds to his own purpose. The commentary says that he does not purposely fast, but when he has nothing to eat he doesn't complain. He thinks it right that it should be so in this case.


NOTES AND PARAPHRASES

Siu: At the outset, the man encounters hostility and derision in his attempt to soar above all obstacles. He does not compromise but perseveres in his thinking and remains true to his principles. People do not understand him.

Wing: An attempt to rise above the obstacles in your environment will be met with hostility. If you decide to serve your personal drives and compromise the needs of society, you will be misunderstood and censured. Such is the difficulty of the position.

Editor: Flying: Air is the realm of thought. To fly is to move in the realm of ideas: to think, speculate, reason. Drooping wings: Wounded in the realm of thought: impaired thinking, inferior conceptualization, crippled by faulty ideas or incomplete information, “clipped wings.” He does not eat: he doesn't jump to conclusions, but reasons it out to the end. Three days: A period of completion. ("The Chinese say that numbers begin at one and are made perfect at three." -- Gaskell, Dictionary of Scriptures and Myths.) People speak derisively: Subordinate elements within the psyche (emotions, etc.) clamor for resolution, easy answers, etc. Psychologically, this combination of symbols points to a confused situation which demands careful differentiation. Though answers may not be forthcoming immediately, be patient and you will get what you seek. The line can also refer to painfully following one's path regardless of consequences. (Compare with symbolism of fourth line correlate.)

In a word: the first work of the hero is to retreat from the world scene of secondary effects to those causal zones of the psyche where the difficulties really reside, and there to clarify the difficulties, eradicate them in his own case (i.e., give battle to the nursery demons of his local culture) and break through to the undistorted direct experience and assimilation of what C.G. Jung has called "the archetypal images." This is the process known to Hindu and Buddhist philosophy as viveka, "discrimination."
Joseph Campbell --The Hero with a Thousand Faces

A. Your thinking is confused and requires a new point of view. Don't jump to easy conclusions. Even though you are anxious to resolve the issue, you are obliged to reason it through to the end.

Line 3

Legge: The third line, dynamic, shows its subject in the condition of clouded perception, hunting in the south, and taking the great chief of the darkness. He should not be eager to make all correct at once.

Wilhelm/Baynes: Darkening of the light during the hunt in the south. Their great leader is captured. One must not expect perseverance too soon.

Blofeld: Wounded while on a military expedition in the south, he still managed to capture the rebel leader. Persistence amounting to madness should be avoided.

Liu: The southern expedition of the darkened light captures the leader. Act without rushing. Continue.

Ritsema/Karcher: Brightness Hiding tending-towards the South, hounding. Acquiring its great, the head. Not permitting affliction. Trial.

Shaughnessy: The calling pheasant is wounded in the southern hunt, getting its great head; it is not permissible to determine about illness.

Cleary (1): Illumination concealed, going south hunting, catching the big chief; hasty correction won’t do.

Wu: A royal hunt in the southern country bags the head of the chieftains. It is correct to go without haste.

 

COMMENTARY

Confucius/Legge: With the aim represented by hunting in the south a great achievement is accomplished. Wilhelm/Baynes: The purpose of the hunt in the south has great success. Blofeld: His willingness to undertake the expedition to the south symbolizes determination to achieve great results. Ritsema/ Karcher: The South: hounding's purpose. Thereupon acquiring the great indeed. Cleary (2): A big catch. Wu: The goal is to make big gains.

Legge: Line three, dynamic in a dynamic place, is the topmost line of the lower trigram of Clarity. He responds to his proper correlate in line six, emblemed in this hexagram as the seat of the weak tyrant. The solar light is found in the south, to which we turn when we look at the sun at noon, and hence the subject of this line is seen as a hunter successfully pursuing his quarry. Although successful he should not be overeager to put all things right at once.

 

NOTES AND PARAPHRASES

Siu: The man encounters the chief of disorder and captures him. Despite swift victory, he is not overly eager to put all things in order in one fell swoop. Only gradualness is effective in correcting the long-standing evils.

Wing: You come face to face with the perpetrator of wrong thinking. Circumstances are such that you can effortlessly seize control of the situation. Proceed carefully. It is dangerous to attempt to abolish an old and ingrained pattern all at once.

Editor: The south is where the light is found, and to hunt there is to seek enlightenment in the matter at hand. To take the "great chief of the darkness" is to apprehend the source of the problem. To "not be eager to make all correct at once" can be a caution about imposing intellectual reasoning on emotional forces. (Line 18-2 is similar in this respect.) In its most neutral interpretation, the line suggests the comprehension of a problem.

Filling the conscious mind with ideal conceptions is a characteristic of Western theosophy, but not the confrontation with the shadow and the world of darkness. One does not become enlightened by imagining figures of light, but by making the darkness conscious.
Jung -- Alchemical Studies

A. To understand a problem is easier than to correct it. Don't expect instant success.

Line 4

Legge: The fourth line, magnetic, shows its subject just entered into the left side of the belly of the dark land. But she is able to carry out the mind appropriate to the condition of clouded perception, quitting the gate and courtyard of the lord of darkness.

Wilhelm/Baynes: He penetrates the left side of the belly. One gets at the very heart of the darkening of the light, and leaves the gate and courtyard.

Blofeld: It is as though he had penetrated someone's left side and perceived a darkened heart as clearly as if that heart had been abstracted from its dwelling place. [The Chinese text for this line is so far from clear as to suggest that it is corrupt. My interpretation must be regarded as no more than an intelligent guess. The actual text runs something like this: "Into left side, obtain light-darkened heart -- or heart of the light-darkening -- outside the gates and courtyards (of home)." Fortunately, the commentary on this line explains the general meaning, so the matter is not of great importance.]

Liu: He penetrates the left belly (an inner place) and wins the heart (confidence) of the darkened light. Then he gets the chance to fly away from the courtyard.

Ritsema/Karcher: Entering tending-towards the left belly. Catching Brightness Hiding's heart. Tending-towards issuing- forth-from the gate chambers.

Shaughnessy: The calling pheasant is wounded in the left belly: Bagging the calling pheasant's heart, in going out of the gate and courtyard.

Cleary (1): Entering the left belly, finding the mind in which illumination is concealed, one leaves the house.

Cleary (2): … Finding the heart of illumination in concealment and going out of the house.

Wu: He enters the left side of the trunk to get at the heart of Light Obliterated. He leaves his house.

 

COMMENTARY

Confucius/Legge: Having just entered into the left side of the belly of the dark land, she is still able to carry out the idea in her mind. Wilhelm/Baynes: That is, he finds out the inmost sentiment of the heart. Blofeld: This is a way of saying that he saw clearly into the other's heart. Ritsema/Karcher: Entering tending-towards the left belly. Catching the heart, intention indeed. Cleary (2): Entering the left belly is finding the heart’s intent. Wu: For the purpose of learning the intention. [“The left side of the trunk” suggests a darkened area, referring euphemistically to the court of the tyrant king.]

Legge: Line four is magnetic, but in her proper place. She escapes from her dangerous position with little damage. The "idea in her mind" is the idea of withdrawing from the position and escaping.

 

NOTES AND PARAPHRASES

Siu: The man is in close proximity to the leader of the evil forces. Knowing the latter's secret thoughts, he recognizes that there is no hope for improvement. He therefore leaves the scene before the disastrous storm.

Wing: You are in a fine position to perceive the present situation with clarity. If it appears hopeless and doomed, as it well might, now is a good time to exit.

Editor: Left side: Universal symbol of the unconscious. Belly of the dark land: The center of the unconscious, the source of ignorance, evil, etc. Carry out the mind appropriate to the condition of clouded perception: i.e., the Judgment and Image of the hexagram. Quitting the gate and courtyard of the lord of darkness: Once you see the source of the problem, avoid it henceforth. This line is the proper correlate of line one, which describes a difficult inquiry. In some circumstances, the two lines might be thought of as a question and its answer.

The unconscious parts of the psyche are actually, as the term implies, unknown -- a fact not infrequently overlooked, for it is hard for anyone to believe that factors of which he knows nothing are functioning autonomously within his own psyche. Even when their presence has been demonstrated conclusively, it is often hard for the individual to admit their existence even to himself.
M.E. Harding --Psychic Energy

A. "Resist not evil" -- avoid it.

B. Clarify your ignorance by getting to the heart of the matter and then act accordingly.

C. You have comprehended an unpleasant truth which demands an obvious and appropriate response.

16
Enthusiasm


Other titles: The Symbol of Harmonious Joy, Repose, Happiness, Providing-for/Provision, Excess, Merriment, Self-confidence, Contentment, Harmonize, Excitement, Intemperance, Self-deception "Repose in the absolute confidence that the action now being taken is right. Also refers to music." -- D.F. Hook

 

Judgment

Legge: Enthusiasm indicates that feudal princes may be set up and the army advantageously mobilized.

Wilhelm/Baynes:Enthusiasm. It furthers one to install helpers and to set armies marching.

Blofeld:Repose profits those engaged in building up the country and sending forth armies. [This means that perfect certainty as to the rightness of our cause is of great value under the conditions mentioned. The usual meaning of this character is "beforehand" or "happiness." In the English translation of Wilhelm's version, it appears as "enthusiasm." "Repose" was suggested by the Chinese experts who kindly vetted this manuscript. At first I felt hesitant about adopting it, until I realized that, where it is used favorably, it must be understood as the kind of mental repose which follows absolute confidence that the action now being taken is the right one. In lines one, three and six, however, it clearly means failure to act when action is essential; in line five, failure to act owing to incapacity.]

Liu:Happiness. It is of benefit to build up the country (or business), and send the army forth. [Receivers of this hexagram should be wary of exhibiting excessive enthusiasm when beginning a new undertaking. If they are not, there will be misfortune. The hexagram also advises that everything necessary for advancement should be made ready. Then if an opportunity presents itself, it should be seized immediately, without hesitation.]

Ritsema/Karcher: Providing-for , Harvesting: installing feudatories to move legions. [This hexagram describes your situation in terms of what is needed to meet the future. It emphasizes that accumulating strength through foresight and prudence so things can be fully enjoyed is the adequate way to handle it. To be in accord with the time, you are told to: provide-for!]

Shaughnessy: Excess: Beneficial to establish a lord and to move troops.

Cleary (1):Joy. It is advantageous to set up a ruler and mobilize the army.

Wu:Merriment indicates the advantage of establishing principalities and taking military actions.

 

The Image

Legge: Thunder exploding out of the Earth -- the image of Enthusiasm. The ancient kings, in accordance with this, composed their music and honored virtue, offering it especially to God when they worshipped him at the service of their ancestors.

Wilhelm/Baynes: Thunder comes resounding out of the earth: the image of Enthusiasm. Thus the ancient kings made music in order to honor merit, and offered it with splendor to the Supreme Deity, inviting their ancestors to be present.

Blofeld: This hexagram symbolizes thunder over the earth. The ancient rulers venerated heaven's gifts with solemn music and they sacrificed abundantly to the Supreme Lord of Heaven in order to be worthy of their ancestors.

Liu: Thunder arising from the earth symbolizes Happiness. The ancient kings composed music to honor virtue, offering it to God and the spirits of their ancestors.

Ritsema/Karcher: Thunder issuing-forth-from earth impetuously. Providing-for. The Earlier Kings used arousing delight to extol actualizing-tao. Exalting worship's Supreme Above. Using equalizing the grandfather predecessors. [Actualize-tao:ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]

Cleary (1): When thunder emerges the earth stirs: Thus did the kings of yore make music to honor virtue, offering it in abundance to God, thereby to share it with their ancestors.

Wu: Thunder breaks out above the earth with a boom; this is Merriment. Thus the ancient kings used music to praise virtuous accomplishments and made grand offerings to the Supreme Being to be accompanied by their ancestors.

 

COMMENTARY

Confucius/Legge: Enthusiasm shows one dynamic line inspiring responsive obedience in all the others: devoted obedience takes action. Such obedient action conforms to natural law and creates order and discipline in the people. The planets and the seasons follow their natural cycles. The sages similarly obey the laws of their nature and the people acknowledge their regulations and punishments as just.

Legge:Enthusiasm shows harmony and contentment throughout the kingdom -- a time when the people rejoice in their sovereign and readily obey him. At such a time his appointments and any military undertakings would be hailed and supported. Because he is close to the fifth place of dignity, the dynamic fourth line is seen as the chief executive officer of the ruler. The ruler has confidence in him, and all of the magnetic lines yield their obedience. Obedience is the attribute of the lower trigram which here takes the initiative and uses Movement, which is the attribute of the upper trigram.

The symbolism of the Image is more obscure than usual. The use of music at sacrifices is supposed to assist in producing the union between God and his worshippers as well as the present and past generations.

 

NOTES AND PARAPHRASES

Judgment: Delegate authority and gather your forces.

The Superior Man synchronizes his will with the intent of the Self via the principles of the Work.

Enthusiasm is the reverse of the preceding hexagram of Temperance. In Temperance we saw the calm strength of a mountain concealed within the earth. In Enthusiasm we see thunder exploding out of the ground into the sky: the strength that was formerly tempered and restrained is now released. It is significant to note that while every line of Temperance is more or less "favorable,” every line of Enthusiasm is either negative or cautionary -- even the generally positive fourth line carries a hint of warning about “doubt.”

Negatively, Self-Deception (the passion of True Believers) seems to be what this hexagram is portraying. The figure often suggests a callow or deluded buoyancy -- the kind of outlook associated with romantic idealists. In its most negative aspect, Enthusiasm is Intemperance -- the exact opposite of the moderation and restraint shown in the preceding hexagram. The behavior of an untrained Great Dane puppy suddenly bursting into a formal dinner party could be described as "enthusiasm,” but hardly a desirable form thereof. The lower trigram of Obedient Devotion has suddenly employed the action and energy of the upper trigram of Thunderous Shock to express itself. This is inconsistent with the code of the superior man.

Conversely, in its most positive sense, Enthusiasm suggests the surety of total self-confidence. Blofeld translates this as Repose, explaining that the name was suggested to him by his Chinese advisors. We begin to understand this subtle distinction when we compare the seemingly obscure connection with music in the Image with a passage from Chuang- tse:

He who understands the music of heaven lives in accordance with nature in his life and takes part in the process of change of things in his death. In repose, his character is in harmony with the yin principle; in activity, his movement is in harmony with the yang principle. Therefore he who understands the music of heaven is not blamed by heaven or criticized by men ... It is said, "In action he is like heaven. In repose he is like the earth ... Because his mind has found repose, therefore the creation pays homage to him.”

To understand “the music of heaven” is to attain Repose, which is another way of describing the tranquility that comes with furthering the intent of the Self. The only dynamic line in the hexagram is in the minister's place just below the fifth-line ruler. He has the confidence of his sovereign and his actions therefore accord with heaven. We can turn to the Stoics to find an illustration of this idea:

My will is simply that which comes to pass. For I esteem what God wills better than what I will. To Him will I cleave as His minister and attendant; having the same movements, the same desires, in a word the same will as He.
-- Epictetus

Thus we see that the hexagram can describe either one of two opposite conditions -- the intemperate Enthusiasm of ego-confidence (a synonym for Self-Deception), or the calm Repose of true SELF-confidence. The fifteenth and sixteenth hexagrams, each the inverse of the other, represent magnetic and dynamic aspects of the same general idea: Enthusiasm, when it emanates from the Self, is just Temperance in action.