Other titles: Deliverance, The Symbol of Loosening, Release, Eliminating Obstacles, Taking-apart, Untangled, Solution, Dissolution, Relief, Unloose, Release of Tension
Judgment
Legge:Liberation finds advantage in the southwest. When the operation is completed, a return to stability brings good fortune. If operations are incomplete, it is best to finish them quickly.
Wilhelm/Baynes:Deliverance. The southwest furthers. If there is no longer anything (Sic) where one has to go, return brings good fortune. If there is still something (Sic) where one has to go, hastening brings good fortune.
Blofeld: Release. The west and south are favorable. Those with nothing to gain from going forward will find good fortune by turning back; those who do have much to gain from going forward must hasten to be sure of doing well. [This is not a time to stay where we are. If we have no good reason to advance, it is best to retreat.]
Liu: Liberation. The southwest benefits. If there is nothing for one where one has to go, then returning brings good fortune. If there is something in a place where one can go, then going quickly leads to good fortune.
Ritsema/Karcher: Taking-apart. Harvesting: Western South. Without a place to go: one's coming return significant. Possessing directed going: Daybreak significant. [This hexagram describes your situation in terms of reflection and release from tension. It emphasizes that analyzing and understanding things in order to be delivered from compulsion is the adequate way to handle it...]
Shaughnessy: Untangled: Beneficial to the southwest; there is nowhere to go; his coming in return is auspicious; there is someplace to go to spend the night; auspicious.
Cleary (1): For liberation, the southwest is beneficial. When going nowhere, the return brings good fortune; when going somewhere, promptness brings good fortune.
Cleary (2): For solution, the southwest is beneficial. Going nowhere, coming back is fortunate, etc.
Wu: Relief indicates advantage in the southwest. If he undertakes to do something without a cause, it will be auspicious for him to return to his former station. If he undertakes to do something with a cause, it will be auspicious for him to do it early.
The Image
Legge: Liberation shows a thunderstorm clearing the atmosphere. The superior man, in accordance with this, forgives errors and deals gently with crimes.
Wilhelm/Baynes: Thunder and rain set in: the image of Deliverance. Thus the superior man pardons mistakes and forgives misdeeds.
Blofeld: This hexagram symbolizes thunder and rain bringing release. The Superior Man tends to forgive wrongs and deals leniently with crimes. [The component trigrams suggest that a certain amount of forceful action is required.]
Liu: Thunder and rain come, symbolizing Liberation. The superior man forgives errors and pardons criminals.
Ritsema/Karcher: Thunder, rain, arousing. Taking-apart. A chun tzu uses forgiving excess to pardon offenses.
Cleary (1): Thunder and rain act, dissolving. Thus do superior people forgive faults and pardon crimes.
Cleary (2): Thunder and rain – solution. Etc.
Wu: There come thunder and rain; this is Relief. Thus the jun zi pardons inadvertent transgressors and extenuates (Sic) criminal offenders.
COMMENTARY
Confucius/Legge: Liberation shows the trigram of Movement above the trigram of Danger -- through movement there is an escape from peril. An early movement to the southwest wins the allegiance of the masses and returns the state to normalcy and equilibrium. When heaven and earth are freed from the grasp of winter, we have thunder and rain. When these come, the buds of the fruit-producing vegetation begin to open. Great indeed are the phenomena in the time ofLiberation.
Legge: The written Chinese character for Liberation is the symbol of unloosing -- untying a knot or unraveling a complication. This hexagram denotes a condition in which the obstruction and difficulty of the preceding figure have been removed. The lesson is how this new and better state of the kingdom should be dealt with. If no tasks remain to be completed, the sooner things resume their normal course the better. If further operations are necessary, let them be accomplished without delay. The K'ang-hsi editors say that moving to the south and west is the same as returning to normality.
Thunder and rain clear the atmosphere, and a feeling of oppression is relieved. The images of springtime in the Confucian commentary refer to the gentle policy of a conquering ruler who forgives the opposition of those who cease to offer resistance.
NOTES AND PARAPHRASES
Judgment: Do what obviously needs to be done and return to stability as soon as possible.
The Superior Man forgives, forgets, and bears no grudges. (i.e., Stability is more important than fixing blame or haggling over who is right.)
If the thirty-ninth hexagram of Impasse is turned upside down it becomes the fortieth hexagram of Liberation or Deliverance. The two figures represent opposite situations: if Impasse creates tension, then Liberation releases it. The upper trigram of Movement ascends to escape from the lower trigram of Danger, giving us an unambiguous image of freedom and relief.
Apart from all personification, the whole of space in which life finds itself has a malevolently spiritual character, and the "demons" themselves are as much spatial realms as they are persons. To overcome them is the same thing as to pass through them, and in breaking through their boundaries this passage at the same time breaks their power and achieves the liberation from the magic of their sphere. H. Jonas --The Gnostic Religion
Legge's commentary in the preceding hexagram explains that the "southwest" is the direction of "earth," the fertile lowland where life is natural and uncontrived. Confucius tells us here that an early move in this direction will win the "allegiance of the masses." Psychologically interpreted, this refers to the inner kingdom of the psyche, where “the masses” are the drives, emotions and archetypal complexes which make up our being. The symbolism suggests a conscious freeing up of inner tension.
These forces, therefore, must not be left to run wild, but should be disposed of in harmless ways or, better still, used for constructive purposes: creative activities of various kinds; the rebuilding of our personality, contributing to our Psychosynthesis. Roberto Assagioli -- Psychosynthesis
Line 2
Legge: The second line, dynamic, shows its subject catch, in hunting, three foxes, and obtain the yellow (golden) arrows. With firm correctness there will be good fortune.
Wilhelm/Baynes: One kills three foxes in the field and receives a yellow arrow. Perseverance brings good fortune.
Blofeld: With one yellow arrow, he killed three foxes in the field. [Three birds with one stone.] Righteous persistence will bring good fortune.
Liu: One catches three foxes in the field and gains a yellow (golden) arrow. To continue brings good fortune.
Ritsema/Karcher: The fields, catching three foxes. Acquiring a yellow arrow. Trial: significant.
Shaughnessy: In the fields bagging three foxes, and getting a yellow arrowhead; determination is auspicious.
Cleary (1): Catching three foxes on a hunt, having golden arrows, correctness brings good fortune.
Cleary (2): Catching the third fox on a hunt, finding a yellow arrow, etc.
Wu: The hunter bags three foxes and finds a yellow arrow. It will be auspicious with perseverance.
COMMENTARY
Confucius/Legge: The good fortune is because he holds the due mean.
Wilhelm/Baynes: The good fortune is due to its attaining the middle way. Blofeld: The good fortune of being able to steer a middle course. Ritsema/ Karcher: Acquiring centering tao indeed. Cleary (2): Attaining the way of balance. Wu: Because he takes a middle road.
Legge: The second line is dynamic, but the place is magnetic, so his strength is tempered. As the correlate of the ruler in line five, he is an officer striving to bring about deliverance and pacify the subdued kingdom. He is compared to a hunter who disposes of inferior men, represented by the three foxes. He receives the yellow arrows, the instruments of war or hunting, whose color is correct and whose form is straight. The K'ang-hsi editors say that while straight-forwardness, symbolized by the arrows, is the first duty of an officer, if he doesn't temper that quality by pursuing the due mean, symbolized by their yellow color, and instead proceeds by main force to remove what is evil, he will provoke indignation and rebellion.
NOTES AND PARAPHRASES
Siu: The man proceeds at a proper pace and with moderation to remove the designing individuals, who influence the ruler through flattery and obstruct public progress.
Wing: The situation may be in the hands of inferior individuals who use unworthy methods to influence those in authority. You must now be particularly straightforward and virtuous while discrediting their efforts. Good fortune.
Editor: Arrow: The arrow has associations similar to the sword – the discriminating function. To shoot an arrow into the heart of the matter is to pierce its essence, to comprehend it completely. Yellow: Color of the mean, of the sun – suggests wisdom which comes from clarity: balanced perception. Fox: Common Asian symbol for evil, especially its wily or tricky aspects. Three: Symbol of dialectical synthesis or completion, as is the concept of the mean. The line images a situation in which careful discrimination perceives the elements of a problem.
Therefore, the doubts which have arisen in your heart out of ignorance should be slashed by the weapon of knowledge. Armed with yoga, O Bharata, stand and fight. Bhagavad-Gita
A. Balanced insight into the situation differentiates and eliminates harmful elements.
B. Bull’s-eye! – your suspicions are confirmed.
Line 3
Legge: The third line, magnetic, shows a porter with his burden, yet riding in a carriage. He will only tempt robbers to attack him. However firm and correct he may try to be, there will be cause for regret.
Wilhelm/Baynes: If a man carries a burden on his back and nonetheless rides in a carriage, he thereby encourages robbers to draw near. Perseverance leads to humiliation.
Blofeld: Traveling with both luggage-bearers and a carriage, he attracted the attention of robbers. To persist would bring misfortune. [This could mean that someone bearing luggage on his back rides in a carriage. In any case, the Chinese additional commentaries explain that the passage refers to those who usurp privileges to which they are not entitled by rank or merit.]
Liu: A man carries goods on his back and rides in a carriage – thus invites robbers to come. To continue brings humiliation.
Shaughnessy: Carrying on the back and riding in a cart brings robbers to arrive; determination is distressful.
Cleary (1): Riding bearing a burden causes enemies to arrive. Even being righteous one is humiliated.
Cleary (2): Carrying and riding brings on enemies. It is right to be humiliated.
Wu: A man bearing a load rides in a carriage. What he swaggers is conducive to robbery. Even though he does nothing wrong, he will be humiliated.
COMMENTARY
Confucius/Legge: For a porter with his burden to be riding in a carriage is a thing to be ashamed of. It is he himself that tempts the robbers to come. On whom besides can we lay the blame? Wilhelm/Baynes: He should really be ashamed of himself. When I myself thus attract robbers, on whom shall I lay the blame? Blofeld: Moreover, his using both of them was shameful. If I were to act thus and bring robbers down on me, who but myself would be to blame? Ritsema/Karcher: Truly permitting the demoniac indeed. Originating-from my involving arms. Furthermore whose fault indeed. Cleary (2): Carrying and riding are both disgraceful. One brings attack by oneself – who else is to blame? Wu: It is a shame for a bearer to ride in a carriage. He exposes himself to robbery. Who else is to be blamed?
The Master said:The makers of the I Ching may be said to have known the philosophy of robbery. The I Ching says, "He is a burden-bearer, and yet rides in a carriage, thereby exciting robbers to attack him." Burden- bearing is the business of an inferior man. A carriage is the vehicle of a gentleman. When an inferior man rides in the vehicle of a gentleman, robbers will think of taking it from him. When one is insolent to those above him, and oppressive to those below, robbers will wish to attack him. Careless laying up of things excites to robbery, as a woman's adorning of herself excites to lust. What the I Ching says about the burden-bearer's riding in a carriage, and exciting robbers to attack him shows how robbery is called out.
Legge: The third line is magnetic where it should be dynamic. In the top place of the lower trigram it suggests the idea of a porter riding in a carriage. People will say: "How did he get there? The things cannot be his own." Therefore robbers will attack and plunder him since he can't protect himself or accomplish anything good.
NOTES AND PARAPHRASES
Siu: The man has obtained material goods and comfort and seeks a life of ease which does not suit his nature. Like a woman's self-adornment which excites to lust, this way of life merely invites robbers and leads to humiliation.
Wing: You have been able to assume a somewhat powerful position, which you do not know how to control. You pretend to be something that you are not. This invites envy. If you continue in this way you will suffer humiliation at the hands of others who would usurp your position.
Editor: Receiving this line can be a reprimand for an unworthy attitude. It shows one who aspires beyond his station, or who incorrectly seeks an easy solution to his problems. If this is the only changing line, the hexagram becomes number thirty-two,Consistency, the corresponding line of which begins: "Shows one who does not constantly maintain his virtue..." The idea is that a desire to move ahead quickly tempts one into an improper response to the situation at hand. Sometimes the context of the question can suggest that the "vehicle" (carriage) is the oracle itself -- you want it to answer a question you can figure out for yourself. The porter's burden is an obvious responsibility or duty. The robbers are anything that would harm the Work.
The acceptance of the need to relate to a power or powers beyond our personal control and rational comprehension does not necessitate, indeed does not even permit, abandonment of our personal responsibility but rather requires of us that in the domain of the personal life assigned to us our own responsibility must be exerted to the limits. E.C. Whitmont -- The Symbolic Quest
A. "There's no such thing as a free lunch." Get your head out of the clouds and assume your responsibilities.
B. Did you expect a spiritual helicopter to take you to the top of the mountain?
Line 4
Legge: To the subject of the fourth line, dynamic, it is said: "Remove your toes. Friends will then come, and there will be mutual confidence between you."
Wilhelm/Baynes: Deliver yourself from your great toe. Then the companion comes, and him you can trust.
Blofeld: A fumbled release. Put your trust in the friend(s) who will come. ["A fumbled release" is the result of my attempt to make something of three Chinese words -- "release" and "thumb" (or "big toe") joined by a grammatical particle with various possible meanings. Whether my guess is right or not, the commentary on the line makes it clear that the omen is not a fortunate one. Happily, an awkward situation will be relieved by the arrival of a friend (or friends).]
Liu: Loosen your big toe. When your friend comes, you can trust each other.
Ritsema/Karcher: Taking-apart and-also the thumbs. Partnering culminating, splitting-off conforming.
Shaughnessy: Untangling his hemlock; a friend arrives and returns this.
Cleary (1): Releasing your big toe, when the companion comes, then trust.
Cleary (2): Remove your big toe. When a companion comes, then you trust.
Wu: He unties his big toes. This will bring the trust of his friends.
COMMENTARY
Confucius/Legge: The places of this line and of the third and first are all inappropriate to them. Wilhelm/Baynes: The place is not the appropriate one. Blofeld: A fumbled release is indicated by the unsuitable position of this line. Ritsema/Karcher: Not-yet an appropriate situation indeed. Cleary (2): You are not yet in the right position. Wu: Because he is out of place.
Legge: Line four is dynamic in a magnetic place, and his correlate is magnetic in a dynamic place. Such a union will not be productive of good. In the symbolism line one becomes the toe of line four. The K'ang-hsi editors say that "Line four is neither central nor in his correct place. He has line one for a correlate and line three for his close associate -- both of whom are magnetic in dynamic places. Hence it is said that they are all in places inappropriate to them."
NOTES AND PARAPHRASES
Siu: The man removes the inferior people who have attached themselves to him and have even become indispensable in some respects. This is a necessary prelude to great attainments. Their departure will enable him to cultivate friends with similar views and mutual confidence.
Wing: There are people who attach themselves to you for reasons of their own. This is a parasitic relationship, which may become habitual. You should liberate yourself from this kind of entanglement, since it repels others who might be valuable allies in your endeavors.
Editor: The respective meanings of lines one and four are derived from their correlation with each other. Note that this correlation is seen as favorable to line one, but unfavorable to line four. There are seven lines in theI Chingwhich mention toes, and all except the present one are first lines. In this case the toe referred to is the first line, which is magnetic in a dynamic place during a time of liberation from peril or stagnation. This suggests that from the point of view of line four, his magnetic correlate in the first place is a liability to be discarded. As regards the immanent assistance of "friends," Wilhelm comments that "the present line and the [dynamic line] in the second place are friends of kindred nature, jointly rendering loyal help to the ruler in the fifth place." Since line two is the only other dynamic line in the hexagram and is portrayed as a "hunter who disposes of inferior men," such help is obviously advantageous. As confusing as all this seems to be, the essential idea is clear enough: free yourself of a compulsion or entanglement in order to obtain help. (A toe either gives us the impetus to move or obstructs movement when we stumble over it.) Perhaps it represents a timid, conservative or over-cautious attitude which is holding us back.
It takes a great leap of imagination to conceive of this ego position. We are so much in the habit of taking our conscious selves for granted that our sense of ourselves seems to us the primary fact from which all other experiences arise merely secondarily. We find it difficult to regard the subjective experience of "I" as in any way secondary, as something through which some objective "other" -- namely, a "not-I," an objective psychic stratum -- brings itself to experience as consciousness, as a focal point of the total field in terms of space and time. E.C. Whitmont -- The Symbolic Quest
A. Liberate yourself from egotism and allow the trustworthy insights of the Self to guide you.
B. Control your compulsive fear or anxiety and success will come of itself.
C. The image suggests that perhaps you have fallen in with bad company – abandon inferior influences.
Line 6
Legge: In the sixth line, magnetic, we see a feudal prince with his bow shooting at a falcon on the top of a high wall, and hitting it. The effect of this action will be in every way advantageous.
Wilhelm/Baynes: The prince shoots at a hawk on a high wall. He kills it. Everything serves to further.
Blofeld: The prince shot an arrow and killed a hawk perching on a high wall. Everything is favorable!
Liu: A duke shoots a hawk on the high wall and catches it. Everything is beneficial.
Ritsema/Karcher: A prince avails-of shooting a hawk, tending- towards the high rampart's above. Without not Harvesting: catching it.
Shaughnessy: The duke herewith shoots a hawk on the top of a high wall, bagging it; there is nothing not beneficial.
Cleary (1): The prince shoots at a hawk on a high wall and gets it, to the benefit of all.
Wu: The duke aims his arrow at a hawk perching on a high city wall. He bags the predator. Nothing is disadvantageous.
COMMENTARY
Confucius/Legge: Thus he removes the promoters of rebellion. Wilhelm/ Baynes: Thereby he delivers himself from those who resist. Blofeld: This means that he was able to liberate himself from perverse men. Ritsema/ Karcher: Using Taking- apart rebelling indeed. Cleary (2): The lord shoots the hawk to solve the conflict. Wu: To relieve the threat of sedition.
The Master said: "The falcon is a bird of prey; the bow and arrow is a weapon of war; the shooter is a man. The superior man keeps his weapon concealed about his person, and waits for the proper time to move; doing this, how should his movement be other than successful? There is nothing to fetter or embarrass movement, and hence when he comes forth, he succeeds in his object. The language speaks of movement when the instrument necessary to it is ready and perfect."
Legge: Line six is the highest line in the figure, but not the place of the ruler. Hence he appears as a feudal duke, who carries out the idea of the figure against inferior men.
NOTES AND PARAPHRASES
Siu: Using hitherto concealed, ready, and perfect instruments, the man removes the powerful promoter of obstruction and rebellion.
Wing: Prepare yourself to forcefully dispense with a great adversary. This is done with careful planning and clever timing. This is a formidable enemy so you must be constantly alert. When you have removed this obstacle to your progress, everything that you attempt will succeed.
Editor: The line does not lend itself to the usual gender symbolism. Prince: Minor official -- the ego. Bow: The tension and release of aimed power -- conceptualization. Arrow: Perception, realization, that which pierces the heart of the matter. Hawk/Falcon: A predator bird. Swedenborg says: "Birds signify such things as relate to the understanding, and thence to thought and deliberation." The hawk, then, is aggressive, dangerous thinking. Confucius calls him a "promoter of rebellion," hence: undisciplined thinking, the source of an illusion. Wall: From the outside, it defines a space, outlines a perimeter; from the inside, it is protection from what lies outside: a division between one state or condition and another. A "high" wall suggests the realm of thought, ideas. The wall is the threshold, and the falcon is the guardian of the threshold.
Now the mind flies forth like an arrow from a cross-bow, to be the arbiter of right and wrong. Now it stays behind as if sworn to an oath, to hold on to what it has secured. Chuangtse
In this quote from Chuangtse, the first sentence describes the action of the prince, and the second sentence describes the function of the threshold guardian -- in this case the hawk. The line suggests the elimination of an illusion which thereby liberates one to explore a whole new realm of thought or experience.
A. Attain liberation by identifying and eliminating a dangerous entrenched thought, idea, attitude, concept or limiting belief which has been preventing a resolution of the matter at hand.
Other titles: Mountain, Keeping Still, The Symbol of Checking and Stopping, Desisting, Stilling, Stillness, Stoppage, Bound, Reposing, Resting, Meditation, Non-action, Stopping, Arresting Movement, "Refers to meditation and yoga." -- D.F. Hook
Judgment
Legge: When his repose is like the back, and he loses all consciousness of self; when he walks in his courtyard and does not see the people, there will be no error.
Wilhelm/Baynes: Keeping Still. Keeping his back still so that he no longer feels his body. He goes into his courtyard and does not see his people. No blame.
Blofeld: Keeping the back so still as to seem virtually bodiless, or walking in the courtyard without noticing the people there involves no error!
Liu: Stillness. Keeping the back still -- one feels that the body no longer exists. Even when one walks in the courtyard, one sees no people. No blame.
Ritsema/Karcher: Bound: one's back. Not catching one's individuality. Moving one's chambers. Not visualizing one's people. Without fault. [This hexagram describes your situation in terms of confronting a boundary or obstacle. It emphasizes that stopping and acknowledging the limit, the action of Bound, is the adequate way to handle it. To be in accord with the time, you are told to stop!]
Shaughnessy: Stilling his back , but not stilling his body: Walking into his courtyard, but not seeing his person; there is no trouble.
Cleary (1):Stopping at the back, one does not have a body; walking in the garden, one does not see a person. No fault.
Cleary (2):Stilling the back, one does not find the body, etc.
Wu:Stoppage indicates that, resting on his back, he does not find his body and walking in his courtyard, he does not see any person. Faultless.
The Image
Legge: The image of one mountain atop another formsKeeping Still. The superior man, in accordance with this, does not allow his thoughts to go beyond the duties of his immediate circumstances.
Wilhelm/Baynes: Mountains standing close together: the image of Keeping Still.. Thus the superior man does not permit his thoughts to go beyond his situation.
Blofeld: This hexagram symbolizes two mountains conjoined. The Superior Man takes thought in order to avoid having to move from his position.
Liu: Mountain next to mountain symbolizes stillness. The superior man's thoughts do not go beyond his position.
Ritsema/Karcher: Joined mountains. Bound. A chun tzu uses pondering not to issue-forth-from one's situation.
Cleary (1):Joining mountains. Thus do superior people think without leaving their place.
Cleary (2):The mountains are still. Thus the thoughts of developed people are not out of place.
Wu: One mountain overlapping another makes Stoppage. Thus the jun zi does not contemplate things beyond his position. [Confucius said: “If you do not hold an office, do not give counsels on its administration.” What he meant is: not to volunteer counsels freely. On the other hand, if you are requested, then give the best you can.]
COMMENTARY
Confucius/Legge:Keeping Stillmeans stopping: One rests when it is time to rest, and acts when it is time to act. When action and rest occur at the proper times, one's behavior is enlightened. Keeping his back still, he rests in his proper place. The upper and lower lines of the hexagram all mirror each other, but are without any interaction: Hence it is said that he has no consciousness of [ego]. He does not see the persons in his courtyard, and there will be no error.
Legge: Two trigrams symbolizing Mountain make up the hexagram ofKeeping Still. Mountains rise up grandly from the surface of the earth, their huge masses resting on it in quiet and solemn majesty. They are barriers to the onward progress of the traveler. The attributes of this hexagram are both resting and arresting. It denotes the characteristic of resting in what is right in principle, right on the widest possible scale -- in the absolute conception of the mind and in every possible position in which a man can be placed. As in hexagram number thirty-one, Initiative, the symbolism is taken from the different parts of the human body.
According to the K'ang-hsi editors, the second sentence in the Image should be translated: "The superior man, in consequence with this, thinks anxiously how he shall not go beyond the duties of his position."
NOTES AND PARAPHRASES
Judgment:"Wipe out imagination: check desire: extinguish appetite: keep the ruling faculty in its own power.” -- Marcus Aurelius
The Superior Man eliminates all distraction and concentrates on the matter at hand.
A large portion of the Work consists of nothing more than the will to keep still. Anyone who has ever tried it can attest that Keeping Still, or doing “nothing,” is probably the most difficult thing that a human can be asked to do. We are an ever-flowing fountain of restless desire -- the senses are mindlessly programmed to encounter their objects, and when we prevent them from doing this, a great commotion occurs in the psyche. We are so accustomed to feeling our desires, drives, instincts and appetites as integral to our awareness, that we are seldom conscious of the fact that they are actually autonomous forces -- as separate from the ego, or choice-making complex, as we are from other people, creatures or objects in the physical world. Try controlling an ingrained habit, such as smoking, and observe how difficult it is to impose your will upon it. Who controls whom?
The power of sight does not come from the eye, the power to hear does not come from the ear, nor the power to feel from the nerves; but it is the spirit of man that sees through the eye, and hears with the ear, and feels by means of the nerves. Wisdom and reason and thought are not contained in the brain, but they belong to the invisible and universal spirit which feels through the heart and thinks by means of the brain. All these powers are contained in the invisible universe, and become manifest through material organs, and the material organs are their representatives, and modify their mode of manifestation according to their material construction, because a perfect manifestation of power can only take place in a perfectly constructed organ, and if the organ is faulty, the manifestation will be imperfect, but not the original power defective. Paracelsus -- De Viribus Membrorum
The ego has only one legitimate function -- to make choices: it is the switchboard in the psyche which directs where the energy of the instinctual powers shall go. If these autonomous forces are stronger than the will of the ego, they soon learn to get their way as often as possible. The main difference between an inferior and a superior man is that the latter has learned to control and direct his energies for a higher purpose. One of the best ways to acquire this ability is to learn the lessons inherent within Keeping Still.
Psychoanalysis has demonstrated that the power of these images and complexes lies chiefly in the fact that we are unconscious of them, that we do not recognize them as such. When they are unmasked, understood, and resolved into their elements, they often cease to obsess us; in any case we are then much better able to defend ourselves against them. Roberto Assagioli -- Psychosynthesis
The lines of the upper and lower trigrams are mirror images of each other, yet not one of them has a proper correlate: they don't connect with each other. This suggests the separation of the senses from their objects. For example, eyeballs are sensory-receptors designed for the perception of light and form -- close your eyes, and they are prevented from contacting the phenomena they were created to perceive. That the psychic entities attached to this desire to perceive phenomena might resist restriction is a foregone conclusion, but the ego has control over the eyelids -- or should have. “Not seeing the people in one's own courtyard” means that one ignores one's autonomous impulses.
Regulation of the psyche’s autonomous manifestations in accordance with the will of the Self is for the purpose of gaining a controlling influence over one’s karma. As stated herein many times, you, as ego, are nothing more than a tool created by the Self for the direction of its own destiny.
Both karma theory and quantum mechanics refuse to accept that observers can exist independent of the systems they observe. Spiritual science goes so far as to take the observer’s own internal universe and its states as its experimental field. For it is within that field that karma is produced and stored …The “matter” from which we and our obstructions are created includes both the dense physical material from which our bodies are built and the thoughts, attitudes and emotions that make up our minds. Tantric practice is karmic engineering within this field of name and form, orchestration of substance and action into result. First you direct new causes against previous effects to nullify adverse influences on your awareness, then you unleash yet further actions to negate the influence of the nullifying actions. Robert Svoboda –Aghora III, The Law of Karma
How any ego could tackle such responsibilities with any hope of progress is impossible to imagine without the direction of the Self. Keeping Still certainly has its own karmic consequences, but when the “not choosing” implied in this hexagram is done in accordance with the Self’s will and intent, the results slowly lead to ever higher levels of awareness – eventually into realms beyond the physical. That is what the Work is all about: any other choice is to lock ourselves into a continuous round of birth and death in physical manifestation.
The Kabbalists teach that everything we do stirs up a corresponding energy in other realms of reality. Actions, words, or thoughts set up reverberations in the universe. The universe unfolds from moment to moment as a function of all the variables leading up to that moment. When we remain cognizant of this mystical system, we are careful about what we do, say, or even think, for we know that everything is interdependent; we know that a seemingly insignificant gesture could have weighty consequences. Rabbi David Cooper – God is a Verb
SUGGESTIONS FOR MEDITATION
Notice that every line of this hexagram except the last deals with an inherent challenge involved in the discipline required to keep still. Compare the lines in Keeping Still with similar lines in hexagram 31, Initiative.