In challenges, find the seed of new harmony; each moment of peace grows from resilience.
From
47
Oppression
To
11
Peace
One monopolizes the attention of others because one has lacked clarity. taoscopy.com
Oppression 47
Feeling trapped or constrained, yet resilience leads to inner growth. Embrace challenges to discover inner strength.
↓ Line 1
This line suggests a period of stagnation and lack of progress. Patience and perseverance are required.
↓ Line 3
This line warns against allowing oneself to be burdened by difficulties. It suggests a lack of awareness and connection with loved ones.
↓ Line 4
This line suggests a quiet and humble approach to overcoming oppression. Despite initial humiliation, success is possible.
↓ Line 5
This line indicates severe oppression and loss, but also the potential for joy and relief through sincere offerings and rituals.
↓ Peace11
Harmony and prosperity arise when opposites attract and balance is maintained. Positive energies are in alignment, and collaborative efforts lead to growth and advancement. Embrace peace and cooperation for continued success.
Other titles: Exhaustion, The Symbol of Repression and Confinement, Adversity, Weariness, Confining, Entangled, Hardship, Depression, Tiresome Restriction, Dried Up, "Actions speak louder than words." -- D.F. Hook
Judgment
Legge: Oppression means that successful progress is still possible. The perseverance of the truly great man brings good fortune without error; but if he relies on words, no one will believe them.
Wilhelm/Baynes: Oppression . Success. Perseverance. The great man brings about good fortune. No blame. When one has something to say, it is not believed.
Blofeld:Adversity leading to success thanks to persistence in a righteous course; good fortune for the truly great and freedom from error! Though words be spoken, they will not inspire confidence. [`Great' refers to high moral qualities. This hexagram is of evil omen for most people, but success can be won through tremendous persistence in doing what is right.]
Liu: Oppression. Success. Persistence. Good fortune for the great man. No blame. If one indicates with words only, no one will believe.
Ritsema/Karcher:Confining, Growing. Trial: Great People significant. Without fault. Possessing words not trustworthy. [This hexagram describes your situation in terms of restriction and distress. It emphasizes that turning inward through accepting enclosure is the adequate way to handle it...]
Shaughnessy: Entangled: Receipt; determination for the great man is auspicious; there is no trouble. There are words that are not trustworthy.
Cleary (1): Exhaustion develops the righteous. Great people are fortunate and blameless. If one complains, one will not be trusted.
Cleary (2): Exhausted but coming through successfully, upright great people are fortunate and impeccable. Mere words are not believed.
Wu: Hardship indicates pervasion and perseverance. There will be good fortune for the great men. No error. But their words do not make impressions on people.
The Image
Legge: An abyss beneath the marsh that drains its water -- the image ofOppression. Thus the superior man will sacrifice his life to attain his purpose.
Wilhelm/Baynes: There is no water in the lake: the image of Exhaustion. Thus the superior man stakes his life on following his will.
Blofeld: This hexagram symbolizes a marsh in which no water (appears). The Superior Man risks his life to carry out his will.
Liu: The lake with no water symbolizesOppression.The superior man would give up his life to achieve his purpose.
Ritsema/Karcher: Marsh without stream. Confining. A chun tzu uses involving fate to release purpose.
Cleary (1): A lake with no water is exhausted. Therefore superior people use life to the full and achieve their aim. [When people lack purpose their path is at an end. Therefore they use life to the full to achieve their aim… Using life to the full means to get to the end of conditioned life; achieving one’s aim means to achieve the primordial life… Using the temporal to restore the primordial, ending false life and establishing real life, producing being in the midst of nothingness, seeking life within death, getting through an exhausting impasse, is like a lake without water again being filled with water.]
Cleary (2): …Developed people accomplish their will by living out their destiny. [Developed people only live out their destiny; they do not willingly try to avoid following and accepting it. Being strong and balanced, they are able to be joyful even in danger; this is the will that is up to oneself. Developed people intend to accomplish their will and do not vacillate just because they run into problems.]
Wu: The marsh has no water; this is Hardship. Thus the jun zi is prepared to dedicate his life to fulfill his commitments. [A marsh devoid of water is like a man deprived of his intellectual pursuits. This is unacceptable to a jun zi. He would rather fight to the end than surrender to idiocy.]
COMMENTARY
Confucius/Legge: In Oppressionwe see the dynamic lines covered and obscured by the magnetic. We see the attribute of Perilousness in the lower trigram going on to Cheerfulness in the upper. Who but the superior man is still able to advance although straitened by circumstances? The central position of the dynamic lines explains the good fortune of the great man who is firm and correct. As regards speech making, to be fond of argument or persuasion is the way to be reduced to extremity.
Legge: The written Chinese character of Oppression presents us with the picture of a tree within an enclosure. "A plant," according to Williams, "fading for want of room." "A tree," according to T'ai Tung, "not allowed to spread its branches." The image conveys the idea of being straitened and distressed, and the hexagram indicates how skilful management may relieve it.
The two central places in the figure are occupied by dynamic lines, but line two is confined between one and three, which are magnetic; and line five (the ruler), as well as four (his minister), are covered by the magnetic sixth line. These conditions indicate the repression of good men by adversity. The K'ang-hsi editors imply that "actions and not words" are what are required in the case.
Perilousness is the attribute of the lower trigram, and Cheerfulness that of the upper. The superior man, no matter how straitened, remains master of himself, and pursues his principled intent. The idea of speech making is found in the upper trigram, one of the attributes of which is the mouth, or speech, as well as Pleased Satisfaction. The pleading of the oppressed party still tries to make others pleased with him.
Literally translated, the first sentence of the Image reads: "A marsh with no water is Oppression." Chu Hsi says: "The water descending and leaking away, the marsh above will become dry."
Anthony: Our belief in the ruling power as beneficial is shaken by doubt. This lack of steadfastness is a problem because it obstructs acceptance and its corrective power. We often receive this hexagram when we feel tired. The oppressiveness of doubt exhausts our inner resources.
NOTES AND PARAPHRASES
Judgment: With enough will, success can be won. "Actions speak louder than words.” (i.e., The answer lies beyond the realm of reason and logic -- intuition furthers.)
The Superior Man stakes everything he's got on his will to succeed.
In Oppressionwe have the image of a dry lake bed. Anyone who has ever seen alkali flats in the desert can easily understand this metaphor for Oppression -- almost nothing can live in such an environment. The following hexagram, The Well, is an upside-down image of Oppression depicting the opposite case of an unending source of nourishment flowing from deep beneath the surface of the earth. (A comparison of these two figures will reveal a great deal about the meaning of each.)
To be under Oppression then, is to be cut off from all sustenance -- although there is water down below, it is presently inaccessible, and there is no nourishing flow of inner forces to the surface. This is a common, inevitable and potentially defeating experience for anyone doing serious inner work:
People who try to practice the Tao can all keep steadfast when they are in easy circumstances, but many of them waver in determination when they are in difficult or perilous situations. They may change their minds because of the pressures of making a living, or they may slack in determination due to illness; their spirits may flag because of old age, or they may stop work because of obstruction by some obsession. All these are cases in which people do not exert the mind of Tao and are hindered by exhaustion, so they ultimately do not attain the Tao. T. Cleary – The Taoist I Ching
Obviously, this is a dangerous situation, and we are told how to cope with it in the Confucian commentary, where it is observed that the lower trigram of Peril goes on to the upper trigram of Cheerfulness. These two trigrams are found in reversed sequence in hexagram number sixty, Restrictive Regulations, where a cheerful attitude is described as absolutely essential for the furtherance of the Work. The observations made there also apply here, and we see the superior man thereby enabled to advance under conditions that would utterly defeat lesser individuals.
This Cheerfulness cannot be underestimated. When it comes naturally and isn't forced, it is a gift of grace. Suddenly one is enabled to face the most incredible hardships with a light heart. It isn't that you no longer care -- you still do the best you can to further the Work, but you do it with bemused detachment.
The one thing the Jewish mystics never lost sight of was the suffering experienced in the arena of the profane. They did not retreat from this suffering, but sought instead to find meaning in it by living it. This is the core of mysticism. The temple in which the sacred marriage takes place is the world. C. Ponce -- Kabbalah
Lines 2 and 5 specifically mention sacrifice: an important concept in theI Ching. Sacrifice is mentioned in lines 17:6, 45:2, 46:2, 46:4, 47:2, 47:5, 63:5, and in the Judgment of hexagram 20. Note that in each case sincerity is specifically cited as essential to success.
Sincere 1: marked by genuineness: as a: free of dissimulation: not hypocritical: REAL, TRUE, HONEST...
Very often, the “sincerity” of our sacrifices involves following the dictates of the Work whether we fully understand them or not. Much that takes place in the Work is incomprehensible to ego consciousness; for example, changes often occur within the psyche which we only experience as strange dreams. Yet somehow, perhaps months later, we suddenly realize that we no longer act in a certain way or have lost interest in something that used to be of compelling importance. Our sacrifices are necessary for these changes to take place, even if they don't immediately make sense to us.
"With sacrifice shall you nourish the gods; and may the gods nourish you. Thus nourishing one another, you will obtain the Highest Good. "The gods, nourished by sacrifice, will bestow on you the enjoyments you desire." He is verily a thief who enjoys the things that they give without offering to them anything in return. The Bhagavad-Gita
Each of Cleary’s Taoist (1) and Buddhist (2) commentaries provides valuable insights into how much courage is required to follow the dictates of the Work at its more advanced levels. Take comfort that others before you have persevered and survived: “Developed people accomplish their will by living out their destiny.”
Line 1
Legge: The first line, magnetic, shows its subject with bare buttocks straitened under the stump of a tree. She enters a dark valley, and for three years has no prospect of deliverance.
Wilhelm/Baynes: One sits oppressed under a bare tree and strays into a gloomy valley. For three years one sees nothing.
Blofeld: With dried branches entangling the lower part of his body, he enters a gloomy valley. For three years he encounters no one. [Whoever receives this line must resign himself to failure.]
Liu: His bottom is oppressed by the bare tree. He enters a dark valley. For three years, he sees no one. [This line indicates fear, sadness or mourning.]
Ritsema/Karcher: The sacrum Confined, tending-towards stump wood. Entering tending-towards a shady gully. Three year's- time not encountering.
Shaughnessy: The lips are entangled in a columnar tree: Entering into a dark valley, for three years he is not drawn out; inauspicious.
Cleary (1): Sitting exhausted on a tree stump, gone into a dark ravine, not to be seen for three years.
Wu: He sits on tree roots. He enters a lonely valley. He does not see the outside world for three years. [It is all in his mind. (He) is preoccupied with the thoughts of hardship before it actually happens.]
COMMENTARY
Confucius/Legge: So benighted is she, and without clear vision. Wilhelm/Baynes: One is gloomy and not clear. Blofeld: What is said about entering a gloomy valley indicates darkness that will not be dispelled. Ritsema/Karcher: Shady, not bright indeed. Cleary (2): It is obscure and unclear. Wu: His mind is not open.
Legge: The poor subject of line one sitting on a mere stump, which affords her no shelter, is indeed badly off. The line is at the bottom of the trigram of Peril, and her correlate fourth line is unable to render help. So stupid is line one that by her own action she increases her distress. "Three years" is used for a long time.
NOTES AND PARAPHRASES
Siu: At the outset, the man lacks clear vision and is badly off. He is overwhelmed and has no immediate prospects of deliverance.
Wing: You are in danger of falling into a trap created by an adverse situation. The trap is of your own making and comes about because of discouragement. Discouragement creates a pattern for failure that will continue if not halted now.
Anthony: As long as we are influenced by doubt, we are blocked from seeing the solution. We must firmly resist doubt and hopelessness to restore open-mindedness. The way out will show itself at the right time.
Editor: Despite Blofeld's note on this line, it does not necessarily always intimate complete failure. In the most neutral sense, it's an image of stalemate, though there is a definite suggestion that this is due to one's own failing in something. Self-pity is hinted at, as well as lack of clarity. Some kind of illusion prevails. There is a possibility that things aren't as bad as they seem, or your attitude is making them worse than they need to be. The line can sometimes indicate that you have misunderstood a previous hexagram.
There are two wrongs the soul commits. The first is its descent; the second, the evil done after arrival here below. The first is punished by the very conditions of its descent. Punishment for the second is passage once more into other bodies, there to remain at greater or less length according to the judgment of its deserts.
(The word "judgment" indicates that this takes place as a result of divine law.) If, however, its perversity goes beyond all measure, the soul incurs an even more severe penalty administered by avenging daimons. Plotinus -- The Enneads
A. You are oppressed and confined by ignorance; perhaps the aridity of "reason."
B. A self-created impasse.
Line 3
Legge: The third line, magnetic, shows its subject straitened before a frowning rock. He lays hold of thorns. He enters his palace, and does not see his wife. There will be evil.
Wilhelm/Baynes: A man permits himself to be oppressed by stone, and leans on thorns and thistles. He enters his house and does not see his wife. Misfortune.
Blofeld: Faced by rock-like difficulties and with naught to lean upon but thistles and briars, he entered his dwelling but could not find his wife -- misfortune! [This line may be taken to presage insuperable difficulties; the word “wife" does not necessarily have any special application to our case, as can be seen from the commentary on the line.]
Liu: The man is oppressed by stone. He sits on thorns and thistles. When he enters his home, he cannot find his wife. Misfortune. [One should be prepared to meet with insult or difficulty.]
Ritsema/Karcher: Confined, tending-toward petrification. Seizing tending-towards star thistles. Entering tending- towards one's house. Not visualizing one's consort. Pitfall.
Shaughnessy: Entangled in stone, and crying out in the thistles: Entering into his palace, and not seeing his wife; inauspicious.
Cleary (1): Stymied by rocks, resting on thorns, going into the house without seeing the wife – inauspicious.
Cleary (2): Exhausted on a rock, resting on thorns, going into a house but not seeing the wife is not a good sign.
Wu: He is surrounded by rocks and leaning on thorny shrubs. He enters his house and does not find his wife. Foreboding.
COMMENTARY
Confucius/Legge:"He lays hold of thorns" -- this is suggested by the position of the line above the dynamic line. To enter one's palace and not see one's wife is inauspicious. Wilhelm/Baynes: He rests on a hard line. This bodes misfortune. Blofeld: The firm line just below him. His not finding his wife symbolizes bad luck. Ritsema/Karcher: Riding a solid indeed. Not auspicious indeed. Cleary (2): Not seeing the wife is not a good sign. Wu: An unfortunate omen.
Legge: For a full explanation of the third line, Chu Hsi refers the reader to what Confucius said on it: "If one be distressed by what need not distress him, his name is sure to be disgraced; if he lay hold on what he should not touch, his life is sure to be imperiled. In disgrace and danger, his death will soon come; is it possible for him in such circumstances to see his wife?" The K'ang-hsi editors say here: "The subjects of the three magnetic lines (one, three and six) are all unable to cope correctly with the oppression of their circumstances. The first is at the bottom, sitting and distressed. The third line, able either to advance or retreat, advances and is distressed. Wounded abroad, he returns to his family and finds no one to receive him: a graphic portrayal of the results of reckless action."
NOTES AND PARAPHRASES
Siu: The man is indecisively unable to deal with adversity and is oppressed by something which should not oppress him. He leans on things like thorns and thistles, which are hazardous yet cannot support him.
Wing: You allow yourself to become oppressed by things that are not oppressive.
You put your faith in things that cannot support you. You are unable to see your priorities although they are obvious. This brings misfortune.
Editor: This line does not lend itself to the usual gender symbolism. The rock is often a symbol of eternity, and is seen as a dwelling place for spiritual beings, hence: a transcendental reality or "eternal verity." In fairy tales a barrier of thorns is often created by an evil witch or other negative magnetic force -- the feminine principle in its destructive aspect. This barrier is usually what separates the hero from the sleeping maiden, his unconscious anima or feminine soul. A house or palace is the whole psyche. ("In my father's house are many mansions." -- John 14:2) The wife of course, is the contra-sexual correlate: in a man, the anima, or emotional-feeling component of his psyche. (A woman receiving this line should just reverse the symbolism and see it as the animus, or logical-thinking component of her psyche.) Putting all these symbols together we receive an image of a situation which is somehow contrary to "the laws of nature." Both the frowning rock (yang) and the thorns (yin) are opposed to the situation, so no union can possibly take place: "He does not see his wife." If this is the only changing line, the new hexagram created is number twenty-eight, Critical Mass, with a corresponding line which indicates a position of extreme vulnerability to danger. This line is an unambiguous warning that your situation is untenable -- both dynamic and magnetic forces are against you. Ritsema/Karcher translate "pitfall" as: "Leads away from the experience of meaning; stuck and exposed to danger, unable to take in the situation; flow of life and spirit is blocked..." Wilhelm alludes to "immanent death," which, of course, should be interpreted symbolically in most cases.
He disowned the God who made him, dishonored the Rock, his salvation. Deuteronomy 32: 15
A. You are out of touch with reality -- resisting a situation that you should accept.
B. Your ego-indulgence in illusion prevents psychic unity; your action, intention or attitude is in opposition to psychic unification.
Line 4
Legge: The fourth line, dynamic, shows its subject proceeding very slowly to help the subject of the first line, who is straitened by the carriage adorned with metal in front of him. There will be occasion for regret, but the end will be good.
Wilhelm/Baynes: He comes very quietly, oppressed in a golden carriage. Humiliation, but the end is reached.
Blofeld: A slow arrival. Trouble in a golden carriage. Shame, but not for long. [Trouble in a golden carriage coupled with shame suggests that we get into difficulty through our presumption, or through placing too much confidence in someone of much higher station than ourselves.]
Liu: He comes slowly, oppressed in a golden carriage. Embarrassment, but good results in the end.
Shaughnessy: Coming slowly, entangled in the metal chariot; distress; there is an end.
Cleary (1): Coming gradually, exhausted in a golden cart; shame has an end.
Cleary (2): Coming slowly, exhausted in a gold car, there is shame, but there is a conclusion.
Wu: Walking slowly and leisurely, he is distressed in seeing a golden carriage and feels humiliated, but he will complete his assignments.
COMMENTARY
Confucius/Legge: His aim is directed to help the lower line. Although he is not in his appropriate place, he and his correlate will in the end be together. Wilhelm/ Baynes: His will is directed downward. Though the place is not appropriate, he nevertheless has companions. Blofeld: The tardy arrival implies that our will-power is at a low ebb. However, though the line is not suitably placed, it does not stand alone. [At least we may hope for a little aid from others.]Ritsema/Karcher: Purpose located below indeed. Although not an appropriate situation, possessing associating indeed. Cleary (2): The mind is on something lower. There is a partner. Wu: He wishes to be with the one below. He is responsive to the other.
Legge: Lines four and one are proper correlates, but four is dynamic in a magnetic place and therefore slow to give assistance. Then line one is run over by line two, which is represented as a chariot of metal. It is difficult for one and four to come together and effect much, but four is near the ruler, also dynamic, and through this common sympathy a measure of success is attained.
NOTES AND PARAPHRASES
Siu: The man in a high position proceeds hesitantly to help the lower class. He encounters difficulty in breaking loose from the circle of the wealthy and the powerful. The original intention of his good resolution eventually brings favorable results.
Wing: Your progress is slowed by your position in the situation. Although your intentions are good, you are diverted from your path by temptations. There is some humiliation, but you will accomplish your aim.
Editor: Most translations render this line as a golden carriage (a luxurious vehicle), slowly transporting the subject of the fourth line to his destination. The implication is that our unhurried progress may be due to self-indulgence, but the position is not totally improper and a delayed relief of oppression is assured.
In each of us there is another whom we do not know. He speaks to us in dreams and tells us how differently he sees us from the way we see ourselves. When, therefore, we find ourselves in a difficult situation to which there is no solution, he can sometimes kindle a light that radically alters our attitude -- the very attitude that led us into the difficult situation. Jung -- Civilization in Transition
A. Resolution of the situation is slow in coming: "Better late than never."
B. Illusions of ease and pleasure retard your progress. Nevertheless, mediocre performance does not necessarily portend failure.
Line 5
Legge: The fifth line, dynamic, shows its subject with his nose and feet cut off. He is straitened by his ministers in their scarlet knee covers. He is leisurely in his movements however, and is satisfied. It will be well for him to be as sincere as in sacrificing to spiritual beings.
Wilhelm/Baynes: His nose and feet are cut off. Oppression at the hands of the man with the purple knee bands. Joy comes softly. It furthers one to make offerings and libations.
Blofeld: His nose and feet are chopped off owing to difficulties with a vermillion sash-wearer (man of high rank), but joy may come in time. It is advisable to offer sacrifice. [It is very sure that we shall have to suffer bitterly. The joy to come is less certain, but may be assured by our making a suitable sacrifice.]
Liu: His nose and feet suffer punishment, oppressed by the man in the red ceremonial robe. Joy comes gradually. It is beneficial to sacrifice.
Shaughnessy: Doubled rafters; entangled in crimson kneepads, then slowly having extrication; beneficial to use an aromatic grass sacrifice.
Cleary (1): Nose and feet cut off, at an impasse in minister’s garb, gradually there will be joy; it is beneficial to make ceremonial offerings.
Cleary (2): Nose and feet cut off, exhausted in a regal robe, etc.
Wu: He feels as if his nose and feet had been cut off, as he is distressed in seeing the red vestment. He will come out of hardship slowly and be happy. It will be good to make offerings.
COMMENTARY
Confucius/Legge: His aim has not yet been gained. Satisfied leisure means his position is central and his virtue is correct. Sincere sacrifice means he thereby receives blessing. Wilhelm/Baynes: He does not yet attain his will. The line is straight and central. Thus one attains good fortune. Blofeld: What we will now will not come to pass. The correct position of the line. Sacrifice in order to ensure good fortune. Ritsema/Karcher: Purpose not yet acquired indeed. Using centering straightening indeed. Acquiescing-in blessing indeed. Cleary (2): The aim is not yet attained. Taking a balanced course. One receives blessings. Wu: His wishes have not been fulfilled. He is straightforward. He will receive blessings.
Legge: The fifth line is repressed by the sixth, yet urged on by the fourth. He is thus wounded from above and below, especially the minister in the fourth line with his scarlet knee covers. But the upper trigram symbolizes Cheerfulness, and this indicates that he gets by notwithstanding his difficulties. His sincerity helps get him through also.
NOTES AND PARAPHRASES
Siu: The man's good intentions to help mankind are obstructed from above and below, especially by the bureaucrats. Gradually the situation improves. In the meantime, all he can do is to maintain inner composure, as in offering sacrifices to heaven.
Wing: There exists a frustrating lack of information within your milieu. Bureaucracy stands in the way of progress. Those who need help are stranded. All you can do is maintain your composure until things take a promised turn for the better.
Editor: The situation of line five is "between a rock and a hard place." The nose symbolizes intuition -- to have the nose cut off suggests that we have no insight into our situation; when our feet are cut off, we "don't have a leg to stand on" and our foundation is undermined. Psychologically, the symbolism implies that the stress of the position is caused by a higher power: the Self; if so, the stress is necessary to effect an inner transformation of some sort. We are asked to sacrifice our need to understand the incomprehensible and submit to the requirements of the time. This line changes the hexagram to number forty, Liberation, suggesting that through submission toOppression one eventually attains freedom.
The death of the physical body is one of the supremer forms of the principle of Crucifixion. One which equals it is the "death of initiation." This is the comparatively high initiation where the whole life is dedicated to the service of the Spirit ... and the initiate instead of dying for a principle, lives out his life in accordance with a principle, and this can be a far harder thing ... The Great Work comes first, whatever the cost. Gareth Knight --Qabalistic Symbolism
A. Without intuition you have no power-base -- submit to the lessons that a restricted situation offers you. Sacrifice your ego impulses.
B. You are oppressed by powers outside of your awareness. For the benefit of the Work, sacrifice your autonomy and your need to understand, and attain eventual liberation.
Other titles: Peace, The Symbol of Successfulness, Prospering, Pervading, Greatness, Tranquility, Prosperity, Conjunction, Major Synthesis, Hieros Gamos, Holy Marriage, "Yang supporting yin and going to meet each other. Good prospects for a marriage or partnership." -- D.F. Hook
Judgment
Legge: Harmony shows the inferior departed and the great arrived. There will be good fortune with progress and success.
Wilhelm/Baynes:Peace. The small departs, the great approaches. Good fortune. Success.
Blofeld: Peace. The mean decline; the great and good approach -- good fortune and success! [In the following hexagram (Divorcement), where the trigrams symbolize heaven and earth in what would appear to be their normal positions, that arrangement is held to be disastrous; whereas here, where they seem to be upside down, everything is propitious. This may be because heaven above earth is held to imply that the two are existing separately without the intercourse which is the root of all growth; whereas here their intercourse is so absolute that heaven is actually supporting earth.]
Liu: Peace. The small is departing, the great is arriving. Good fortune. Success.
Ritsema/Karcher: Pervading . The small going, the great coming. significance Growing. [This hexagram describes your situation in terms of prospering and expanding. It emphasizes that continually spreading this prosperity through communicating is the adequate way to handle it...]
Shaughnessy: Greatness: the little go and the great come; auspicious; receipt.
Cleary (1): The small goes, the great comes. This is auspicious and developmental.
Cleary (2):Tranquility … Getting through auspiciously.
Wu:Prosperity shows that the small stays outside and the great stays inside. It will be auspicious and pervasive.
The Image
Legge: The intercourse of heaven and earth -- the image of Harmony.The wise ruler models his laws upon the principles of heaven and earth, and enforces them for the people's benefit.
Wilhelm/Baynes: Heaven and earth unite: the image of Peace. Thus the ruler divides and completes the course of heaven and earth; he furthers and regulates the gifts of heaven and earth, and so aids the people.
Blofeld: This hexagram symbolizes heaven and earth in communion. [The component trigrams illustrate the kind of close intercourse just alluded to. This is surely the only way of depicting it under the circumstances, for any mingling of their component lines would produce quite different trigrams having no reference to heaven and earth.] It is as though a mighty ruler, by careful regulation of affairs, has brought to fruition the way of heaven and earth. In harmony with the sequence of their motions, he gives help to people on every hand.
Liu: Heaven and earth are unified, symbolizing Peace. The ruler reforms and completes the way of heaven and earth; He observes the appropriate methods of heaven and earth to direct the people.
Ritsema/Karcher: Heaven and Earth mingling. Pervading. The crown-prince uses property to accomplish Heaven and Earth's tao. The crown-prince uses bracing to mutualize Heaven and Earth's propriety. The crown-prince uses the left to right the commoners.
Cleary (1): When heaven and earth commune, there is tranquility. Thus does the ruler administer the way of heaven and earth and assist the proper balance of heaven and earth, thereby helping the people.
Cleary (2): … So as to influence the people.
Wu:Prosperity results from the interaction of heaven and earth. The king uses the wealth of the nation to achieve the ways of heaven and earth and to support their designs, so as to bring the sentiments of the people to the center.
COMMENTARY
Confucius/Legge: Harmony shows the union of heaven and earth, and all things consequently united -- high and low, superior and inferior are all in accord. The lower trigram is made up of dynamic lines, and the upper of magnetic lines: strength is within, devotion is without; the superior man is inside and increasing, the inferior man is outside and decreasing.
Legge: The Judgment refers to the structure of the hexagram, with the three dynamic lines below, and the three magnetic lines above. The former are "the great," active and vigorous; the latter are "the inferior," passive and yielding. In many editions of theI Chingbeneath the hexagram of Harmonythere appears hexagram number fifty-four,Propriety, which becomes Harmonyif the third and fourth lines exchange places. A situation in which the motive forces are represented by three dynamic, and the opposing by three magnetic lines, must be progressive and successful.Harmonyis called the hexagram of the first month of the natural spring, when for six months the forces of growth are in ascendance.
Canon McClatchie translates: "The Image means that heaven and earth have now conjugal intercourse with each other, and the upper and lower classes unite together."
Ch'eng-tzu says on the Image that a ruler should frame his laws to operate like the seasons, so that the people exist within the structure of a natural rather than an arbitrary order.
NOTES AND PARAPHRASES
Judgment: Harmony depicts the waning of egotistical illusions and the waxing of true potential.
The Superior Man allows his inner virtue to rule the psyche.
Without changing lines, Harmony suggests a fruitful union of opposites and consequent state of balance in the matter at hand.
Wilhelm translates the opening phrase of the Confucian commentary as: "Heaven and earth unite." Blofeld renders it: "The celestial and terrestrial forces have intercourse and all things are in communion with one another." Legge has already called attention to McClatchie's version of: "Heaven and earth have now conjugal intercourse with each other."
This image is one of the most universal symbols produced by the human psyche: the sexual union of Spirit and Matter (heaven and earth). This is the hieros gamos or holy marriage of alchemy, the union of Shiva and Shakti in Hinduism, the conjoined male and female deities in tantric Buddhism, the syzygies of Gnosticism and the union of heaven and earth in the Kabbalah.
The notions of the couple and the sacred marriage held a very important place in ancient Chinese religious thinking. Every sacred power was twofold, male and female; but since only one half of the sacred couple was generally enclosed in any one sanctuary, the ritual was directed at reconstituting the whole... The complete being is male and female; since most men neglect or repress their feminine nature, they are out of balance; their male aggressiveness comes to the fore, and their whole vitality suffers. There can be no true Holiness without a prior revitalization of femininity. M. Kaltenmark --Lao Tzu and Taoism
Psychologically, the condition pictured by this hexagram is a metaphor for a high state of integration within the psyche. Here it is described in alchemical and Jungian terminology:
The hermetic vessel is oneself. In it the many pieces of psychic stuff scattered throughout one's world must be collected and fused into one, so making a new creation. In it must occur the union of the opposites called by the alchemists the coniunctio or marriage... (This union), in psychological terms corresponds to man with his feminine soul, the anima, or to a woman with her masculine counterpart, the animus -- the union in each case constituting the inner marriage, the hieros gamos by which the individual must become whole. M.E. Harding --Psychic Energy
To receive this hexagram does not necessarily mean that one has attained such a high integration, but it might indicate a step in that direction. The ultimate hieros gamos only occurs after all of the scattered and mismatched forces within the psyche have been brought together in correct alignment -- in I Ching terms, when all of the lines are in their proper places with proper correlates as imaged in hexagram number 63, Completion. Until this final union there are innumerable "lesser" conjunctions which must first take place -- a fact recognized in tantric yoga:
The final goal of the tantricist is to reunite the two contrary principles -- Shiva and Shakti -- in his own body. When Shakti, who sleeps, in the shape of a serpent, at the base of his body, is awoken by certain yogic techniques, she moves through a medial channel by way of the chakras up to the top of the skull, where Shiva dwells, and unites with him. The union of the divine pair within his own body transforms the yogin into a kind of "androgyne." But it must be stressed that "androgynization" is only one aspect of a total process, that of the reunion of the opposites. Actually, Tantric literature speaks of a great number of "opposing pairs" that have to be reunited. Mircea Eliade -- Myths, Rites, Symbols
The establishment of the " Kingdom of Heaven on Earth" is yet another metaphor for this process of psychic unification. Here is the Kabbalistic version:
It is by the establishment of the celestial on the terrestrial, or of heaven upon earth, that the house of the King (humanity) will become united and the King will rejoice thereat, for then the two kingdoms will become one and then the new and living way will become opened to those who make themselves susceptible and receptive of the Higher and Diviner life... When these two worlds become united and blended together they are symbolized by the union of the male and female, the one being the complement of the other. The Zohar
SUGGESTIONS FOR MEDITATION
Legge points out that many editions of the I Chingassociate hexagram number fifty-four,Propriety, with this figure. What do the changing third and fourth lines ofPropriety imply about the role of the ego in the Work? The traditional name forPropriety is "The Marrying Maiden" -- how does that relate to the concept of the holy marriage in Harmony? Compare the Judgments and Images of the two hexagrams and the role of the superior man in each. Note also the lesson implied when lines two and five in Harmony unite to make hexagram number sixty-three, Completion.