Rise from reliance to independence; seize your creative potential and lead with boundless energy.
From
54
The Marrying Maiden
To
1
The Creative
One is going to take a vow of poverty for some time. taoscopy.com
The Marrying Maiden54
Proceed cautiously, recognizing limitations and external influences. Adapt to circumstances with humility and patience, but remain aware of your own path and intentions.
↓ Line 3
Accepting a lower status can lead to a form of union, but it may not be fulfilling.
↓ Line 5
True worth is not in outward appearances. Inner value and timing bring good fortune.
↓ Line 6
Efforts are in vain when the essential elements are missing. Actions may not lead to desired outcomes.
↓ The Creative1
Pure potential. Creative energy. Initiate bold actions.
Other titles: The Marrying Maiden, The Symbol of the Marriage of the Younger Sister, Marriageable Maiden, The Marrying Girl, Subordinate, The Second Wife, Converting Maidenhood, Returning maiden, Making a young girl marry, Marrying a young girl, Marrying a Maiden, Unilateral Action, Impropriety, Improper Advances, "Deals with life and death, sex and birth. It contains a warning about a person or situation. It deals essentially with discrimination. The first step on the Path without which we are useless." -- D.F. Hook
Judgment
Legge:Propriety indicates that action will be evil, and in no wise advantageous.
Wilhelm/Baynes: The Marrying Maiden. Undertakings bring misfortune. Nothing that would further.
Blofeld:The Marriageable Maiden. Advance brings misfortune. No goal (or destination) is now favorable.
Liu: The Marrying Girl. Undertaking leads to misfortune. Nothing benefits.
Ritsema/Karcher: Converting Maidenhood, chastising: pitfall. Without direction: Harvesting. [Without direction: Harvesting: ... In order to take advantage of the situation, do not impose a direction on events.] [This hexagram describes your situation in terms of the changing status of someone who cannot control their circumstances. It emphasizes that finding a real field of activity through accepting this imposition is the adequate way to handle it...]
Shaughnessy:Returning maiden: To be upright is inauspicious; there is no place beneficial.
Cleary (1): Making a young girl marry: To go on will lead to misfortune; no profit is gained.
Cleary (2):Marrying a young girl. To go on an expedition leads to misfortune, with nothing gained.
Wu: Marrying a Maiden indicates that it will be foreboding to make moves. There is nothing to be gained.
The Image
Legge: The waters of a Marsh with Thunder over it form the hexagram of Propriety. The superior man, in accordance with this, having regard to the far-distant end, knows the mischief that may be done at the beginning.
Wilhelm/Baynes: Thunder over the lake: the image of The Marrying Maiden. Thus the superior man understands the transitory in the light of the eternity of the end.
Blofeld: This hexagram symbolizes thunder over a pool. The Superior Man knows that, to achieve an enduring end, he must be aware of his mistakes at the beginning.
Liu: Thunder over the lake symbolizes the Marrying Girl. The superior man knows the cause of error, and persists in his virtue to the end.
Ritsema/Karcher: Above marsh possessing thunder. Converting Maidenhood. A chun tzu uses perpetually completing to know the cracked.
Cleary (1): There is thunder above a lake, making a young girl marry. Thus superior people persist to the end and know what is wrong.
Cleary (2): Thunder over a lake – Marrying a young girl. Developed people consider lasting results and know what is wrong. [The way developed people handle things is that before they take the time to ask how to start something, they first consider lasting results. If they think of lasting results, they know what is wrong with acting prematurely, like marrying an immature girl. If you understand the meaning of this, you can apply it to government and to contemplating mind as well.]
Wu: There is thunder above the marsh; this is Marrying a Maiden. Thus, the jun zi in the pursuit of lasting excellence realizes the flaws and corrects them.
COMMENTARY
Confucius/Legge: In the marriage of a young bride the proper relationship between heaven and earth is seen. Nothing could grow or flourish if heaven and earth did not unite. The marriage of a young bride is therefore both the commencement and goal of humanity. But here the desire of pleasure employs movement to attain union. This action will be evil because the lines are in inappropriate places, and the magnetic three and five are mounted on dynamic lines.
Legge: The Chinese phrase for this hexagram might be equivalent to the English "giving in marriage,” but there are some special meanings in this case which must be understood. The Judgment gives a bad auspice because the trigram of the Youngest Daughter is beneath the trigram of the Eldest Son. Since the action of the hexagram begins with the lowest trigram, we have two violations of propriety. First, the marriage is initiated by the woman and her friends. She goes unilaterally to her future home instead of the bridegroom coming to fetch her. Second, the parties are unequally matched -- there is too great a disparity in their ages. In addition, all the lines in the hexagram except the top and the bottom are in places inappropriate for them. Some commentators insist that the symbol of the contracting of a marriage in this hexagram sets forth some principles which should obtain in the relation between a ruler and his ministers.
The growth of things in nature from the interaction of heaven and earth is analogous to the increase of mankind through the interaction between male and female in marriage. The K'ang-hsi editors reconcile this good auspice with the unfavorable Judgment by saying: "The interaction of the yin and yang cannot be dispensed with, but we ought to be careful about it in the beginning in order to prevent mischief in the end.” The error here is that the desire for the marriage originated with the lady, and that she is heedless of the disparity in their ages.
NOTES AND PARAPHRASES
Judgment: Propriety means that unilateral action is inappropriate.
The Superior Man understands that the Work is guided from within, and that choices which ignore this truth can only retard its progress. (Present actions originate future consequences: pay heed to your choices.)
The traditional name for this hexagram is The Marrying Maiden -- a title which does not convey to modern western readers the subtlety of its symbolism. Blofeld says: "This hexagram is, on the whole, a most unfortunate omen ... We must not suppose that it deals only with marriage. What is said about the maiden symbolizes in some way or other what we may expect for ourselves within the context of our enquiry." The figure is certainly difficult, but "unfortunate" only if its import is resisted or denied: any portrayal of our situation which eliminates illusion (however painful the realization), must be regarded as a positive lesson.
Although the Confucian commentary describes this hexagram in terms of self-seeking aspiration, the wretched protagonist of the figure is not invariably culpable, and neither Judgment nor Image imply this. In addition to being at the very bottom of the social pecking order, the maiden is portrayed as half-blind, crippled and a "slave." Although condemned by the commentators for importuning a marriage that would raise her status, a close reading of the lines reveals that only the sixth place suggests possible impropriety -- the others all contain advice about how one of extremely low status should cope with restricted circumstances. The hexagram therefore can deal with either of two possible conditions: those involving Proprietyand those involving Making-do as an adaptation to adversity.
In the first instance, it is useful to compare the symbolism here with that of the preceding hexagram of Gradual Progress. There we see the organic progression of the Work allegorized as the proper marriage of a young woman. In this case, Gradual Progress has been turned upside down and the symbolism reversed: this young woman improperly pursues a marriage on her own initiative. Psychologically interpreted, it can be regarded as an image of the ego pushing its own agenda or desire for union.
The ego may move in directions and toward actions that are at variance with the intentions and standards of the Self ... The mature adult needs to recognize eventually his or her relative limitedness vis-à-vis the "Self- field" and the cosmic organism of which s/he is but a cell. We are subject to the ordering and growth intents of the entelechy of the whole. E. C. Whitmont -- The Alchemy of Healing
To recognize our `relative limitedness “vis-à-vis the Self-field” is to renounce our claim to unilateral action. Though the ego ardently desires a marriage with the Self, only the Self can initiate such a union. Chou Tun I, an early Neo-Confucian, makes an observation which illuminates Legge's Image:
"The superior man, in accordance with this, having regard to the far-distant end, knows the mischief that may be done at the beginning. The most important things in the world are tendencies. Tendencies may be strong or weak. If a tendency is extremely strong, it cannot be controlled. But it is possible to control it quickly if one realizes that it is strong. To control it requires effort. If one does not realize early enough, it will not be easy to apply effort.”
To receive this hexagram without changing lines can be an admonition to examine your motives and actions in the matter at hand. Where are you out of line? If no obvious impropriety is involved, it could also portray an essentially impotent predicament. At such times Ritsema/Karcher's synopsis bears repetition: "This hexagram describes your situation in terms of the changing status of someone who cannot control their circumstances. It emphasizes that finding a real field of activity through accepting this imposition is the adequate way to handle it.”
SUGGESTIONS FOR MEDITATION
Compare Propriety with hexagram number fifty-three, Gradual Progress, then compare them both with hexagram number thirty-one,Initiative. What are the similarities in their ideas? Now look at hexagrams number eleven, seventeen and twenty-two and observe the over-all philosophy which begins to emerge.
Line 3
Legge: The third line, magnetic, shows the young woman who was to be married off in a mean position. She returns and accepts an ancillary position.
Wilhelm/Baynes: The Marrying Maiden as a slave. She marries as a concubine.
Blofeld: From being a servant, the marriageable maiden becomes a concubine. [Again, a small advance is made, but nothing very satisfying is won.]
Liu: The marrying girl is to be a maidservant. She marries as a concubine.
Ritsema/Karcher:Converting Maidenhood: using hair-growing. Reversing Converting: using the junior-sister.
Shaughnessy:The returning maiden with consorts turns around and returns with younger sisters.
Cleary (1): When the bride-to-be seeks, it will be the little sister who is married instead.
Wu: The marrying of the young woman is being put on hold. Instead, her younger sister is married in her place.
COMMENTARY
Confucius/Legge: This is shown by the improprieties indicated in the line. Wilhelm/ Baynes: She is not yet in the appropriate place. Blofeld: Her former state is indicated by the unsuitable position of this line. Ritsema/Karcher: Not- yet appropriate indeed. Cleary (2): The bride-to-be who seeks is not right. Wu: Because her position is improper.
Legge: The third line is magnetic in a dynamic place at the top of the trigram of Frivolity. She is of so mean a character and such a slave of passion that no one will marry her. She returns and accepts the position of a concubine.
NOTES AND PARAPHRASES
Siu: It is preferable to be a concubine rather than a slave. The inferior person enters into situations incompatible with self-esteem, in pursuit of joys that cannot be attained legitimately.
Wing: To attain your desires, it will be necessary for you to compromise your Self.
Editor: There are at least two interpretations of this line: one portrays moving from an abject position (slavery) to accept a correct, albeit still subservient role. On the other hand, the line can suggest an attempt at a union or synthesis which is unstable or premature: The imbalances within the situation cause its dynamics to be re-adjusted at a lower level than desired. An inherent instability cannot be maintained no matter how much we want it to be otherwise.
Those who do not seek release from the bondage of the instinctive drives by the road of inner development remain the slaves of their own passionate desirousness or suffer the sterility resulting from its ruthless repression. In any time of crisis these persons have no power to curb their own barbaric reactions. M.E. Harding --Psychic Energy
A. An image of modestly improving one's position -- better a servant than a slave.
B. "You can't always get what you want” – accept the best alternative.
C. Don't compromise yourself.
Line 5
Legge: The fifth line, magnetic, reminds us of the marrying of the younger sister of King Ti-yi, when the sleeves of the princess were not equal to those of the still younger sister who accompanied her in an inferior capacity. The case suggests the thought of the moon almost full. There will be good fortune.
Wilhelm/Baynes: The sovereign I gave his daughter in marriage. The embroidered garments of the princess were not as gorgeous as those of the serving maid. The moon that is nearly full brings good fortune.
Blofeld: The Emperor's second marriageable daughter wore regal garments less splendid that those of her bridesmaid. [The implication is that the princess showed better taste than her maid in not dressing too grandly. We must be on our guard against ostentation.] Close upon the full moon comes good fortune!
Liu: Emperor I gives his daughter in marriage. The embroidered dress of the princess is not as splendid as that of the concubine. The moon is nearly full. Good fortune.
Ritsema/Karcher: The supreme burgeoning Converting Maidenhood. One's chief's sleeves: One's junior-sister's sleeves not thus fine. The moon almost facing, significant.
Shaughnessy: Di Yi marries off the maiden: the primary wife's sleeves are not as fine as her younger sister's sleeves; the day's moon is past full; auspicious.
Cleary (1): The emperor marries off his younger sister; the attire of the empress is not as good as the attire of the young wife. The moon is nearly full. Good fortune.
Cleary (2): ... The attire of the lady is not as good as that of the junior wives. The moon is almost full. This is auspicious.
Wu: Di Yi married off his younger sister. Her dress was not so elaborate as her younger sister’s. The moon was almost full. Auspicious. [ This was considered proper, for what was proper was the virtuous union, not the wedding dress.]
COMMENTARY
Confucius/Legge: That her sleeves were not equal to her inferior's shows her noble character, indicated by the central position of the line. Wilhelm/Baynes: The place is in the middle, hence action has value. Blofeld: The first sentence means that, though we may be of only middle rank, we should behave with true nobility. Ritsema/Karcher: One's situation located-in the center. Using valuing movement indeed. Cleary (2): The position is one of balance, behaving in a noble manner. Wu: Her position was central and royal. She had no need for ornamentations.
Legge: The King's sister is here honorably married, suggesting that the adornment she preferred was the "ornament of the hidden man of the heart.” Ch'eng-tzu says: "The moon is not full, but only nearly full. A wife ought not to eclipse her husband.” She is in the place of honor, with a proper correlate in line two.
NOTES AND PARAPHRASES
Siu: The man is reminded that the sister of King I placed herself graciously below her outranked husband and remained free of vanity. The moon that is full does not face the sun.
Wing: When you can overlook your social position and stature and place yourself in the service of another, you will realize good fortune. To accomplish this you must overcome vanity, pride, and any ostentatious behavior. To Subordinate yourself to others, regardless of their position, is now a good thing.
Editor: It is instructive to compare this line with the fifth line of hexagram number eleven,Harmony, which also refers to King Ti-yi's younger sister. A clue to the symbolism comes from the Neo-Confucian classic, The Doctrine of the Mean:
The Book of Odes says, "Over her brocaded robe, she wore a plain and simple dress,” for she disliked the loudness of its color and patterns. Thus the way of the superior man is hidden but becomes more prominent every day, whereas the way of the inferior man is conspicuous but gradually disappears. It is characteristic of the superior man to be plain, and yet people do not get tired of him. He is simple and yet rich in cultural adornment. He is amiable and yet systematically methodical. He knows what is distant begins with what is near. He knows where the winds (moral influence) come from. And he knows the subtle will be manifested. Such a man can enter into virtue.
We see here a princess-bride who is less attractively arrayed than her bridesmaid, and a waxing moon which has yet to reach full illumination. The context of the line is a royal marriage -- the hieros gamos or holy marriage of the alchemists which is also described in hexagram number eleven. Psychologically, the image can suggest that during a time when forces are coming together for synthesis, less important elements in the situation may seem more attractive than the true essence. Since the moon isn't full yet, we haven't seen all of the light -- full comprehension has yet to dawn. Sometimes the line simply boils down to the idea that "things are not what they seem.”
It should also be pointed out that the reaching up into the realm of the super-conscious and its exploration, while approaching the consciousness of the Self, may sometimes even constitute an obstacle to full Self- realization, to the reaching of the summit where the personal-I awareness blends into awareness of the spiritual Self. One can become so fascinated by the wonders of the super-conscious realm, so absorbed in it, so identified with some of its special aspects or manifestations as to lose or paralyze the urge to reach the summit of Self-realization. Roberto Assagioli -- Psychosynthesis
A. "You can't see the forest for the trees." The truth is hidden by distracting elements, but in the fullness of time it will be revealed. Seek simplicity.
B. The true goal may seem less attractive than lesser, more seductive elements.
C. The simple solution is the best.
Line 6
Legge: The sixth line, magnetic, shows the young lady bearing the basket, but without anything in it, and the gentleman slaughtering the sheep, but without any blood flowing from it. There will be no advantage in any way.
Wilhelm/Baynes: The woman holds the basket, but there are no fruits in it. The man stabs the sheep, but no blood flows. Nothing that acts to further.
Blofeld: A woman holds a basket with nothing inside; a man stabs a sheep without drawing blood. No goal (or destination) is favorable now.
Liu: The woman's basket is empty. The man stabs the sheep, but no blood comes. Nothing beneficial.
Ritsema/Karcher: A woman receiving a basket without substance. A notable disemboweling a goat without blood. Without direction: Harvesting.[ Without direction: Harvesting, WU YU LI: no plan or direction is advantageous; in order to take advantage of the situation, do not impose a direction on events.]
Shaughnessy: The woman holds up the basket, there is no fruit, the man stabs the sheep, there is no blood; there is no place beneficial.
Cleary (1): The woman receives a chest, but there is nothing in it. The man sacrifices a goat, but there is no blood. No benefit is gained.
Wu: The woman carries a basket that is bottomless; the man sacrifices a sheep that has no blood. There is nothing to be gained.
COMMENTARY
Confucius/Legge: The basket is empty. Wilhelm/Baynes: The reason that the top line has no fruits is because it holds an empty basket. Blofeld: This top line implies absence of solid worth, hence the symbol of holding an empty basket. Ritsema/ Karcher: Six above, without substance. Receiving an empty basket indeed.
Cleary (2): The top (line) has no fulfillment. This is receiving an empty chest. Wu: The top line does not have anything substantial to offer, because she carries a bottomless basket.
Legge: The sixth line is magnetic at the top of the hexagram, and without a proper correlate, hence the unfortunate auspice. The marriage contract is broken, and union does not take place. The parties concerned offer sacrifices in the temple, but the woman's basket is empty and the man's effort is fruitless.
Cleary (2): When one does not accumulate virtue in life, then one has no spirit after death and cannot cause one’s descendants to flourish. Developed people, knowing what is wrong by thinking of the lasting results, see this at the outset.
NOTES AND PARAPHRASES
Siu: The man goes through superficial actions, such as offering an empty basket and a pre-slaughtered sheep to the gods, solely to preserve the form. This disregard for content bodes no good for lasting associations.
Wing: Are you just going through the motions? Is there content to the refined manner you present? If you are acting out of adherence to form, don't bother. Nothing will come of it.
Editor: Like everything else in the Book of Changes, this line can symbolize an enormous range of situations. At its most basic level, a union of opposites does not take place. Whether or not blame is involved depends upon the circumstances. Note that blame is not mentioned in the line itself.
Sacrifices, charities and penances performed without faith in the Supreme are nonpermanent. O son of Prtha, they are useless both in this life and in the next. Bhagavad-Gita 17: 28
A. An empty sacrifice, a fruitless offering, wasted effort.
B. A missed connection or fruitless union -- any further striving would be a waste of energy.
Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father
Judgment
Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.
Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.
Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.
Liu:The Creative brings great success, benefiting all through perseverance.
Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]
Shaughnessy:The Key: Primary reception; beneficial to determine.
Cleary(1):Heavencreates, develops, brings about fruition and consummation.
Cleary(1): The creative is successful; this is beneficial if correct.
Wu:The Originator is primordial, pervasive, prosperous and persevering.
The Image
Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.
Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.
Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.
Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.
Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.
Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.
Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.
COMMENTARY
Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.
Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.
The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.
NOTES AND PARAPHRASES
Judgment:The Dynamic is the life force itself.
The Superior Man tirelessly furthers the Great Work of Transformation.
The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:
In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.
This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.
Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.
When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."
The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."
In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.
There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit. F. Hartmann -- Paracelsus: Life and Prophecies
SUGGESTIONS FOR MEDITATION
To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:
1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.
2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.
3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.