Wiki I Ching

The Marrying Maiden 54.1.3.6 50 The Cauldron

Trust the journey of learning from limitations. Through perseverance, your true potential becomes refined and radiant.

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54
The Marrying Maiden
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50
The Cauldron

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The Marrying Maiden 54
Proceed cautiously, recognizing limitations and external influences.
Adapt to circumstances with humility and patience, but remain aware of your own path and intentions.


Line 1
Despite limitations, there is potential for success if one is willing to accept a subordinate position.


Line 3
Accepting a lower status can lead to a form of union, but it may not be fulfilling.


Line 6
Efforts are in vain when the essential elements are missing.
Actions may not lead to desired outcomes.


The Cauldron 50
Transformation and nourishment lead to inner and outer change.
Embrace renewal by discarding the old and refining the new.



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Original Readings

54
The Marrying Maiden


Other titles: The Marrying Maiden, The Symbol of the Marriage of the Younger Sister, Marriageable Maiden, The Marrying Girl, Subordinate, The Second Wife, Converting Maidenhood, Returning maiden, Making a young girl marry, Marrying a young girl, Marrying a Maiden, Unilateral Action, Impropriety, Improper Advances, "Deals with life and death, sex and birth. It contains a warning about a person or situation. It deals essentially with discrimination. The first step on the Path without which we are useless." -- D.F. Hook

 

Judgment

Legge:Propriety indicates that action will be evil, and in no wise advantageous.

Wilhelm/Baynes: The Marrying Maiden. Undertakings bring misfortune. Nothing that would further.

Blofeld:The Marriageable Maiden. Advance brings misfortune. No goal (or destination) is now favorable.

Liu: The Marrying Girl. Undertaking leads to misfortune. Nothing benefits.

Ritsema/Karcher: Converting Maidenhood, chastising: pitfall. Without direction: Harvesting. [Without direction: Harvesting: ... In order to take advantage of the situation, do not impose a direction on events.] [This hexagram describes your situation in terms of the changing status of someone who cannot control their circumstances. It emphasizes that finding a real field of activity through accepting this imposition is the adequate way to handle it...]

Shaughnessy:Returning maiden: To be upright is inauspicious; there is no place beneficial.

Cleary (1): Making a young girl marry: To go on will lead to misfortune; no profit is gained.

Cleary (2):Marrying a young girl. To go on an expedition leads to misfortune, with nothing gained.

Wu: Marrying a Maiden indicates that it will be foreboding to make moves. There is nothing to be gained.

 

The Image

Legge: The waters of a Marsh with Thunder over it form the hexagram of Propriety. The superior man, in accordance with this, having regard to the far-distant end, knows the mischief that may be done at the beginning.

Wilhelm/Baynes: Thunder over the lake: the image of The Marrying Maiden. Thus the superior man understands the transitory in the light of the eternity of the end.

Blofeld: This hexagram symbolizes thunder over a pool. The Superior Man knows that, to achieve an enduring end, he must be aware of his mistakes at the beginning.

Liu: Thunder over the lake symbolizes the Marrying Girl. The superior man knows the cause of error, and persists in his virtue to the end.

Ritsema/Karcher: Above marsh possessing thunder. Converting Maidenhood. A chun tzu uses perpetually completing to know the cracked.

Cleary (1): There is thunder above a lake, making a young girl marry. Thus superior people persist to the end and know what is wrong.

Cleary (2): Thunder over a lake – Marrying a young girl. Developed people consider lasting results and know what is wrong. [The way developed people handle things is that before they take the time to ask how to start something, they first consider lasting results. If they think of lasting results, they know what is wrong with acting prematurely, like marrying an immature girl. If you understand the meaning of this, you can apply it to government and to contemplating mind as well.]

Wu: There is thunder above the marsh; this is Marrying a Maiden. Thus, the jun zi in the pursuit of lasting excellence realizes the flaws and corrects them.

 

COMMENTARY

Confucius/Legge: In the marriage of a young bride the proper relationship between heaven and earth is seen. Nothing could grow or flourish if heaven and earth did not unite. The marriage of a young bride is therefore both the commencement and goal of humanity. But here the desire of pleasure employs movement to attain union. This action will be evil because the lines are in inappropriate places, and the magnetic three and five are mounted on dynamic lines.

Legge: The Chinese phrase for this hexagram might be equivalent to the English "giving in marriage,” but there are some special meanings in this case which must be understood. The Judgment gives a bad auspice because the trigram of the Youngest Daughter is beneath the trigram of the Eldest Son. Since the action of the hexagram begins with the lowest trigram, we have two violations of propriety. First, the marriage is initiated by the woman and her friends. She goes unilaterally to her future home instead of the bridegroom coming to fetch her. Second, the parties are unequally matched -- there is too great a disparity in their ages. In addition, all the lines in the hexagram except the top and the bottom are in places inappropriate for them. Some commentators insist that the symbol of the contracting of a marriage in this hexagram sets forth some principles which should obtain in the relation between a ruler and his ministers.

The growth of things in nature from the interaction of heaven and earth is analogous to the increase of mankind through the interaction between male and female in marriage. The K'ang-hsi editors reconcile this good auspice with the unfavorable Judgment by saying: "The interaction of the yin and yang cannot be dispensed with, but we ought to be careful about it in the beginning in order to prevent mischief in the end.” The error here is that the desire for the marriage originated with the lady, and that she is heedless of the disparity in their ages.

 

NOTES AND PARAPHRASES

Judgment: Propriety means that unilateral action is inappropriate.

The Superior Man understands that the Work is guided from within, and that choices which ignore this truth can only retard its progress. (Present actions originate future consequences: pay heed to your choices.)

The traditional name for this hexagram is The Marrying Maiden -- a title which does not convey to modern western readers the subtlety of its symbolism. Blofeld says: "This hexagram is, on the whole, a most unfortunate omen ... We must not suppose that it deals only with marriage. What is said about the maiden symbolizes in some way or other what we may expect for ourselves within the context of our enquiry." The figure is certainly difficult, but "unfortunate" only if its import is resisted or denied: any portrayal of our situation which eliminates illusion (however painful the realization), must be regarded as a positive lesson.

Although the Confucian commentary describes this hexagram in terms of self-seeking aspiration, the wretched protagonist of the figure is not invariably culpable, and neither Judgment nor Image imply this. In addition to being at the very bottom of the social pecking order, the maiden is portrayed as half-blind, crippled and a "slave." Although condemned by the commentators for importuning a marriage that would raise her status, a close reading of the lines reveals that only the sixth place suggests possible impropriety -- the others all contain advice about how one of extremely low status should cope with restricted circumstances. The hexagram therefore can deal with either of two possible conditions: those involving Proprietyand those involving Making-do as an adaptation to adversity.

In the first instance, it is useful to compare the symbolism here with that of the preceding hexagram of Gradual Progress. There we see the organic progression of the Work allegorized as the proper marriage of a young woman. In this case, Gradual Progress has been turned upside down and the symbolism reversed: this young woman improperly pursues a marriage on her own initiative. Psychologically interpreted, it can be regarded as an image of the ego pushing its own agenda or desire for union.

The ego may move in directions and toward actions that are at variance with the intentions and standards of the Self ... The mature adult needs to recognize eventually his or her relative limitedness vis-à-vis the "Self- field" and the cosmic organism of which s/he is but a cell. We are subject to the ordering and growth intents of the entelechy of the whole.
E. C. Whitmont -- The Alchemy of Healing

To recognize our `relative limitedness “vis-à-vis the Self-field” is to renounce our claim to unilateral action. Though the ego ardently desires a marriage with the Self, only the Self can initiate such a union. Chou Tun I, an early Neo-Confucian, makes an observation which illuminates Legge's Image:

"The superior man, in accordance with this, having regard to the far-distant end, knows the mischief that may be done at the beginning. The most important things in the world are tendencies. Tendencies may be strong or weak. If a tendency is extremely strong, it cannot be controlled. But it is possible to control it quickly if one realizes that it is strong. To control it requires effort. If one does not realize early enough, it will not be easy to apply effort.”

To receive this hexagram without changing lines can be an admonition to examine your motives and actions in the matter at hand. Where are you out of line? If no obvious impropriety is involved, it could also portray an essentially impotent predicament. At such times Ritsema/Karcher's synopsis bears repetition: "This hexagram describes your situation in terms of the changing status of someone who cannot control their circumstances. It emphasizes that finding a real field of activity through accepting this imposition is the adequate way to handle it.”

 

SUGGESTIONS FOR MEDITATION

Compare Propriety with hexagram number fifty-three, Gradual Progress, then compare them both with hexagram number thirty-one,Initiative. What are the similarities in their ideas? Now look at hexagrams number eleven, seventeen and twenty-two and observe the over-all philosophy which begins to emerge.


Line 1

Legge: The first line, dynamic, shows the young woman married off in a position ancillary to the real wife. It suggests the idea of a person lame in one leg who yet manages to tramp along. Going forward will be fortunate.

Wilhelm/Baynes:The Marrying Maiden as a concubine. A lame man who is able to tread. Undertakings bring good fortune.

Blofeld: The maiden marries and becomes a concubine. The lame can walk -- to advance brings good fortune. [Some advance is indicated, but not a very splendid one. To become a concubine is doubtless better than remaining single; to walk with a limp is better than not walking at all – neither is greatly to be desired.]

Liu: The marrying maiden is to be a concubine. A crippled man can walk. Undertaking is good fortune. [Even with limited ability a person will achieve his undertakings by depending on someone influential.]

Ritsema/Karcher: Converting Maidenhood using the junior- sister. Halting enabling treading. Chastising significant.

Shaughnessy: The returning maiden with younger sisters; the lame are able to walk; to be upright is auspicious.

Cleary (1): Marrying off a young girl as a junior wife. The lame can walk. It is good to go on. [The time is not right but her virtue is right, and she does not do anything improper. This represents the ability to maintain rectitude when the time is not right.]

Cleary (2): Marrying a young girl, taking junior wives. The lame can walk. To go on leads to good fortune.

Wu: The marrying of a young woman with her younger sister is like treading with one lame leg. It is auspicious to proceed.

 

COMMENTARY

Confucius/Legge: That she is in a subordinate position is the constant practice in such a case. Even though lame she can render useful service. Wilhelm/Baynes: "The marrying maiden as a concubine,” because that gives duration. "A lame man who is able to tread...,” because they receive each other. Blofeld: What is described in the first sentence was due to her constancy; the second sentence presages mutual support. Ritsema/Karcher: Using persevering indeed. Mutualizing receiving indeed. Cleary (2): The lame can walk to good fortune because of service. Wu: It is auspicious because they have roles to play.

Legge: A feudal prince was said to marry nine ladies at once. The principal of them was the bride who was to be the proper wife, and she was attended by two others, virgins from her father's harem; a cousin and a half-sister, a daughter of her father by another mother of inferior rank. Under line one the young woman of the hexagram appears in the inferior position of this half-sister. But the line is dynamic, indicative of a female of firm virtue. The mean condition and its duties are to be deplored, and give the auspice of lameness; but notwithstanding, the secondary wife will in a measure discharge her service. There will be good fortune.

Notwithstanding apparent disadvantages, an able officer may do his ruler good service. "It is the constant practice for such a case" in the Confucian commentary seems to mean that an ancillary wife has no right to the disposition of herself, but must do what she is told. Thus it is that the mean position of the younger sister does not interfere with the service that she can render.

 

NOTES AND PARAPHRASES

Siu: At the outset, the man in a relatively low position enjoys the confidence of the prince. Outwardly, he keeps tactfully behind the official ministers. Although this diminishes his status, he continues to perform valuable services for the state.

Wing: Your position within the situation is low in stature, but you have the good fortune of being taken into the confidence of a superior. If you remain Subordinate, you will assure your security. You can then influence the situation using tact and reserve.

Editor: This line does not lend itself to the usual gender designation employed in this book. Generally speaking, the line should be read as symbolic of any situation in which one is in a subordinate, powerless position. Often it suggests the need for some sort of compromise in the situation at hand.

In that game of interaction which the ego plays with the objective psyche, it appears as if the cards were dealt by the unconscious, since it is the unconscious which gives rise to and shapes the strength or weakness of the ego. The ego's responsibility is to do the best that it can with the hand it is dealt.
E.C. Whitmont -- The Symbolic Quest

A. An image of making do with what you have. Get by as best you can.

B. Although in a weak and powerless position, you can still render service to the Work.

Line 3

Legge: The third line, magnetic, shows the young woman who was to be married off in a mean position. She returns and accepts an ancillary position.

Wilhelm/Baynes: The Marrying Maiden as a slave. She marries as a concubine.

Blofeld: From being a servant, the marriageable maiden becomes a concubine. [Again, a small advance is made, but nothing very satisfying is won.]

Liu: The marrying girl is to be a maidservant. She marries as a concubine.

Ritsema/Karcher:Converting Maidenhood: using hair-growing. Reversing Converting: using the junior-sister.

Shaughnessy:The returning maiden with consorts turns around and returns with younger sisters.

Cleary (1): When the bride-to-be seeks, it will be the little sister who is married instead.

Wu: The marrying of the young woman is being put on hold. Instead, her younger sister is married in her place.

 

COMMENTARY

Confucius/Legge: This is shown by the improprieties indicated in the line. Wilhelm/ Baynes: She is not yet in the appropriate place. Blofeld: Her former state is indicated by the unsuitable position of this line. Ritsema/Karcher: Not- yet appropriate indeed. Cleary (2): The bride-to-be who seeks is not right. Wu: Because her position is improper.

Legge: The third line is magnetic in a dynamic place at the top of the trigram of Frivolity. She is of so mean a character and such a slave of passion that no one will marry her. She returns and accepts the position of a concubine.

 

NOTES AND PARAPHRASES

Siu: It is preferable to be a concubine rather than a slave. The inferior person enters into situations incompatible with self-esteem, in pursuit of joys that cannot be attained legitimately.

Wing: To attain your desires, it will be necessary for you to compromise your Self.

Editor: There are at least two interpretations of this line: one portrays moving from an abject position (slavery) to accept a correct, albeit still subservient role. On the other hand, the line can suggest an attempt at a union or synthesis which is unstable or premature: The imbalances within the situation cause its dynamics to be re-adjusted at a lower level than desired. An inherent instability cannot be maintained no matter how much we want it to be otherwise.

Those who do not seek release from the bondage of the instinctive drives by the road of inner development remain the slaves of their own passionate desirousness or suffer the sterility resulting from its ruthless repression. In any time of crisis these persons have no power to curb their own barbaric reactions.
M.E. Harding --Psychic Energy

A. An image of modestly improving one's position -- better a servant than a slave.

B. "You can't always get what you want” – accept the best alternative.

C. Don't compromise yourself.

Line 6

Legge: The sixth line, magnetic, shows the young lady bearing the basket, but without anything in it, and the gentleman slaughtering the sheep, but without any blood flowing from it. There will be no advantage in any way.

Wilhelm/Baynes: The woman holds the basket, but there are no fruits in it. The man stabs the sheep, but no blood flows. Nothing that acts to further.

Blofeld: A woman holds a basket with nothing inside; a man stabs a sheep without drawing blood. No goal (or destination) is favorable now.

Liu: The woman's basket is empty. The man stabs the sheep, but no blood comes. Nothing beneficial.

Ritsema/Karcher: A woman receiving a basket without substance. A notable disemboweling a goat without blood. Without direction: Harvesting.[ Without direction: Harvesting, WU YU LI: no plan or direction is advantageous; in order to take advantage of the situation, do not impose a direction on events.]

Shaughnessy: The woman holds up the basket, there is no fruit, the man stabs the sheep, there is no blood; there is no place beneficial.

Cleary (1): The woman receives a chest, but there is nothing in it. The man sacrifices a goat, but there is no blood. No benefit is gained.

Wu: The woman carries a basket that is bottomless; the man sacrifices a sheep that has no blood. There is nothing to be gained.

 

COMMENTARY

Confucius/Legge: The basket is empty. Wilhelm/Baynes: The reason that the top line has no fruits is because it holds an empty basket. Blofeld: This top line implies absence of solid worth, hence the symbol of holding an empty basket. Ritsema/ Karcher: Six above, without substance. Receiving an empty basket indeed.

Cleary (2): The top (line) has no fulfillment. This is receiving an empty chest. Wu: The top line does not have anything substantial to offer, because she carries a bottomless basket.

Legge: The sixth line is magnetic at the top of the hexagram, and without a proper correlate, hence the unfortunate auspice. The marriage contract is broken, and union does not take place. The parties concerned offer sacrifices in the temple, but the woman's basket is empty and the man's effort is fruitless.

Cleary (2): When one does not accumulate virtue in life, then one has no spirit after death and cannot cause one’s descendants to flourish. Developed people, knowing what is wrong by thinking of the lasting results, see this at the outset.

 

NOTES AND PARAPHRASES

Siu: The man goes through superficial actions, such as offering an empty basket and a pre-slaughtered sheep to the gods, solely to preserve the form. This disregard for content bodes no good for lasting associations.

Wing: Are you just going through the motions? Is there content to the refined manner you present? If you are acting out of adherence to form, don't bother. Nothing will come of it.

Editor: Like everything else in the Book of Changes, this line can symbolize an enormous range of situations. At its most basic level, a union of opposites does not take place. Whether or not blame is involved depends upon the circumstances. Note that blame is not mentioned in the line itself.

Sacrifices, charities and penances performed without faith in the Supreme are nonpermanent. O son of Prtha, they are useless both in this life and in the next.
Bhagavad-Gita 17: 28

A. An empty sacrifice, a fruitless offering, wasted effort.

B. A missed connection or fruitless union -- any further striving would be a waste of energy.

C. "Don't cast your pearls before swine."

D. An image of hypocrisy of some sort.

50
The Cauldron


Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook

 

Judgment

Legge: The Sacrificial Vessel means great progress and success.

Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.

Blofeld: A Sacrificial Vessel -- supreme success!

Liu:The Cauldron. Great good fortune. Success.

Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]

Shaughnessy:The Cauldron: Prime auspiciousness; receipt.

Cleary (1): The cauldron is basically good; it is developmental.

Cleary (2): The Cauldron is very auspiciously developmental.

Wu: The Cauldron indicates great auspiciousness and pervasiveness.

 

The Image

Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.

Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.

Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.

Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.

Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.

Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.

Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.

Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.

 

COMMENTARY

Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.

Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.

The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.

 

NOTES AND PARAPHRASES

Judgment: You are the Sacrificial Vessel.

The Superior Man holds to the principles of the Work to attain transcendence.

The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.

When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.

The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel.
M.E. Harding -- Psychic Energy

Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:

The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle.
Liu I-ming

 

SUGGESTIONS FOR MEDITATION

In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?