Let life’s journey inspire you to find your strength, rise above challenges, and soar into new beginnings.
From
56
The Wanderer
To
1
The Creative
One pretends to believe that nothing will remain. taoscopy.com
The Wanderer56
Embrace the journey. Stay adaptable and attentive. Balance independence with humility. Success comes from accepting change and being resourceful.
↓ Line 1
Focus on what is important and avoid distractions to prevent misfortune.
↓ Line 2
Finding a temporary place of rest and support can lead to stability and assistance.
↓ Line 5
Success through skill and precision leads to recognition and advancement.
↓ The Creative1
Pure potential. Creative energy. Initiate bold actions.
Other titles: The Wanderer, The Symbol of the Traveler, The Exile, Sojourning, The Newcomer, To Lodge, To Travel, Traveling, The Stranger, Strangers, The Traveling Stranger, The Outsider, The Alien, The Gnostic, The Tarot Fool, Wandering, Homeless, Uncommitted, On Your Own, "Can refer to being out of one's element." -- D.F. Hook
Judgment
Legge: Transition means that small attainments are possible. If the traveling stranger is firm and correct, there will be good fortune.
Wilhelm/Baynes:The Wanderer. Success through smallness. Perseverance brings good fortune to the wanderer.
Blofeld:The Traveler -- success in small matters. Persistence with regard to traveling brings good fortune.
Liu: The Exile. Small success. To continue leads to good fortune.
Ritsema/Karcher:Sojourning, the small: Growing. Sojourning, Trial: significant. [This hexagram describes your situation in terms of wandering journeys and living in exile. It emphasizes that mingling with others as a stranger whose identity comes from a distant center is the adequate way to handle it...]
Shaughnessy:Traveling. Small receipt. Traveling; determination is auspicious.
Cleary (1): Travel is developmental when small; if travel is correct, it leads to good fortune.
Cleary (2): Travel has a little success. Travel is auspicious if correct.
Wu:Traveling indicates small pervasion. Perseverance will bring auspiciousness.
The Image
Legge: A fire on the mountain -- the image of Transition. The superior man exerts cautious wisdom in his punishments, and does not permit prolonged litigation.
Wilhelm/Baynes: Fire on the mountain: the image of The Wanderer. Thus the superior man is clear-minded and cautious in imposing penalties, and protracts no lawsuits.
Blofeld: This hexagram symbolizes fire upon a mountain. The Superior Man employs wise caution in administering punishments and does not suffer the cases brought before him to be delayed.
Liu: Fire over the mountain symbolizes the Exile. The superior man is careful and clever in imposing punishments, and does not delay the cases brought.
Ritsema/Karcher: Above mountain possessing fire. Sojourning. A chun tzu uses brightening consideration to avail-of punishing and-also not to detain litigating.
Cleary (1): There is fire atop a mountain, transient. Thus superior people apply punishments with understanding and prudence, and do not keep people imprisoned.
Cleary (2): Fire on a mountain – traveling. Etc.
Wu: There is fire on the mountain; this is Traveling. Thus the jun zi exercises the utmost deliberations in exacting punishments such that prisoners will not be detained without cause.
COMMENTARY
Confucius/Legge:Transition indicates that there may be some small attainment and progress -- the magnetic line occupies the central place in the upper trigram, and is obedient to the dynamic lines above and below it. We also have the attributes of Keeping Still connected with Intelligence in the lower and upper trigrams. Hence it is said that there may be some small attainment and progress. If the traveling stranger is firm and correct as he ought to be, there will be good fortune. Great is the time and great is the right course to be taken under these circumstances!
Legge: The written Chinese character for this hexagram denotes people traveling abroad, and is often translated as Strangers. The figure addresses itself to traveling strangers, and tells them how they ought to comport themselves through the cultivation of humility and firm correctness. By means of these they would escape harm, and make progress. The status of traveling stranger is seen as too low to expect great things of them.
It is assumed that the wanderer is in the position of the fifth line. The ideas of humility, docility, calmness and intelligence are derived from the attributes of the component trigrams. These are all characteristics which are proper to a stranger, and are likely to lead to advancement and attainment of his desires. Concerning the Image, K'ung Ying-ta comments: "A fire on a mountain lays hold of the grass, and runs with it over the whole space, not stopping anywhere long, and soon disappearing -- such is the emblem of the traveler."
NOTES AND PARAPHRASES
Judgment: During a Transition, keep your willpower great and your expectations small.
The Superior Man sees clearly and does not embroil himself in complexity. He is clear-minded and cautious in judging the truth of the situation, maintaining detachment from the social milieu.
Wilhelm's translation of the title of this hexagram is The Wanderer. A wanderer is one who has no home, or who is between one home and another. This reminds us of the gnostic notion of the "Alien": the incarnate soul exiled to wander in the space-time dimension (i.e., this world).
The alien is that which stems from elsewhere and does not belong here ... The stranger who does not know the ways of the foreign land wanders about lost; if he learns its ways too well, he forgets that he is a stranger and gets lost in a different sense by succumbing to the lure of the alien world and becoming estranged to his own origin ... The recollection of his own alienness, the recognition of his place of exile for what it is, is the first step back; the awakened homesickness is the beginning of the return. Hans Jonas -- The Gnostic Religion
In the broadest interpretation then, the message in the Judgment: "If the traveling stranger is firm and correct, there will be good fortune" can refer to not becoming entangled in the affairs of this world in which we wander -- an idea emphasized in the first line. Ritsema/Karcher state it explicitly -- defining our challenge as "mingling with others as a stranger whose identity comes from a distant center." This is good general advice for anyone seriously engaged in the Work, since the "distant center" ("God," or the Self) represents the essence we incarnated to serve.
We are strangers in this world, and the body is the tomb of the soul, and yet we must not seek to escape by self- murder; for we are the chattels of God who is our herdsman, and without his command we have no right to make our escape. Pythagorean ethic
In more specific situations, the hexagram symbolizes a transitional phase. Lines two, three and four all depict "Inns" or temporary resting places (commonly experienced in dreams as images of hotels or motels). The symbolism is identical: the psyche is reflecting an interim situation during a state of Transition.
By definition, a transition is fluid and not yet fixed. Depending upon the choices made, one can go in different directions. In terms of consciousness, it is obvious that the transition can be from a lower state of awareness to a higher one, or vice-versa. Because a transition is an opportunity for deliberate choice-making, the Confucian commentary concludes with: "Great is the time and great is the right course to be taken under these circumstances!"
Lines one, three and six depict very negative situations involving ignorant, arrogant choices. We think of the ego blindly pushing the river of its desires, unable to see the unfortunate consequences it thereby engenders. Line two suggests a solid resting place during our journey, while line four depicts a tenuous, though not necessarily incorrect, similar situation. The fifth line counsels a kind of sacrifice to the ruler (the Self) which results in an eventual reward. The message is to let the Self guide you through a Transition.
SUGGESTIONS FOR MEDITATION
Hexagram number fifty-six is the reverse of hexagram number fifty-five. Compare the role of the superior man in the Image of each figure. How are they the same? How are they different? What are the differences and similarities of the component trigrams of each hexagram, and how do they affect their respective meanings?
Notes, August 15, 2009: A new paraphrase of the Judgment and Image:
The Gnostic Alien. Small attainments are possible if the Alien keeps a clear head and maintains his self-discipline. The initiated Adept is intelligent, discreet, and displays vigilant wisdom: he maintains and protects his gnosis via cautious reserve in worldly disputes, eschewing needless contention. [He can do this because he knows that this is an illusory reality: a set-up, a trap, a Loosh factory created by the Demiurge.] A chun tzu uses brightening consideration to avail-of punishing and-also not to detain litigating. [In other words “do the work in the place in which you find yourself” quickly, and efficiently, with as few entanglements as possible under the circumstances. Shun new karma. Implicit is that this experience is preparation for the bodhisattva vow.]
Line 1
Legge: The first line, magnetic, shows the stranger mean and meanly occupied. It is thus that she brings on herself further calamity.
Wilhelm/Baynes: If the wanderer busies himself with trivial things, he draws down misfortune upon himself.
Blofeld: Trifling with unimportant matters, the traveler draws upon himself calamity.
Liu: If the exile dallies with petty matters, he will draw disaster on himself.
Shaughnessy: Traveling so trivially; this is the fire that he has taken.
Cleary (1): Restless in travel, this is the misfortune you get.
Cleary (2): Petty fussing on a journey brings misfortune.
Wu: The traveler complains about trivial things and he is poorly received.
COMMENTARY
Confucius/Legge: Her aim has become of the lowest character, and calamity will ensue. Wilhelm/Baynes: Thereby his will is spent, and this is a misfortune. Blofeld: The calamity attendant upon having no will of our own. Ritsema/Karcher: Purpose exhausted, calamity indeed. Cleary (2): The misfortune of frustration. Wu: His small-mindedness causes poor reception.
Legge: Line one is magnetic in a dynamic place at the bottom of the hexagram, thus the unfavorable auspice. The meanness of the first line doesn't arise from the nature of her occupation, but from her mind and aim being emptied of all that is good and ennobling.
NOTES AND PARAPHRASES
Siu: At the outset, the newcomer in a lowly position is occupying himself with disgraceful machinations. His aspirations invite troubles.
Wing: Do not assume a demeaning role in the general situation. Do not pay attention to trivial matters. This is not a way to gain entry into a group or situation. Maintain a dignified attitude about yourself. Through self-abasement you will only invite ridicule.
Editor: Legge's "Mean" is rendered by the other translators as: "trivial,""unimportant," and "petty." The Confucian commentaries are translated as a failure of willpower which brings about disaster. Implied is loss of purpose and hence of being unclear or ignorant of the situation at hand.
All men, from birth onward, live more by sensation than by thought, forced as they are by necessity to give heed to sense impressions. Some stay in the sensate their whole life long. For them, sense is the beginning and end of everything. Good and evil are the pleasures of sense and the pains of sense; it is enough to chase the one and flee the other. Those of them who philosophize say that therein wisdom lies. Like big earthy birds are they, prevented by their bulk from rising off the ground even though they have wings. Plotinus --The Enneads
A. Don't waste your energy on unimportant matters.
B. "Trivial pursuit."
Line 2
Legge: The second line, magnetic, shows the stranger occupying her lodging-house, carrying her means of livelihood, and provided with good and trusty servants.
Wilhelm/Baynes: The wanderer comes to an inn. He has his property with him. He wins the steadfastness of a young servant.
Blofeld: The traveler reaches an inn with his valuables still nestling safely in the bosom of his robe. He gains the loyalty of a young servant. [This implies that we need fear no loss upon our journey.]
Liu: The exile arrives at an inn. He carries valuables. He wins the loyalty of a young servant.
Ritsema/Karcher: Sojourning, approaching a resting-place. Cherishing one's own. Acquiring a youthful vassal: Trial.
Shaughnessy: In traveling having just lodged, he cherishes his belongings, getting the young servant's determination.
Cleary (1): Coming to a lodge on a journey with money in your pocket, you have attendants, yet are upright.
Cleary (2): Coming to an inn on a journey with supplies in hand, one gains the loyalty of a servant.
Wu: The traveler makes a stop with his valuable belongings and gets help from a trustworthy bellboy.
COMMENTARY
Confucius/Legge: With such servants she will in the end have nothing of which to complain. Wilhelm/Baynes: This is not a mistake in the end. Blofeld: There will be no trouble to the very end. Ritsema/Karcher: Completing without surpassing indeed. Cleary (2): After all there is no complaint. Wu: He is free from troubles.
Legge: Line two is magnetic, but in her proper and central place. Hence the traveler is represented as provided with everything she requires, and though the auspice is not mentioned, we must understand it as being good. Strong and trusty servants are the most important condition for the comfort and progress of the traveler.
NOTES AND PARAPHRASES
Siu: The man retains his inner sense of modesty and reserve. He acquires the necessary means of livelihood, a home, and good and trustworthy servants.
Wing: With confidence and self-possession you can attract support from new environments. Think of it as the personal gravity generated by the weight of your principles. Someone is ready to help you in your endeavors.
Editor: Psychologically interpreted, the image of a wandering stranger portrays the ego en-route to somewhere else -- transient, uncommitted, undergoing change. A lodging house or Inn is a temporary shelter, an interim point of view, a transitory state. Legge's "means of livelihood" (rendered as "valuables," "property,""belongings," “money” or “supplies” by the other translators), can be any wealth, gain, power, ability, or consolidation of psychic energy. Most translators qualify "servants" as "young servant." A young servant would symbolically suggest inexperienced, untried power or ability to do work. These images all suggest the consolidation of energy during a period of transition.
If the emphasis is on the temporary and transient nature of the worldly sojourn and on the condition of being a stranger, the world is called also the "inn," in which one "lodges"; and "to keep the inn" is a formula for "to be in the world" or "in the body." H. Jonas -- The Gnostic Religion
A. One preserves one's gains through a transition and obtains new and untried powers. You have everything you need to succeed.
Line 5
Legge: The fifth line, magnetic, shows its subject shooting a pheasant. She will lose her arrow, but in the end she will obtain praise and a high charge.
Wilhelm/Baynes: He shoots a pheasant. It drops with the first arrow. In the end this brings both praise and office.
Blofeld: While pheasant shooting, he loses an arrow. In the end he wins praise and attains to office. [After suffering a small loss, we shall receive considerable benefits from those above us.]
Liu: He shoots a pheasant, losing one arrow. In the end he gains honor and position.
Shaughnessy: Shooting the pheasant, one arrow is gone; in the winter he is thereby presented a command.
Cleary (1): Shooting a pheasant, one arrow is lost; eventually one is entitled, because of good repute.
Cleary (2): ... Ultimately one is lauded and given a mandate.
Wu: He shoots a pheasant, but loses an arrow. Eventually he receives a conferment of praise.
COMMENTARY
Confucius/Legge: She has reached a high place. Wilhelm/Baynes: In the end he rises through praise and office. Blofeld: Both of these are bestowed from above. Ritsema/ Karcher: Overtaking the above indeed. Cleary (2): Reaching the highest. Wu:“Eventually he receives a conferment of praise” from his superior.
Legge: Although magnetic, the fifth line is in the center of the upper trigram of Clarity and Intelligence. She is the ruler of the trigram and the dynamic fourth and sixth lines loyally defend and help her. She shoots a pheasant. When an officer was traveling abroad in ancient times, the gift of introduction at any feudal court was a pheasant. The wanderer is here praised by her friends and exalted to a place of dignity by the ruler to whom she is acceptable. Note that the idea of the fifth line being the ruler's seat is dropped here as being alien to the idea of the hexagram.
NOTES AND PARAPHRASES
Siu: The man succeeds in his task and receives the recognition and praise of his friends. They recommend him to the prince, who accepts his services in a highly responsible position.
Wing: It may be that you must establish a place for yourself in altogether new territory. Be mindful of your approach. Modesty and generosity in the beginning will be rewarded with position and acceptance. Success is indicated.
Editor: There is some ambiguity in the various interpretations of this line. Some say that the fifth line is the seat of the ruler, though the logic of the symbolism suggests that since the ruler bestows favors on the subject of the line, he must be elsewhere. Wilhelm says that line four represents the wanderer's friends, and line six represents the high place to which she is promoted. As a bird, the pheasant is a creature of air, or mental realm, hence symbolic of an idea, concept or thought. Here the thought is given (sacrificed) to the ruler or Self. The arrow here suggests aspiration or intent: to perceive a goal or target (the pheasant) and make it one's own. However, the arrow is lost, and the quarry is given to the ruler in a gesture of fealty. In the end this results in a reward for the wanderer. All of these images suggest a kind of willing sacrifice which one may not completely understand, but which will eventually result in an ample reward.
Intellectually the Self is no more than a psychological concept, a construct that serves to express an unknowable essence which we cannot grasp as such, since by definition it transcends our powers of comprehension. It might equally well be called the "God within us." The beginnings of our whole psychic life seem to be inextricably rooted in this point, and all our highest and ultimate purposes seem to be striving towards it. Jung -- Two Essays on Analytical Psychology
A. Your aspiration exceeds your comprehension. Sacrifice a small reward now and receive a big one later on.
B. Sacrifice your need to understand. Have faith in the Work.
Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father
Judgment
Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.
Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.
Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.
Liu:The Creative brings great success, benefiting all through perseverance.
Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]
Shaughnessy:The Key: Primary reception; beneficial to determine.
Cleary(1):Heavencreates, develops, brings about fruition and consummation.
Cleary(1): The creative is successful; this is beneficial if correct.
Wu:The Originator is primordial, pervasive, prosperous and persevering.
The Image
Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.
Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.
Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.
Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.
Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.
Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.
Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.
COMMENTARY
Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.
Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.
The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.
NOTES AND PARAPHRASES
Judgment:The Dynamic is the life force itself.
The Superior Man tirelessly furthers the Great Work of Transformation.
The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:
In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.
This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.
Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.
When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."
The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."
In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.
There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit. F. Hartmann -- Paracelsus: Life and Prophecies
SUGGESTIONS FOR MEDITATION
To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:
1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.
2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.
3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.