True connection and inner integrity ignite the path to limitless creativity and potential.
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Inner Truth
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The Creative
One shows examples so that others may understand. taoscopy.com
Inner Truth61
Inner truth and sincerity lead to harmony and trust. Genuine communication fosters unity. Be truthful with yourself and others to create meaningful connections.
↓ Line 3
Emotional fluctuations and uncertainty can be resolved through finding a true companion.
↓ Line 4
Approaching completion, one may face minor setbacks, but they do not cause harm.
↓ The Creative1
Pure potential. Creative energy. Initiate bold actions.
Other titles: The Symbol of Central Sincerity, Inward Confidence, Inner Truthfulness, Sincerity, Centering- Conforming, Central Return, Faithfulness in the Center, Sincerity in the Center, Insight, Understanding, The Psyche, "Take the middle road and avoid extremes." -- D.F. Hook
Judgment
Legge: Inner Truth moves even pigs and fish, and leads to good fortune. There will be advantage in crossing the great stream. There will be advantage in being firm and correct.
Wilhelm/Baynes:Inner Truth. Pigs and fishes. Good fortune. It furthers one to cross the great water. Perseverance furthers.
Blofeld: Inward Confidence and Sincerity. Dolphins -- good fortune! It is advantageous to cross the great river (or sea). Persistence in a right course brings reward.
Liu:Inner Truthfulness. Sea Lions -- good fortune. It is of benefit to cross the great water.
Ritsema/Karcher:Centering Conforming, hog fish significant. Harvesting: wading the Great River. Harvesting trial. (Hog fish, T’UN YU: aquatic mammals; porpoise, dolphin; intelligent aquatic animals whose development parallels the human; sign of abundance and good luck.) [This hexagram describes your situation in terms of the relation between your inner core and the circumstances of your life. It emphasizes that bringing your central concerns and your life situation into a sincere and reliable accord is the adequate way to handle it...]
Shaughnessy:Central Return: the piglet and fish are auspicious; harmonious: beneficial to ford the great river; beneficial to determine.
Cleary (1): Faithfulness in the center is auspicious when it reaches even pigs and fish . It is beneficial to cross great rivers. It is beneficial to be correct.
Cleary (2): Sincerity in the center is auspicious when simple-minded ... etc.
Wu:Sincerity moves piglets and fishes. Auspicious. It will be advantageous to cross the big river with perseverance.
The Image
Legge: Wood on a Marsh -- the image of Inner Truth. The superior man deliberates about cases of litigation and delays the infliction of death.
Wilhelm/Baynes: Wind over lake: the image of Inner Truth. Thus the superior man discusses criminal cases in order to delay executions.
Blofeld: This hexagram symbolizes wind blowing over a marshy lake. The Superior Man devotes careful thought to his judgments and is tardy in sentencing people to death.
Liu: The wind over the lake symbolizes Inner Truthfulness. The superior man judges criminals and postpones capital punishment.
Ritsema/Karcher: Above marsh possessing wind. Centering Conforming. A chun tzu uses deliberating litigating to delay dying.
Cleary (1): There is wind above a lake, with truthfulness between them. Thus superior people consider judgments and postpone execution.
Cleary (2): There is wind over a lake, with sincerity in the center. True leaders consider judgments and postpone execution.
Wu: There is wind above the marsh: this is Sincerity. Thus, the jun zi deliberates the verdicts and enjoins the death sentence.
COMMENTARY
Confucius/Legge:Inner Truth shows two magnetic lines occupying the innermost part of the hexagram, with dynamic lines in the centers of the trigrams. We see the attributes of Cheerfulness and Flexible Penetration -- sincerity thus symbolized reaches even to pigs and fishes and will transform the country. We see one riding on the symbol of Wood, which forms an empty boat -- hence it is advantageous to cross the great stream. The virtue of Inner Truth requires firm correctness and shows the proper response of man to heaven.
Legge: Inner Truth denotes the highest quality of man, giving its possessor the power to prevail with spiritual beings, with other men and with lower creatures. There are two magnetic lines in the center and two dynamic lines above and below them. The magnetic lines represent the heart and mind free from all preoccupation, without any consciousness of self. The two dynamic lines immediately above and below them are each in the center of their respective trigram, and denote the solid virtue of one so free from selfishness.
The trigram of Wood above the trigram for a Lake or Marsh suggests a boat crossing the great stream. The pigs and fishes symbolize the rudest and most obstinate of men. Ch'eng-tzu observes: "We have in the sincerity shown in the upper trigram superiors condescending to those below them in accordance with their peculiarities, and we have in that of the lower those below delighted to follow their superiors. The combination of these two things leads to the transformation of the country and state."
NOTES AND PARAPHRASES
Judgment: It is a great accomplishment when Inner Truthalters archetypal forces within the psyche. The ego’s devotion to the Work is the means to this end.
The Superior Man carefully differentiates his options and avoids drastic measures. (Can sometimes mean: "Don't act until you are sure of all the facts.")
Anyone who monitors his dreams and other images knows that the unconscious is a continuous wellspring of psychic energy. Jung has observed that we are probably dreaming all of the time -- the only reason we don't usually notice this is because the conscious mind is so powerful that the more subtle manifestations of the psyche are eclipsed. Since consciousness consists of only the upper layers of a deep continuum of awareness it is obvious that we are being continuously "created from within." The ultimate source of our being is not easily accessible, but all of the empirical evidence points to a "Self" which transcends the space-time continuum -- i.e., lives in another "dimension."
The capacity to nullify space and time must somehow inhere in the psyche, or, to put it another way, the psyche does not exist wholly in time and space. It is very probable that only what we call consciousness is contained in space and time, and that the rest of the psyche, the unconscious, exists in a state of relative spacelessness and timelessness. Jung --Letters
This seemingly exotic concept was written by Jung in 1939, yet today the theories of the quantum physicists are approaching the point where awareness itself will be recognized as space-time transcendent.
In the modern Kaluza-Klein theory all the forces of nature, not merely gravity, are treated as manifestations of spacetime structure. What we normally call gravity is a warp in the four spacetime dimensions of our perceptions, while the other forces are reduced to higher-dimensional spacewarps. All the forces of nature are revealed as nothing more than hidden geometry at work ... There is a deep compulsion to believe in the idea that the entire universe, including all the apparently concrete matter that assails our senses, is in reality only a frolic of convoluted nothingness, that in the end the world will turn out to be a sculpture of pure emptiness, a self-organized void. Paul Davies -- Superforce
The physicists now hypothesize an eleven-dimensional universe, and state that the seven "extra" dimensions are somehow "rolled up to a very small size" so that they are not apparent to our senses. If we are going to hypothesize such fantastic realms it is more elegant to hypothesize consciousness itself as emanating from an extra-dimensional source. This is the Pleroma of the Gnostics and Alchemists, the upper and lower worlds of shamanism, or in Jungian parlance: the Objective Psyche or Collective Unconscious.
The familiar spacetime of our conscious experience consists of three linear dimensions, plus time. Time is considered a dimension, but not like the other three -- one can go up, down, forward and backward, to the left or right at will, but one cannot go back to this morning or forward to next Thursday afternoon. The time dimension is a continuous "now" and we experience it and the other three dimensions from the reference point of consciousness -- we are the center from which all dimensions radiate. Consciousness is like time in that it is always "now," and since consciousness emerges from within in a continuous and autonomous flow, we can legitimately hypothesize that we emanate from a power source in another dimension. We are a kind of continuous explosion from within -- a microcosmic version of the "Big Bang" which originated the universe, and which, incidentally, is still exploding-expanding outward into space.
If everything that is recognizable is so only because it has separated itself from the "all and nothingness," leaving its complementary half behind in the unmanifested state, then the earth too must have its complementary half in the unmanifested state, and the force of gravitation it exerts on all the creatures and objects living on it is the striving for reunification between the earth and its unmanifested complementary half which has been left behind in the void as its negative reflection. The earth's gravitational pull thus draws all the earth towards the void which stands beyond time and space, in order to bring about this reunion. If the earth were to yield, all the earth and everything on it would disappear into the center, into the void. But that would be a return to the paradisiacal unity -- to God -- to bliss! Elisabeth Haich -- Initiation
The image of the hexagramInner Truth gives us the idea of an "empty" center -- as good an image as could be devised from the structural components of the trigrams to show the inner source of human consciousness. The pigs and fishes of the Judgment are the archetypal complexes which must be tamed through the process of the Work, and to "cross the great stream" with firm correctness is to accomplish this holy task.
Through all ages men have sought, and some have found; there is a door through which we can pass out on to the higher planes, but that door is within the soul, it is an enlargement of consciousness whereby we perceive these things to which we have hitherto been blind, and from such perception comes the sense of reality which is lacking while we perceive nothing but appearances. Whoso has this wider vision is freed from the limitations of the five physical senses; his memory extends back beyond birth, and his hopes go forward beyond death ... Having all aspects of his own nature harmoniously developed, he is at one with all aspects of the universe, nothing is alien to him, and no form of existence is hostile. The path of life is open before him and he treads it with joy. D. Fortune -- The Esoteric Philosophy of Love and Marriage
Line 3
Legge: The third line, magnetic, shows its subject having met with her mate. Now she beats her drum, and now she leaves off. Now she weeps, and now she sings.
Wilhelm/Baynes: He finds a comrade. Now he beats the drum, now he stops. Now he sobs, now he sings. [Here the source of a man’s strength lies not in himself but in his relation to other people. No matter how close to them he may be, if his center of gravity depends on them, he is inevitably tossed to and fro between joy and sorrow.]
Blofeld: He makes an enemy. Beating a drum by fits and starts, he weeps and sings in turn. [We are conscious of having made an enemy, but we cannot make up our minds what to do about it. The implication is that we should have more courage.]
Liu: One meets a person. Suddenly he beats a drum, and suddenly he stops; then he weeps, then he sings. [You can expect to gain sometimes, but also to lose sometimes; in happiness hides sadness, but from sadness will spring joy.]
Shaughnessy: Getting an enemy: now drumming, now weary, now crying, now singing.
Cleary (1): Finding enemies , sometimes drumming, sometimes stopping, sometimes crying, sometimes singing. [Believing in what is not to be believed will inevitably destroy faith. This is faith that takes the false to be true.]
Cleary (2): Finding a mate … etc. [All of this is due to lack of virtuous qualities and being out of place.]
Wu: He meets with his counterpart. Sometimes he drums, sometimes he stops, sometimes he wails, and sometimes he sings.
COMMENTARY
Confucius/Legge: The position of the line is not the appropriate one for it. Wilhelm/ Baynes: The place is not appropriate. Blofeld: His beating the drum by fits and starts is indicated by the unsuitable position of this line. Ritsema/Karcher: Situation not appropriate indeed. Cleary (2): The position is not appropriate. Wu: Because he is out of place. [The judgment describes how circumstances may influence the action of a person, but makes no comments on his behaviors.]
Legge: The mate of line three is line six. Although they are matched as correlates, each is in an inappropriate place. The idea is that sincerity, not left to itself, is influenced from outside which causes changes and uncertainty in one's moods.
NOTES AND PARAPHRASES
Siu: The man depends on others for his joys and sorrows, which generates an uncertainty of moods. His sincerity is impure and contaminated with external influences.
Wing: You depend upon your external relationships to dictate your mood or to gauge your confidence in yourself. This can sometimes elevate you to the heights of joy or banish you to the depths of despair. Possibly you may enjoy such range in emotion.
Editor: Note the close similarity between this line and line three of Hexagram #30, Clarity:"In the light of the setting sun, men either beat the pot and sing or loudly bewail the approach of old age. Misfortune” (Wilhelm). Here, line three is unduly influenced by her sixth line correlate, who is portrayed as a crowing cock: an egotistical sham. Blofeld, Shaughnessy and Cleary (1) describe an enemy; Ritsema/Karcher call it “acquiring antagonism.” Whatever it is, the influence is not consistent with proper management of the Work. This suggests the psychic processes of the average human being. With her choices largely influenced by unconscious forces (which her correlate would probably call "free will"), her life is largely determined by circumstances beyond her control. At its most neutral, the line images the waxing and waning of fortune: "The Lord giveth, and the Lord taketh away."
But this duality would seem to alternate; what is victor today is the vanquished tomorrow; what guides us today becomes secondary and subordinate tomorrow. And everything is equally mechanical, equally independent of will, and leads equally to no aim of any kind. The understanding of duality in oneself begins with the realization of mechanicalness and the realization of the difference between what is mechanical and what is conscious. This understanding must be preceded by the destruction of the self-deceit in which a man lives who considers even his most mechanical actions to be volitional and conscious and himself to be single and whole. Gurdjieff
A. An image of inconstancy and lack of will. Unstable effort and lack of centeredness (perhaps influenced by egotistical illusions) create consistently inconclusive results.
Line 4
Legge: The fourth line, magnetic, shows its subject like the moon nearly full, and like a horse pulling a chariot whose fellow disappears. There will be no error.
Wilhelm/Baynes: The moon nearly at the full. The team horse goes astray. No blame.
Blofeld: A team of horses strays just before the full moon -- no error!
Liu: The moon will be full. He loses a team of horses. No blame.
Ritsema/Karcher: The moon almost facing. The horse team extinguished. Without fault.
Shaughnessy: The moon is past full; the horse will necessarily be lost; there is no trouble.
Cleary (1): The moon approaches fullness. The pair of horses is gone. No fault.
Cleary (2): The moon is almost full. When the horse’s mate disappears, there is no fault.
Wu: The moon is almost full. One horse of a pair is lost. No blame.
COMMENTARY
Confucius/Legge: She breaks with her former companions, and mounts upwards. Wilhelm/Baynes: It separates from its kind and turns upward. Blofeld: The straying of the horses signifies rising above those of our own kind. Ritsema/Karcher: Cutting-off the above, sorting indeed. Cleary (2): The horse’s mate disappearing means breaking with peers to go higher. Wu: He forsakes the company of his own kind for the sake of service to the one above.
Legge: Line four is magnetic and in her correct place. She has discarded her correlate first line and hastens on to the confidence of the ruler in line five, who is symbolized as the nearly full moon. The symbol of the horse whose fellow has disappeared has reference to the discarding of the first line.
Wilhelm/Baynes: The team horse is the six in the third place. But the fact that there is similarity in kind has no determining effect. The line is correct in its place and has a receiving relationship to the ruler of the hexagram, the nine in the fifth place, whom it serves as minister.
NOTES AND PARAPHRASES
Siu: The man is humble and respectful in receiving enlightenment from superior quarters. He is like the team horse which follows the straight course without having to look at its mate.
Wing: Turn your attention to a superior person or a noble ideal and attempt to gain insight into this power. In responding to a larger goal, you may leave others behind. This is not a mistake.
Editor: According to Wilhelm, line three, the drum beating, sobbing and singing inferior man, is here symbolized as the “team horse” who is abandoned – not line one (Legge). This transfer of “horse-power” is psychic energy which forsakes its former pursuits to seek illumination or en-light-enment. The message is the abandonment of futile ways to focus on Inner Truth:Leave the cycles of weeping and singing to those who are still enamored of them. The Waxing moon is an increasing brightness which, because it is associated with the ruler, symbolizes a source of wisdom. The proper ego/Self relationship is implied.
And what is purification but the separation of the soul from the body, as I was saying before; the habit of the soul gathering and collecting herself into herself from all sides out of the body; the dwelling in her own place alone, as in another life, so also in this, as far as she can -- the release of the soul from the chains of the body? Plato -- Phaedo
A. You are getting the idea. Abandon illusion and ascend toward truth -- the only freedom lies within.
Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father
Judgment
Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.
Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.
Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.
Liu:The Creative brings great success, benefiting all through perseverance.
Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]
Shaughnessy:The Key: Primary reception; beneficial to determine.
Cleary(1):Heavencreates, develops, brings about fruition and consummation.
Cleary(1): The creative is successful; this is beneficial if correct.
Wu:The Originator is primordial, pervasive, prosperous and persevering.
The Image
Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.
Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.
Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.
Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.
Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.
Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.
Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.
COMMENTARY
Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.
Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.
The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.
NOTES AND PARAPHRASES
Judgment:The Dynamic is the life force itself.
The Superior Man tirelessly furthers the Great Work of Transformation.
The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:
In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.
This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.
Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.
When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."
The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."
In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.
There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit. F. Hartmann -- Paracelsus: Life and Prophecies
SUGGESTIONS FOR MEDITATION
To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:
1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.
2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.
3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.