Wiki I Ching

After Completion 63.1.2.4 28 Critical Mass

After triumph, maintain your balance, adapt boldly to rising tensions, and let resilience guide you through any pressure.

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63
After Completion
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28
Critical Mass

One loses one's dignity by abandoning one's mission.
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After Completion 63
Completion; things fall into place, but remain cautious.
Stability achieved, yet vigilance needed to sustain harmony.


Line 1
Caution at the beginning prevents future problems.
Avoid rushing into things.


Line 2
Patience is required.
What is lost will return in due time.


Line 4
Even the best situations can deteriorate.
Maintain vigilance and care.


Critical Mass 28
Embrace resilience during times of overwhelming pressure.
Acknowledge the burden, make necessary adjustments, and seek support to prevent collapse.
Balance is crucial for enduring success.



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Original Readings

63
After Completion


Other titles: After Completion, The Symbol of What is Already Past, Already Fording, Already Completed, Settled, Mission Accomplished, Tasks Completed, After the End, A state of Climax

 

Judgment

Legge:Completion intimates progress and success in small matters. There is advantage in firm correctness. There had been good fortune in the beginning; there may be disorder in the end.

Wilhelm/Baynes: After Completion. Success in small matters. Perseverance furthers. At the beginning good fortune, at the end disorder.

Blofeld:After Completion -- success in small matters! Persistence in a righteous course brings reward. Good fortune at the start; disorder in the end. [Perhaps persistence may help to lessen the disorder that threatens to come upon us after some initial success.]

Liu: Completion. Success in the small. It benefits to continue. Good fortune at first; disorder in the end.

Ritsema/Karcher:Already Fording. Growing: the small. Harvesting Trial. Initially significant. Completing: disarraying. [This hexagram describes your situation in terms of an important move from one position to another. It emphasizes that actively proceeding with the crossing is the adequate way to handle it...]

Shaughnessy:Already Completed: Receipt; slightly beneficial to determine; initially auspicious, in the end disordered.

Cleary (1):Settlement is developmental, but it is minimized. It is beneficial to be correct. The beginning is auspicious, the end confused.

Cleary (2): Settlement is successful, even in small matters … etc.

Wu: Mission Accomplished indicates a small degree of pervasiveness and the advantage of being persevering. It is characterized by goodness in the beginning, but tumult in the end.


The Image

Legge: The image of water above fire formsCompletion. The superior man, in accordance with this, thinks of the evil that may come, and guards against it in advance.

Wilhelm/Baynes: Water over fire: the image of the condition in After Completion. Thus the superior man takes thought of misfortune and arms himself against it in advance.

Blofeld: This hexagram symbolizes water above fire. The Superior Man deals with trouble by careful thought and by taking advance precautions.

Liu: Water above fire symbolizes Completion. The superior man ponders danger and takes precautions against it.

Ritsema/Karcher: Stream located above fire. Already Fording. A chun tzu uses pondering distress and-also providing-for defending-against it.

Cleary (1): Water is above fire,Settled.Thus superior peopleconsider problems and prevent them.

Wu: There is water above fire; this is Mission Accomplished. Thus the jun zi conceives ways to prevent disaster.

 

COMMENTARY

Confucius/Legge: Progress and success in small matters, with advantage in firm correctness. The dynamic and magnetic lines are correctly arranged, each in its proper place. There has been good fortune in the beginning because the magnetic second line is in the center. In the end there is a cessation of effort, and disorder arises. The course that led to rule and order is now exhausted.

Legge: The two written Chinese characters translated here as Completion represent two ideas -- the symbol of being past or completed, and the symbol of crossing a stream -- with a secondary meaning of helping and completing. When combined, the two characters express the idea of successful accomplishment. The hexagram denotes the kingdom finally at rest -- the vessel of state has been brought safely across the great and dangerous stream, the distresses of the realm have been relieved and its disorders rectified. Small things need to be completed: the new government must be consolidated and its ruler must, without noise or clamor, go on to perfect what has been wrought with firm correctness and without forgetting the inherent instability of all human affairs. That every line of the hexagram is in its correct place, and has its proper correlate emphasizes the intimation of progress and success.

The K'ang-hsi editors compare this hexagram and the next with number eleven, Harmony, and number twelve, Divorcement, observing that the goodness of Harmony is concentrated, as here, in the second line. Disorder after completion is inevitable. All things move on with a constant process of change. Disorder succeeds to order, and again order to disorder.

 

NOTES AND PARAPHRASES

Judgment: All's well that ends well, but the new cycle demands as much willpower as the last. Make no drastic choices during a transition.

The Superior Man anticipates conflict and is prepared for it in advance.

The sixty-third hexagram is the reference hexagram which depicts the correlation of properly matched dynamic and magnetic lines. On the basis of this figure, all of the other hexagrams (except the first and second, which are their "parents"), are compared. Yet, despite the fact that every line is in its proper place, not one of them has an easy auspice, and both the Judgment and Image are subdued and cautionary. The general idea is that as long as we draw breath in this spacetime dimension, our lives and Work are incomplete. Cycles complete themselves, certainly, but Completion in that sense is the "completion" of the full moon, which as soon as it reaches maximum brilliance immediately begins to wane.

Among those engaged in psycho-spiritual work, there is a great deal of energy focused on "enlightenment," and the natural desire of each aspirant to attain that state of consciousness as soon as possible. Many there are who wander from one conception of the Work to another in the hope that this particular discipline, or that particular Guru will provide the transcendent answer that the last one didn't.

This is a very deceptive illusion, because the chances that any given individual will attain perfect enlightenment in any given lifetime are probably miniscule to the point of insignificance. (How many truly enlightened beings have you ever met in your life?)

But the first signs of this symbolism are far from indicating that unity has been attained. Just as alchemy has a great many procedures, ranging from the "work of one day" to the "the errant quest" lasting for decades, so the tensions between the psychic pair of opposites ease off only gradually; and, like the alchemical end- product, which always betrays its essential duality, the united personality will never quite lose the painful sense of innate discord. Complete redemption from the sufferings of this world is and must remain an illusion ... The goal is important only as an idea; the essential thing is the opus which leads to the goal: that is the goal of a lifetime. In its attainment "left and right" are united, and conscious and unconscious work in harmony.
Jung-- Psychology of the Transference

The Work is a slow, organic process of transforming unconscious forces, which demands almost superhuman levels of discipline to accomplish. One can make a great deal of progress in one lifetime, but the Work can not be said to be complete until physical death “completes” it -- at that point, assuming the ego has acquired enough strength of will, perhaps one can facilitate a "permanent" synthesis of the forces one has spent a lifetime in training. Death is the doorway back to our Source, and if we enter that doorway consciously and correctly we can consolidate a great deal of power which will serve us well in the next cycle, in whatever dimension that cycle may take place.

It is even doubtful whether a man can arrive at the summit of all perfection as long as he lives in an imperfect physical form, because the imperfections of the form hamper the spirit, and only a spirit that has outgrown the necessity to live in a physical form may be said to have arrived at that high degree of perfection at which a perfect knowledge of self, and consequently a perfect knowledge of the universe is obtained.
F. Hartmann --Paracelsus: Life and Prophecies


Line 1

Legge: The first line, dynamic, shows its subject as a driver who drags back his wheel, or as a fox which has wet his tail. There will be no error.

Wilhelm/Baynes: He brakes his wheels. He gets his tail in the water. No blame.

Blofeld: He brakes the wheel of his chariot and gets the rear part wet -- no error!

Liu: The brake to the wheel. The tail gets wet. No blame.

Ritsema/Karcher: Pulling back one's wheels. Soaking one's tail. Without fault.

Shaughnessy: Dragging his ribbon, wetting his tail; there is no trouble.

Cleary (1): Dragging the wheel, wetting the tail, there is no fault.

Cleary (2): Dragging the wheels – it is right that there be no problem.

Wu: The wheels are pulled back. The tail is immersed in water. There will be no error.

 

COMMENTARY

Confucius/Legge: As we may rightly judge, there will be no mistake. Wilhelm/ Baynes: According to the meaning, there is no blame in this. Blofeld: Since we manage to stop at the right moment we are not to blame for what happens. Ritsema/Karcher: Righteous, without fault indeed. Cleary (2): (None.) Wu: In principle there is nothing wrong.

Legge: Line one, the first of the hexagram, represents the time immediately after the successful completion of something -- a time for resting and being quiet. For a season at least, all movement should be hushed. Hence we have the symbolism of a driver trying to stop his carriage, and a fox who has wet his tail, and will not attempt the stream again.


NOTES AND PARAPHRASES

Siu: At the outset, the man is not caught in the intoxication of the masses during a great transition. The general pressure finally overwhelms him. However, this occurs only at the last minute, after he has successfully completed the enterprise.

Wing: As you move forward with your plans, the pressure starts to build and you feel an urge to reconsider. You must face the fact that you will be affected by the events that you have inexorably set into motion, but not detrimentally, as you are generally correct.

Editor: Wilhelm, Blofeld and Liu all use the image of brakes to stop a wheel. If the hexagram is turned upside down it becomes number sixty-four, Before Completion or Unfinished Business,and this line becomes number 64:6 which has a similar message. Even the fox is mentioned. The image is one of avoiding danger by holding back.

The contented man meets no disgrace;

Who knows when to stop runs into no danger --

He can long endure.

Lao Tzu

A. Stop pushing -- hold and consolidate your position.

B. "Leave well enough alone."

Line 2

Legge: The second line, magnetic, shows its subject as a wife who has lost her carriage-screen. There is no occasion to go in pursuit of it. In seven days she will find it.

Wilhelm/Baynes: The woman loses the curtain of her carriage. Do not run after it; on the seventh day you will get it.

Blofeld: The lady loses the blind from her chariot window. She should not go in search of it, for she will recover it in seven days.

Liu: A lady loses her carriage curtain. Without seeking it, it will be regained within seven days.

Ritsema/Karcher: A wife losing her veil. No pursuit. The seventh day: acquiring.

Shaughnessy: The wife loses her hair; do not follow, in seven days you will get it.

Cleary (1): A woman loses her protection. Do not pursue; you will get it in seven days.

Cleary (2): A woman loses her protection. Let her not give chase: she will find it in seven days.

Wu: A woman has lost the curtain of her carriage. There is no need to look for it. After seven days it will be found.

 

COMMENTARY

Confucius/Legge: The course pursued is that indicated by the central position of the line. Wilhelm/Baynes: As a result of the middle way. Blofeld: Restraint or moderation will be rewarded. Ritsema/Karcher: Using centering tao indeed. Cleary (2): Because of her balanced course. Wu: Because she take a middle course.

Legge: The second line is magnetic and in her proper place. With her dynamic correlate in line five, she might be expected to take action, but she is central and correct – a lady who has lost her carriage screen. She will not advance further so soon after success has been achieved, but keeps herself in hidden retirement. Let her not seek the screen. The seven days is a cycle of completion running its course -- then a new period when action will be proper shall have commenced.

 

NOTES AND PARAPHRASES

Siu: The man is not accorded the protective confidence of his superiors. In his desire to achieve something, he is tempted to seek it and draw it to himself. He should not do so, but should remain patient and faithful. What is truly his will come to him eventually.

Wing: You are suddenly exposed, whether by your own hand or by circumstances beyond your control. Do nothing. Don't try to cover up, or attempt to make a case for your position. This time of conspicuousness will soon pass.

Editor: The image of the hexagram suggests a high water mark -- the point at which a cycle is completed. Beyond this point is the beginning of a whole new cycle. The second line is the ruler of the hexagram -- a magnetic, receptive, yin line who remains fully devoted to the dynamic yang line, her husband, in the fifth place. A magnetic force is vulnerable during a period of completion -- it must remain in place until the synthesis is complete and the next cycle begins.

When a patient begins to feel the inescapable nature of his inner development, he may easily be overcome by a panic fear that he is slipping helplessly into some kind of madness he can no longer understand. More than once I have had to reach for a book on my shelves, bring down an old alchemist, and show my patient his terrifying fantasy in the form in which it appeared four hundred years ago. This has a calming effect, because the patient then sees that he is not alone in a strange world which nobody understands, but is part of the great stream of human history, which has experienced countless times the very things that he regards as a pathological proof of his craziness.
Jung -- Alchemical Studies

A. An image of temporary vulnerability: take no action until the situation matures.

Line 4

Legge: The fourth line, magnetic, shows its subject with rags provided against any leak in her boat, and on guard all day long.

Wilhelm/Baynes: The finest clothes turn to rags. Be careful all day long.

Blofeld: Amidst the fine silk are ragged garments -- be cautious throughout the livelong day!

Liu: One has silk clothes but wears rags. Be cautious all day. [This line indicates that you can expect to have enough money to live comfortably.]

Ritsema/Karcher: A token: possessing clothes in-tatters. Completing the day, a warning. [Token, HSU: halves of a torn piece of silk which identify the bearers when joined.]

Shaughnessy: The short coat has jacket wadding; in winter days be warned.

Cleary (1): With wadding to plug leaks, one is watchful all day.

Cleary (2): There are rags in fine cloth – be alert all the time.

Wu: Rags are used to plug leaks. This is a matter of concern all day long.

 

COMMENTARY

Confucius/Legge: She is on guard all the day -- she is in doubt about something.

Wilhelm/Baynes: There is cause for doubt. Blofeld: This indicates that doubt and suspicion are now prevalent. Ritsema/Karcher: Possessing a place to doubt indeed.

Cleary (2): There is doubt. Wu: There are doubts.

Legge: Line four is magnetic and has advanced into the trigram symbolizing Water and Peril. She will be cautious and prepare for evil.

 

NOTES AND PARAPHRASES

Siu: Evils are occasionally uncovered but quickly glossed over during periods of prosperity and cultural advance. The man is not complacent about such readily hidden defects and takes earnest steps toward their correction.

Wing: Elements of decay can be found in the situation of your inquiry. Watch your step.

Editor: Wilhelm, Blofeld and Liu all juxtapose the image of rags with clothing, or fine silk. The message is to not be deluded by what seems to be a favorable situation. Maintain constant awareness and make your choices with extreme care. Regardless of appearances you're in a position of risk.

Complexes that are not granted reality by consciousness and are not dealt with as "powers" to be taken seriously, but are dealt with by repression, tend to take hold in an unadapted, primitive, regressive, compulsive and destructive fashion. This results in what we call neurotic or psychotic disturbances.
E.C. Whitmont -- The Symbolic Quest

A. Something valuable is threatened -- extreme care is called for.

28
Critical Mass


Other titles: Preponderance of the Great, The Symbol of Great Passing, Excess, Great Excess, The Passing of Greatness, Great Surpassing, Great Gains, Experience, Greater than Great, Greatness in Excess, Dominance by the Mighty, The Passing of Greatness, Excess of the Great, Law of Karma

 

Judgment

Legge:Critical Mass depicts a weak beam. Under such conditions it is advantageous to move in any direction whatever. Success is indicated.

Wilhelm/Baynes:Preponderance of the Great. The ridgepole sags to the breaking point. It furthers one to have somewhere to go. Success.

Blofeld:Excess! The ridgepole sags. It is favorable to have some goal (or destination) in view. Success! [A glance at the hexagram will show that it is too heavy in the middle and too weak at the ends. A number of firm lines is generally auspicious, but there can be too much of a good thing!]

Liu: Great Excess. The ridgepole is crooked. It benefits to go anywhere. Success.

Ritsema/Karcher:Great Exceeding, the ridgepole sagging. Harvesting; possessing directed going. Growing. [This hexagram describes your situation in terms of your connection to a ruling principle. It emphasizes that pushing the guiding idea beyond ordinary limits and accepting the results is the adequate way to handle it...]

Shaughnessy: Great Surpassing: The ridgepole bows upward; beneficial to have someplace to go; receipt.

Cleary (1): When the great is excessive, the ridgepole bends. It is good to go somewhere; that is developmental. [When the ridgepole snaps, the whole house falls down. In the same way, practitioners of the Tao who promote yang too much, who do not know when enough is enough, who can be great but cannot be small, suffer damage to their spiritual house.]

Cleary (2): When greatness passes, the ridgepole bends. It is beneficial to have somewhere to go, for you will succeed.

Wu:Excess of the Great indicates a beam that warps. It will be advantageous to have undertakings. It will be pervasive.

 

The Image

Legge: The image of trees beneath a marsh forms Critical Mass. The superior man, in accordance with this, fearlessly stands alone, and stays retired from the world without regret.

Wilhelm/Baynes: The lake rises above the trees: the image of Preponderance of the Great. Thus the superior man, when he stands alone, is unconcerned, and if he has to renounce the world, he is undaunted.

Blofeld: This hexagram symbolizes a forest submerged in a great body of water. The Superior Man, though standing alone, is free from fear; he feels no discontent in withdrawing from the world. [This is suggested by the component trigrams. Water is necessary for the nourishment of the trees, but too much of it can cause serious damage.]

Liu: The lake rising over the trees symbolizes Great Excess. The superior man, when isolated, is undisturbed. If he has to retreat from society, he feels no regret.

Ritsema/Karcher: Marsh submerging wood. Great Exceeding. A chun tzu uses solitary establishing not to fear. (A chun tzu uses) retiring-from the age without melancholy.

Cleary (1): Moisture destroys wood in excess. Thus superior people stand alone without fear, and leave society without distress.

Cleary (2): Moisture destroys wood. Developed people, etc. [Only when sustained by the power to stand alone without fear and avoid society without distress can learning be firmly rooted and development have a proper basis; then it is possible to refine and support the mediocre.]

Wu: Marsh covers over wood; This is Excess of the Great. Thus the jun zi stands alone without fear and withdraws from the world without melancholy.

 

CONFUCIAN COMMENTARY

Confucius/Legge: Excess is weakly supported at either end, with weakness in both the lowest and topmost lines. The dynamic lines are in excess, but two of them are in the central positions. The trigrams of Flexibility and Satisfaction indicate that there will be advantage in moving in any direction whatever -- there will be success. Great indeed is the work to be done during this extraordinary time.

Legge: Extraordinary times require extraordinary skill in their management. The figure shows two magnetic lines at top and bottom, with four dynamic lines between them -- giving the image of a great beam unable to sustain its own weight. Lines two and five are both dynamic and central however, and from this and the attributes of the component trigrams a good auspice is obtained.

 

NOTES AND PARAPHRASES

Judgment: A stressful situation is best managed with a comprehensive strategy. (Or: in the chess game of life, one succeeds by planning several moves in advance.)

The Superior Man serves The Work by going his own way, regardless of public opinion.

Wilhelm titles this hexagram Preponderance of the Great. I prefer R.L. Wing's paraphrase of Critical Massas more evocative of the figure's meaning in modern terminology.

In Critical Mass four dynamic lines lurk inside of the hexagram, weakly contained at top and bottom by two magnetic lines. This energetic concentration could explode in an unpredictable release of force, and hence the Judgment tells us to move now (remember: non-action is also action) to avoid unwanted consequences. (Often the outcome is predictable – be prepared to just walk away if and when that is your best move.)

Legge’s translation of the Judgment is:

"...It is advantageous to move in any direction whatever. "

This is a different message than Wilhelm's:

"...It furthers one to have somewhere to go."

Legge’s version implies an almost hysterical flight from danger while Wilhelm's rendition suggests prior intention and planning. The latter interpretation is definitely what is meant here, as confirmed by Cleary’s Buddhist commentary:

When the transformative path is flourishing, contaminations easily arise; it is best to set up guidelines and regulations. When meditation work is advanced, ignorance is about to dissolve; it is best to exercise the mind skillfully.

Coupled with Cleary’s translation of the Image as: “Developed people stand alone without fear, avoid society without distress,” the idea is that one should follow one's best intuition and ignore popular illusions, political correctness or inner fears. (Psychologically: conventional thinking, socially conditioned reflexes, knee-jerk responses, etc.). During a time of Critical Mass, pay close attention to direction from the Self to preserve the Work. This is not the time to follow the crowd. Sometimes this can mean that you are obliged to go it alone – one of the Work’s frequent tests (Cf. line 6):

The Gulf is something that has to be leaped, and leaped alone, stripped of all hindering burdens, in faith ... It is thus one of the crisis points of spiritual progress because of the great temptation to turn back from the unknown to the apparent safety of known things, and to succumb to this temptation is to lose all the fruits of past endeavor.
G. Knight -- A Practical Guide to Kabbalistic Symbolism

 

SUGGESTIONS FOR MEDITATION

Compare the Judgment and Image of this hexagram with those of hexagram number 32, Consistency.

Anthony: We must regain modesty through the effort to rid ourself of strong elements that cause us to press forward. The strong elements may exist in someone else, causing them to assault us with their fear, mistrust or doubt. Strong refers to impetuous movement to resolve what is ambiguous … We can meet the challenge by remaining detached and letting things go through their changes … To be truly rich is to remain modest; to be truly powerful is to remain reticent.