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Small Powers62
Focus on the details. Embrace humility and small steps to achieve success. Avoid overreaching or taking on too much to prevent failure.
↓ Line 1
This line warns against overreaching or attempting too much. It suggests that one should be cautious and avoid taking unnecessary risks.
↓ Line 4
This line suggests that one should avoid unnecessary actions and remain cautious. It advises maintaining a steady course and being prepared for potential challenges.
↓ Line 5
This line indicates that while conditions may seem unfavorable, success is still possible through careful and precise actions. It suggests that one should focus on what can be achieved rather than what seems impossible.
↓ Line 6
This line warns against missing opportunities or failing to connect with others. It suggests that one should be mindful of their actions and avoid isolation or detachment.
↓ The Family37
Focus on nurturing harmony in your community or family. Cultivate stability and mutual support by fostering open communication and shared values.
Original Readings
62 Small Powers
Other titles: Preponderance of the Small, The Symbol of Excess in Small Things, The Small get by, Slight Excess, Small Exceeding, Small Surpassing, Excess of the Small, Small gains, Conscientiousness, Smallness in Excess, Exceeding the Mean, Proliferation of Details, "Like a bird, do not fly too high or attempt too much because this will lead to disaster." -- D.F. Hook
Judgment
Legge:Small Powers indicates that there will be progress and attainment in small affairs, but not in great affairs. It will be advantageous to be firm and correct. It is like the song of a flying bird: It is better to descend than to ascend. In this way there will be good fortune.
Wilhelm/Baynes:Preponderance of the Small. Success. Perseverance furthers. Small things may be done; great things should not be done. The flying bird brings the message: It is not well to strive upward, it is well to remain below. Great good fortune.
Blofeld:The Small Get By -- success! Persistence in a righteous course brings reward. Small things can be accomplished now, but not great ones. When birds fly high, their singing is out of tune. The humble, but not the mighty, are favored now with great good fortune. [To aim high now would be to put ourselves out of accord with the times.]
Liu:Slight Excess. Success. Continuing is of benefit. Undertaking small things, not great things. The song of the flying bird. It is not good to go up; it is good to stay below. Great good fortune. [Slight Excess signifies the slight excess or small mistake that can prevent the achievement of great things.]
Ritsema/Karcher:Small Exceeding, Growing. Harvesting Trial. Permitting Small
Affairs. Not permitting Great Affairs. Flying bird: abandoning's sound. Above not proper, below proper. The great significant. [This hexagram describes your situation in terms of an overwhelming variety of encounters and details. It emphasizes that an excessive concern with adapting yourself to these inner and outer events is the adequate way to handle it...]
Shaughnessy: Small Surpassing : Receipt; beneficial to determine; possible for little service, but not possible for great service. The sound left by the flying bird is not proper for ascent but is proper for descent; greatly auspicious.
Cleary (1):Predominance of the small is developmental, beneficial if correct. It is suitable for a small affair but not for a great one. The call left by a flying bird should not rise but descend. This is very auspicious.
Cleary (2):Small excess turns out all right. It is beneficial to be correct. It is all right for small matters, not for great matters. A flying bird leaves its cry; it should not ascend but descend – then there will be great good fortune.
Wu: Excess of the Small indicates pervasiveness and the advantage of being persevering. One may succeed in doing small business, but not big one. Like the lingering sound of a bird flying by, it is not suitable to go upward, but suitable to go downward. Great fortune.
The Image
Legge: The image of thunder above a hill forms Small Powers. The superior man, in accordance with this, in his conduct exceeds in humility, in mourning exceeds in sorrow, and in his expenditure exceeds in economy.
Wilhelm/Baynes: Thunder on the mountain: the image of Preponderance of the Small. Thus in his conduct the superior man gives preponderance to reverence. In bereavement he gives preponderance to grief. In his expenditures he gives preponderance to thrift. [The superior man derives an imperative from this image: he must always fix his eyes more closely and more directly on duty than does the ordinary man, even though this might make his behavior seem petty to the outside world. He is exceptionally conscientious in his actions.]
Blofeld: This hexagram symbolizes thunder over the mountains. The Superior Man now acts with too much reverence, experiences too much sorrow from bereavement and is overly thrifty in satisfying his needs.
Liu: Thunder over the mountain symbolizes Slight Excess. The superior man's conduct is overly humble; In mourning he laments exceedingly, and he is stingy in his spending.
Ritsema/Karcher: Above mountain possessing thunder. Small Exceeding. A chun tzu uses moving Exceeding to reach-to courtesy. A chun tzu uses losing Exceeding to reach-to mourning. A chun tzu uses availing of Exceeding to reach-to parsimony.
Cleary (1): There is thunder over a mountain, exessively small. Thus superior people are excessively deferential in conduct, excessively sad in mourning, excessively frugal in consumption.
Cleary (2): Thunder over a mountain – small excess. Genteel people are exceedingly deferential in conduct, exceedingly sad in mourning, and exceedingly abstemious in consumption.
Wu: Thunder rolls over the mountain; this is Excess of the Small. Thus the jun zi conducts himself with a little excess in respect to others, a little excess in sorrow at mourning, and a little excess in frugality in expenditure.
COMMENTARY
Confucius/Legge: In Small Powers we see the magnetic lines exceeding the others, and giving the intimation of progress and attainment. To be advantageous, such excesses must be associated with firm correctness, and must always be in harmony with the requirements of the time. The magnetic lines are in the central places, and hence it is said that small excesses may be done in small affairs with good effect. Of the dynamic lines, one is not in its proper place, and the other is not central; thus it is said that small excesses should not be done in great affairs. In the hexagram we have the symbol of the flying bird, whose song reminds us that it is better to descend than ascend. To ascend is contrary to what is reasonable in the case, while to descend is natural and right.
Legge: The meaning of this hexagram in which an excess of yin lines prevails, may be grasped by contrasting its image with that of hexagram number twenty-eight, Critical Mass, in which an excess of yang lines prevails. Here the idea is the prevalence of small or inferior powers, and the lesson to be learned is how to distinguish essentials from non-essentials. Is it ever good to deviate from the established course of procedure? The answer is that it is permissible only in small matters, but never in matters of import. Sometimes form may be dispensed with, but never substance, and the thing must always be done responsibly and with appropriate humility. The symbol of the bird is to teach humility -- it is better for it to descend, keeping near to where it can perch and rest, than to ascend into the homeless regions of the upper air.
NOTES AND PARAPHRASES
Judgment: Ground your flights of fancy.
The Superior Man bends over backwards to be correct.
Small Powers shows the preceding figure of Inner Truth turned inside-out. Here the magnetic lines are all on the outside -- uncontained and uncontrolled. The hexagram often reflects a situation in which the "archetypes": the passions, appetites, emotions, drives and instincts have left their proper places within the psyche and are flying free like birds escaped from the zoo. Most of the lines either depict the danger of such a situation or warn about how to control it.
In this inflated, compulsive state of identity, we and the drive are at our most harmful; the drive will unfold and we will act out its extreme, inappropriate and destructive side. In the process we get the worst of it, along with the other people involved. The wrong thing usually happens at the wrong time and in the wrong place. A capacity for moving toward differentiation and transforming the drive will not arise until the state of identity has been dissolved. This requires a confrontation of the drive as a Thou, as something that is not I, as something separate from ourselves. Only at this point can the inner dialogue begin. Until then the drive remains unconscious, primitive and destructive. Only after the identity has been dissolved by learning to experience the drive as an autonomous entity that is separate from the ego, do we get a chance to choose a right time and place and to develop the positive potential of the drive. E.C. Whitmont --The Symbolic Quest
Interestingly, the only line that seems to be correctly "out of its cage" is the second -- suggesting a situation in which an intuitive inner wisdom takes proper precedence over the usual firm correctness of "reason."
Line 1
Legge: The first line, magnetic, suggests the idea of a bird flying, and ascending until the issue is evil.
Wilhelm/Baynes: The bird meets with misfortune through flying. [A bird ought to remain in the nest until it is fledged. If it tries to fly before this, it invites misfortune.]
Blofeld: A bird in flight brings misfortune.
Liu: A bird encounters misfortune when it soars.
Ritsema/Karcher: Flying bird: using a pitfall.
Shaughnessy: The flying bird brings inauspiciousness.
Cleary (1): A bird that flies thereby brings misfortune.
Wu: The flying bird gets its misfortune.
COMMENTARY
Confucius/Legge: Nothing can be done to avoid this issue. Wilhelm/Baynes: Here there is nothing to be done. Blofeld: There is nothing we can do about it. [The bird is merely a symbol; we are due to encounter misfortune which we are powerless to avert.]Ritsema/Karcher: Wherefore not permitted thus indeed. Cleary (2): Nothing can be done about it. Wu: It cannot be helped.
Legge: Line one is magnetic in a dynamic place, and possessed by the idea of exceeding the limitations of the hexagram. Her correlate is the dynamic fourth line, belonging to the trigram of Movement, so that instead of being repressed from her tendency to ascend, she is actually stimulated to do so. Nothing can be done to avoid an evil issue because she brings it on herself.
NOTES AND PARAPHRASES
Siu: At the outset, the man should heed the case of a bird leaving the nest before it is fledged. He should spend his early life learning the traditional ways in order to avoid wasting his energies in senseless jousting.
Wing: If you are considering an extraordinary plan, forget it. The time and your position could not be more inappropriate. Your destiny lies in the ordinary or traditional, and anything beyond that would lead you into danger.
Editor: Despite the gloomy Confucian commentary, my experience with this line has usually been conditional: "If the bird flies, disaster is inevitable." The implicit conclusion is: "If the bird doesn't fly, it will escape the unpleasant consequences." The image of the bird (an air creature symbolizes a thought, concept or idea) can suggest blue-sky thinking that will only end up lost in space. Wilhelm’s commentary offers the idea of a fledgling trying to fly before it is ready, suggesting that the impulse to act may be more premature than improper.
If we do not know what moves us we are in no position to understand what we are doing, nor are we in any position to choose what we wish to do. We may think we decide what we want to do but what actually happens may be quite another matter. Without an awareness of the psychic fields in which we operate, any idea of freedom of will, decision or of relationship is an illusion. E.C. Whitmont --The Symbolic Quest
A. You have allowed your thoughts to run away with you.
B. You are in over your head -- have exceeded your ability to cope with the reality of the situation.
Line 4
Legge: The fourth line, dynamic, shows its subject falling into no error, but meeting the exigency of his situation without exceeding in his natural course. If he goes forward, there will be peril, and he must be cautious. There is no occasion to be using firmness perpetually.
Wilhelm/Baynes: No blame. He meets him without passing by. Going brings danger. One must be on guard. Do not act. Be constantly persevering. [Hardness of character is tempered by yielding position, so that no mistakes are made.]
Blofeld: No error! Instead of passing him by, he accosts him. Advancing now entails dangers which have to be guarded against. This is not a time for action, but for unwavering determination.
Liu: He meets things without excessive reactions. No blame. He will meet danger if he advances. There must be caution. Do not continue.
Ritsema/Karcher: Without fault. Nowhere Exceeding meeting it. Going adversity necessarily warning. No availing-of perpetual Trial.
Shaughnessy: There is no trouble. Not surpassing him, but meeting him; to go is dangerous, there necessarily being a revolt. Do not herewith determine permanently.
Cleary (1): No fault. Do not dally with it too much; it is dangerous to go on. Caution is necessary. Don’t persist forever.
Cleary (2): No fault, meeting here without excess. To go is dangerous; it is necessary to be cautious and not do it. Always be correct.
Wu: There will be no blame, when he encounters a chance meeting with someone without exceeding the spirit of small excess. Any excessive effort must be curtailed. Nor it is proper to be persevering.
COMMENTARY
Confucius/Legge: The position is inappropriate for a dynamic line. If he goes forward the result would be that his course would not be long pursued. Wilhelm/ Baynes: The place is not the appropriate one. Blofeld: Accosting someone instead of passing him by is now inappropriate or, is indicated by the unsuitable position of this line. The danger of going forward and the need for precaution imply that we should not continue long in our present course. Ritsema/ Karcher: Situation not appropriate indeed. Going adversity necessarily warning. Completing not permitting long-living indeed. Cleary (2): The position is not right. After all, it cannot last. Wu: This means that his position is improper. Because it will not last.
Legge: Line four is dynamic, but the exercise of his strength is tempered by his position in a magnetic place. He is warned however, to continue quiet and restrain himself.
NOTES AND PARAPHRASES
Siu: The man exercises restraint and caution. He meets the exigencies of the situation without exceeding the natural bounds.
Wing: Caution: Do not forge ahead toward your goals or force issues at this time. Stay low and remain inwardly persevering.
Editor: The image portrays a dynamic minister who might be inclined to surpass his magnetic ruler, but who is counseled to temper his impulse to advance. "He meets him without passing by" in Wilhelm's translation is another way of saying not to ignore the danger in the situation. Legge's rendering: "There is no occasion to be using firmness perpetually," Ritsema/Karcher's: "No availing-of perpetual Trial," and Shaughnessy’s "Do not herewith determine permanently," all contradict Wilhelm, Blofeld and Liu, who translate constant perseverance. The logic of the imagery and Confucian commentary argue for this latter rendering, though the circumstances of your query may leave the other interpretation open for consideration. Indeed, Cleary’s Taoist and Buddhist translations offer each version!
To put it in psychological terms, it is the unawareness of danger that constitutes the greatest threat to one who is assailed by an uprush of primitive libido from the unconscious. If he could see the threat or temptation clearly enough to call it by its true name, half the battle would be won. M.E. Harding -- Psychic Energy
A. Don't get ahead of yourself or exceed your authority. Unilateral action is inappropriate.
B. "Modesty is the best policy."
Line 5
Legge: The fifth line, magnetic, suggests the idea of dense clouds, but no rain, coming from our borders in the west. It also shows the prince shooting his arrow, and taking the bird in a cave.
Wilhelm/Baynes: Dense clouds, no rain from our western territory. The prince shoots and hits him who is in the cave. [The man in the cave is line two. The word for shooting means shooting with an arrow attached to a line for the purpose of dragging in the game that has been shot. The connection arises from the fact that the present line and the second line are related through similarity of kind.]
Blofeld: Dense clouds come from the western outskirts, but no rain falls. The prince shoots an arrow and hits someone in a cave.
Liu: Heavy clouds come from the west, but no rain. What the duke shoots he takes from the cave.
Ritsema/Karcher: Shrouding clouds, not raining. Originating- from my Western suburbs. A prince, a string-arrow grasping another located-in a cave.
Shaughnessy: The dense clouds do not rain from our western pasture; the duke shoots and takes the skin in the cavern.
Cleary (1): Dense clouds not raining come from my neighborhood. The ruler shoots another in a cave.
Cleary (2): Dense clouds do not rain, coming from one’s western province. The prince shoots, catching the quarry in the den.
Wu: There are dense clouds, but no rain coming from our western countryside. The duke gets what is in the cave with an arrow tied to a string. [This implies that he solicits and gets the assistance of his correlate, the second yin line.]
COMMENTARY
Confucius/Legge: There are dense clouds, but no rain -- the line is in too high a place. Wilhelm/Baynes: He is already above. Blofeld: Dense clouds and no rain points to their having risen too high. [Something which could have been of great help to us passes us by.] Ritsema/Karcher: Above climaxing indeed. Cleary (2): ( The clouds) have already risen. Wu: The clouds have been blown away by high winds.
Legge: Line five, though in the ruler's seat, is magnetic, and incapable of doing anything great. It is a yin line, and too high. If the line were yang, the auspice would be different. He is called the prince because of the ruler's seat, and the bird in the cave that he captures is the subject of line two.
Anthony: To distrust our path is to distrust the Sage who guides us. We cannot make our way in the hidden world alone; we need the Sage’s help, which can only be obtained through a modest acceptance of our fate.
NOTES AND PARAPHRASES
Siu: Because of the lack of able helpers, the prince is unsuccessful in his attempts to set the world in order. He searches intently for the required talents among those who have retired from the public scene. The right man with a demonstrated record of achievement is finally found and the difficult task completed.
Wing: Your strength is adequate to bring forth that which you desire, but your position is not appropriate. You will need help from others. Modestly seek such assistance from qualified people and you can accomplish your aim.
Editor: There are two sets of images here -- the first suggests an accumulation of latent energy and the second the grasp of something concealed. Rain symbolizes the union of heaven and earth -- the connection between higher and lower, inner and outer. Dense clouds therefore represent a buildup of unreleased tension: union has yet to be accomplished. The arrow shot into the cave with a line attached to it traditionally symbolizes the link between this line’s magnetic second-line correlate. (Meditation on the differences between the two lines and their respective messages is often useful in discerning subtle ego/Self relationships.) The arrow suggests discrimination or comprehension -- to shoot an arrow into the heart of something is a conscious, active attempt to pierce its essence, to comprehend it. To shoot into the darkness of a cave symbolizes seeking comprehension of what is unknown or unconscious; it can also suggest "a shot in the dark" -- a guess. Only Legge identifies the target as a bird – the other translations are less specific: the object is “something or someone” hidden from consciousness. As a creature of the air, a bird represents thoughts, ideas, concepts, intelligible answers, etc. , so this often applies in the interpretation. (Note how central the bird symbol is in this hexagram.) The line suggests one seeking comprehension of an unknown situation or process and receiving relatively little satisfaction -- the answer is out of reach ("too high") in the imagery of the Confucian commentary. If this is the only changing line, the new hexagram created is Number 31, Influence, which often carries the connotation of “importuning” – suggesting that perhaps you are seeking information which the oracle has no intention of providing, or you are incapable of understanding at this stage: it’s too high, it’s beyond you. (See commentary on Hex 31 for more details.) Also compare this line with the virtually identical message in the Judgement of Hexagram 9: ’TheTaming Power of the Small has success. Dense clouds, no rain from our western region.’ This repetition of the theme of ’smallness’ (in all of its possible connotations) is useful to contemplate here.
Thus does the Archer hunt his quarry, for as the huntsman seeks to kill his prey for food, so does the (Self) seek out conscious contact with its projection (the ego) for similar reasons, for the fully illuminated man is he who is dead to the domination of the lower worlds, using his vehicles in the lower worlds for the ends of his higher nature. Gareth Knight -- Qabalistic Symbolism
A. A build-up of tension without release: You are groping in the dark. Play it by ear until the situation clarifies. Don’t get ahead of yourself.
B. The answer to your question is beyond your present ability to comprehend.
Line 6
Legge: The sixth line, magnetic, shows its subject not meeting the exigency of her situation, and exceeding her proper course. It suggests the idea of a bird flying far aloft. There will be evil. The case is one of calamity and self-inflicted injury.
Wilhelm/Baynes: He passes him by, not meeting him. The flying bird leaves him. Misfortune. This means bad luck and injury.
Blofeld: Instead of accosting him, he passed him by, The bird flew away from him -- misfortune in the form of natural calamity and deliberate injury.
Liu: He passes over someone, not meeting him. The birds fly away. Misfortune. There will be disaster.
Ritsema/Karcher: Nowhere meeting, Exceeding it. Flying bird radiating it. Pitfall. That designates Calamity and Blunder.
Shaughnessy: Not meeting him, but surpassing him; the flying bird is netted in it; inauspicious. This is called calamitous imperfection.
Cleary (1): Don’t overstay here. The flying bird is gone. This is called calamity.
Cleary (2): The flying birds leave. This is unfortunate. This is called calamity.
Wu: He meets with no one even though he applies the spirit of small excess. Like a bird flying away from other birds, he is alone. Foreboding. It will be catastrophic.
COMMENTARY
Confucius/Legge: The position indicates the habit of domineering. Wilhelm/ Baynes: He is already arrogant. Blofeld: The first sentence suggests that we behave too arrogantly. Ritsema/Karcher: Climaxing overbearing indeed. Cleary (2): Passing by without meeting is because of arrogance. Wu: Because he is too arrogant.
Legge: Line six is magnetic at the top of the trigram of Movement. She is possessed by the idea of the hexagram to an extreme degree, and is incapable of keeping herself under restraint.
NOTES AND PARAPHRASES
Siu: The man does not know how to control his preoccupation with trivia. His overshooting and restlessly pressing on bring disappointment and calamity to himself and his people.
Wing: Your ambitions may be too great. In an aggressive attempt to reach an unrealistic goal you will meet with disaster.
Editor: Wilhelm and Blofeld both translate "domineering" as "arrogance," thus creating an image of rising above one's proper station (exceeding the mean) through over-confidence or pride. If we accept the universal symbol of the bird as emblematic of thoughts or thought processes, the line becomes a commentary on the dangers of excessive intellectualism. Compare this line with the sixth line of hexagram number fifty-six.
Wherever there is identity, as we have seen, there is compulsiveness. When we are identical with a drive we never question why we are moving or where we are going: there is only automatic response to an impulse. This state of compulsiveness, moreover, gives us the feeling of being carried by a tremendous force of energy, in much the same way that an automobile going at the speed of eighty miles an hour may give us a feeling of exhilaration: We are really going fast now! This exhilaration, this unquestioning feeling of assurance that "I'm really going, and I'm going fine and well" is called inflation. E.C. Whitmont -- The Symbolic Quest
A. You have missed the mark. Arrogance or overconfidence have put your head in the clouds.
37 The Family
Other titles: Family Life, Clan, Home, Linkage, Dwelling People, The Psyche, "May indicate a situation where the family can and should help." -- D.F. Hook
Judgment
Legge: For the regulation of The Family, what is most advantageous is that the wife be firm and correct.
Wilhelm/Baynes: The Family . The perseverance of the woman furthers.
Ritsema/Karcher: Dwelling People. Harvesting: woman Trial. [This hexagram describes your situation in terms of living and working with others in a common space. It emphasizes that caring for your relation with those who share this space and for the space itself is the adequate way to handle it. To be in accord with the time, you are told to: dwell with people!]
Shaughnessy: Family members: Beneficial for the maiden to determine.
Cleary (1): For people in the home it is beneficial that the woman be chaste. [In the human body, the vitality, spirit, soul, psyche, and intent all belong to yin and all take orders from the human mentality … When you refine away the human mind, the mind of tao spontaneously becomes manifest.]
Wu:The Family indicates that it is advantageous for a woman to be persevering. [This is a hexagram with its emphasis on women. Both constituent trigrams are feminine … Hence those who endeavor to be firm and correct will have advantages.]
The Image
Legge: Wind rising out of fire -- the image of The Family. The superior man speaks the truth and is consistent in his behavior.
Wilhelm/Baynes: Wind comes forth from fire: The image of The Family. Thus the superior man has substance in his words and duration in his way of life.
Blofeld: This hexagram symbolizes wind rising from fire. The Superior Man's speech is full of substance and he behaves with constancy.
Liu: The wind coming out of the fire symbolizes The Family. The speech of the superior man should have substance, and his conduct be enduring.
Ritsema/Karcher: Wind originating-from fire issuing-forth. Dwelling People. A chun tzu uses words to possess beings and-also movement to possess perseverance.
Cleary (1): Wind emerges from fire, members of a family. Thus is there factuality in the speech of superior people, consistency in their deeds.
Cleary (2): … Developed people are factual in speech, consistent in action.
Wu: Wind comes forth from fire; this is The Family. Thus the jun zi speaks with facts and acts with perseverance.
COMMENTARY
Confucius/Legge: In Family the wife is in her correct place in the lower trigram, and the husband in his correct place in the upper. That spouses occupy their correct positions shows the correct relationship between heaven and earth. The parents rule the family: let the father indeed be father, and the son son; let the elder brother be indeed elder brother, and the younger brother younger; let the husband indeed be husband, and the wife wife -- then the family will be in its correct state. Bring the family to that state, and all under heaven will be established.
Legge: The written Chinese character for Family simply means "a household," or "the members of a family." The lesson of the hexagram is the regulation of the family, effected by the cooperation of the husband and wife in their several spheres, and only needing it to become universal to secure the good order of the kingdom. The important place accorded to the wife is seen in the short sentence in the Judgment -- that she be firm and correct, and do her part well is essential for the family's proper regulation.
The wife is represented by line two and the husband is her proper correlate in line five. The relationship between heaven and earth is analogous to the relationship between husband and wife.
The second sentence of the Confucian commentary, more closely rendered, would be: "That in the family there is an authoritative ruler is a way of naming father and mother." This means that the assertion of authority in a family should be a correct balance of force and gentleness.
Anthony: The Family symbolizes correct relationships between people – the family unit, the spiritual family (the Sage and the student), and human groups generally. When these most basic relationships are correct, the world is made correct through the force of inner truth, through cultivation of the feminine component of our nature, and through persevering in a virtually menial position (from our ego’s viewpoint) so that our work can come to fruition. All this means to forgo striving and self-assertion, and to allow ourself to be led, while persevering in gentleness and devotion to our path.
NOTES AND PARAPHRASES
Judgment: For the correct regulation of the psyche, what is most important is that the ego must be firm and correct.
The Superior Man lives his allegiance to the ideals of the Work.
Applying the Hermetic Axiom: "as above, so below," the relationships within a family are analogous to the relationships within a city-state, or a kingdom, and vice- versa:
Society centuries before the time of Confucius had been organized on the basis of family. In the early days of the Chou dynasty fiefs had been allotted to the feudal lords in a system of planned colonization. These feudal lords, linked to one another and to the royal house by marriage ties, took their families, retainers, peasants, artisans and soldiers to form self-sufficient colonies based on an agricultural economy and governed from well-fortified walled cities. These large family groupings of the nobility were preserved only so long as the relationships of parents to children, brothers to brothers, and masters to servants were effectively controlled. D.H. Smith -- Confucius
If the ideal city is like a family, then the analogy also holds for an individual -- here the comparison goes directly from city to psyche:
Have we any greater evil for a city than what splits it and makes it many instead of one? Or a greater good than what binds it together and makes it one? ... Then is that city best governed which is most like a single human being? Plato -- The Republic
Psychologically interpreted, the hexagram of The Family symbolizes the psyche, and the Confucian commentary tells us that when its inner components all assume their proper roles and functions, then the Work will come into fruition. ("All under heaven will be established.") The identical idea has been stated in Gnostic thought:
Jesus said to them: "When you make eyes in the place of an eye, and a hand in the place of a hand, and a foot in the place of a foot, and an image in the place of an image, then shall you enter the Kingdom. The Gnostic Gospel According to Thomas
The husband is the analogue of heaven or the Self, and the wife is the analogue of earth or the ego. When the ego assumes its correct role as the magnetic servant of the Work, then inner transformations can take place. I have paraphrased the Judgment in terms of the necessity of the ego to follow the dictates of the Work, but one could alternately phrase it in terms of keeping emotional responses under control. For the wife to be "firm and correct" is to ensure that emotions, drives and appetites are not allowed to make decisions -- they are servants, not masters. This is the essence of the Work, and arguably the most reiterated idea in theI Ching.
The patient should be encouraged to use his mind, through observation and discrimination, to bring clearly into his awareness the irrational aspect of his drives and emotions, and also the possible drawbacks and harmfulness to himself and others of their uncontrolled manifestation … To act on the spur of an impulse, a drive or an intense emotion can very often produce undesirable effects which one afterwards regrets … Therefore, he should learn – by repeated experiment and effort – to “insert” between impulse and action a stage of reflection, of mental consideration of a situation, and of critical analysis of his impulse, trying to realize its origin, its source. R. Assagioli – Psychosynthesis
The thirty-seventh hexagram teaches us that the way to manage the emotions is no different than the proper management of aFamily. No wise parent can teach a child self-discipline by adopting the child's point of view: permissiveness, either with our children or our own primitive drives and passions, is a sure formula for disintegration. The Work demands that the ego hold the line on this issue -- indeed, it is the ego's only legitimate function.
We are dominated by everything with which our [ego] becomes identified. We can dominate and control everything from which we disidentify ourselves. R. Assagioli -- Psychosynthesis