Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father
Judgment
Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.
Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.
Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.
Liu:The Creative brings great success, benefiting all through perseverance.
Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]
Shaughnessy:The Key: Primary reception; beneficial to determine.
Cleary(1):Heavencreates, develops, brings about fruition and consummation.
Cleary(1): The creative is successful; this is beneficial if correct.
Wu:The Originator is primordial, pervasive, prosperous and persevering.
The Image
Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.
Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.
Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.
Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.
Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.
Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.
Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.
COMMENTARY
Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.
Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.
The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.
NOTES AND PARAPHRASES
Judgment:The Dynamic is the life force itself.
The Superior Man tirelessly furthers the Great Work of Transformation.
The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:
In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.
This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.
Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.
When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."
The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."
In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.
There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit. F. Hartmann -- Paracelsus: Life and Prophecies
SUGGESTIONS FOR MEDITATION
To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:
1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.
2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.
3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.
Line 1
Legge: In the first line, dynamic, we see its subject as the dragon lying hid in the deep. It is not the time for active doing.
Wilhelm/Baynes: Hidden dragon. Do not act.
Blofeld: The concealed dragon refrains from action.
Liu: The hibernating dragon does not act.
Ritsema/Karcher: Immersed dragon, no availing-of.
Shaughnessy: Submersed dragon; do not use.
Cleary(1): Hidden dragon: Do not use it.
Cleary(2): The hidden dragon is not to be employed.
Wu: The dragon lying submerged is not to be used.
COMMENTARY
Confucius/Legge: This appears from the dynamic and undivided line being in the lowest place. Wilhelm/Baynes: For the light-giving force is still below. Blofeld: The life- sustaining force is still submerged. Ritsema/ Karcher: Yang located below indeed. Wu: Because the yang is in the lowest position.
The Master said:"There he is, with the powers of the dragon, and yet lying hid. The world cannot influence him, for he does not pander to its approval. He lives withdrawn from the world without regret, and its disapproval doesn’t bother him. He rejoices in this opportunity to further his work, but if circumstances do not favor this he can as easily retire. He cannot be separated from the source of his being. This is the dragon lying hid."
Miscellaneous notes: The position is too low. The dynamic power is stored up and hidden. This is the originating power which is the source of life and growth. The actions of the superior man demonstrate his virtue every day, but when concealment is required he restrains the full expression of his work and takes no action.
Legge: The dragon can be the symbol of the superior man, or the great man -- the sage on the throne.
NOTES AND PARAPHRASES
Siu: At the outset, the man is unknown, like a dragon lying hidden. The occasion is not yet ripe for his appearance. He is not moved by public opinion and the desire for fame. He bides his time in self-confidence and silence.
Wing: The time is not ripe for action. You have all the Creative Power that you need to achieve your aim, but you must wait for the opportune moment. If necessary, you may direct activities from behind the scenes.
Editor: The image suggests the dragon in its cave. The forces of the unconscious psyche are hidden from conscious awareness and constitute a potential threat. To take action under such circumstances would at the very least be to risk an unpleasant or unmanageable confrontation with a superior force. Since this is the bottom line of the hexagram, the image reminds us of the serpent power, or Kundalini, lying coiled and asleep at the base of the spine. Those who have experienced the premature and uncontrolled release of this force have attested to its extremely negative qualities -- both physical pain and acute psychological stress are commonly described. If this is the only changing line, the hexagram becomes number forty-four,Temptation, the corresponding line of which reads in part: "...If she moves in any direction, evil will appear." This reinforces the idea of taking no action whatsoever under the prevailing conditions, despite your possible temptation to do so.
The unconscious is not a demoniacal monster, but a natural entity which, as far as moral sense, aesthetic taste, and intellectual judgment go, is completely neutral. It only becomes dangerous when our conscious attitude to it is hopelessly wrong. To the degree that we repress it, its danger increases. Jung -- The Practice of Psychotherapy
A. There are concealed forces in the situation. Take no action when you are unaware of the hidden consequences.
B. Energy is gathering in the unconscious psyche. Leave it alone -- it will express itself when the time is ripe.
Line 4
Legge: In the fourth dynamic line we see its subject as the dragon looking as if he were leaping up, but still in the deep. There will be no mistake.
Wilhelm/Baynes: Wavering flight over the depths. No blame.
Blofeld: Leaping about on the brink of a chasm, he is not at fault.
Liu: The dragon leaps from the abyss. No blame.
Ritsema/Karcher: Maybe capering located-in the abyss. Without fault.
Shaughnessy: And now jumping in the depths; there is no trouble.
Cleary(1): Sometimes leaping, or in the abyss: no error.
Cleary(2): One may leap in the abyss. No error.
Wu: The dragon may leap out of the abyss. There will be no blame.
COMMENTARY
Confucius/Legge: He seems to be leaping up, but is still in the deep. If he advances there will be no error. Wilhelm/Baynes: Advance is not a mistake. Blofeld: For him to advance would involve no fault. Ritsema/Karcher: Advancing without fault indeed. Wu: It is blameless to proceed.
The Master said:"Without a permanent home either above or below, the superior man yet commits no error. He advances or retreats as circumstances require and conforms to the law of his nature. The superior man, devoted to his work and the evolution of his virtue, advances only at the proper time, and therefore avoids mistakes."
Miscellaneous notes: He tests himself. A change is in process. The power is not central: neither in Heaven above, nor in the field beneath, nor in the human realm between them. Because he is perplexed and anxious about his choices he will incur no blame.
Legge: Both the third and fourth lines of any hexagram belong to man, and are intermediate between those of Heaven above and those of Earth beneath. K'ung Ying-ta, to explain the difficulty in what is said on this fourth line, says that man is actually nearer to Earth than to Heaven, and is aptly represented therefore by the third line and not by the fourth. In any event, the subject of this fourth line will move very cautiously, and so escape blame.
NOTES AND PARAPHRASES
Siu: After a while the man is confronted with a choice for public service in world affairs or solitude in further personal development. Either is appropriate if pursued in virtue and at the proper time.
Wing: A time of choice is at hand. Because of amplification in your Creative Power you must decide whether to enter the public eye and serve society, or whether to withdraw and work on your inner development. Follow your deepest intuition and you will not make a mistake.
Editor: The fourth line bears a certain similarity to the third: as the lowest line of the upper trigram, it is also in a threshold position of transition. Although hesitation and uncertainty are implied, one is counseled to take action when it is appropriate to do so. This implies that you are on the right track, but that certain self-confidence is required. The line can sometimes just portray a confused situation.
Every advance in culture is, psychologically, an extension of consciousness, a coming to consciousness that can take place only through discrimination. Therefore an advance always begins with individuation, that is to say with the individual, conscious of his isolation, cutting a new path through hitherto untrodden territory. To do this he must first return to the fundamental facts of his own being, irrespective of all authority and tradition, and allow himself to become conscious of his distinctiveness. Jung -- The Structure and Dynamics of the Psyche
A. Keep trying.
B. The will is being tested through a transitional period. The power for advancement depends upon the self- confidence that comes with knowing you have made a correct choice.
C. To stay on top of a changing situation, keep the faith and play it by ear.
Other titles: The Gentle, The Penetrating, Wind, The Symbol of Bending to Enter, Willing Submission, Gentle Penetration, Ground, Calculations, Complaisance, Penetrating Influence, The Penetration of the Wind, Humility, Devoted Service, Submission
Judgment
Legge:Penetration indicates modest success. See the great man and move in the direction that implies.
Wilhelm/Baynes:The Gentle. Success through what is small. It furthers one to have somewhere to go. It furthers one to see the great man.
Blofeld:Willing Submission -- success in small matters. It is advantageous to have in view a goal (or destination) and to visit a great man. [This is a reasonably auspicious hexagram; it augurs a certain amount of success for those who submit to circumstances -- unless a moving line indicating the contrary is received. This is not a time for resistance but for submission.]
Liu:Penetration. Small success. It is beneficial to go somewhere. It is beneficial to see a great man.
Ritsema/Karcher: Ground, the small: Growing. Harvesting: possessing directed going. Harvesting: visualizing Great People. [This hexagram describes your situation in terms of providing an underlying support. It emphasizes that subtly penetrating and nourishing things from below, the action of Ground, is the adequate way to handle it. To be in accord with the time, you are told to enter the situation from below!]
Shaughnessy: Calculations: Little receipt; beneficial to have someplace to go; beneficial to see the great man.
Cleary (1):Wind is small but developmental. It is beneficial to have somewhere to go. It is beneficial to see a great man.
Cleary (2):The small comes through successfully. It is beneficial to have a place to go. It is beneficial to see great people.
Wu: Complaisance indicates that the small are pervasive. It is advantageous to have undertakings. It is also advantageous to see the great man.
The Image
Legge: Two wind trigrams following each other form Penetration. The superior man proclaims his commands and undertakes his work.
Wilhelm/Baynes: Winds following one upon the other: the image of the gently penetrating. Thus the superior man spreads his commands abroad and carries out his undertakings.
Blofeld: This hexagram symbolizes a favorable wind. The Superior Man performs his allotted tasks in consonance with heaven's (or the sovereign's) will. [The component trigrams combine the concepts of wind and blandness -- hence a favorable wind.]
Liu: Wind following wind symbolizes Penetration. The superior man proclaims his directives and executes his affairs.
Ritsema/Karcher: Following winds. Ground. A chun tzu uses distributing fate to move affairs.
Cleary (1): Wind following wind.Thus do superior people articulate directions and carry out tasks.
Wu: One breeze follows the other; this is Complaisance. Thus the jun zi gives further injunctions in order to administer public affairs.
COMMENTARY
Confucius/Legge: Repeated wind trigrams show the repetition of governmental orders. The dynamic fifth line has penetrated to his correct central place and carries his will into action. The magnetic first and fourth lines obey the dynamic lines above them. Hence it is said that there will be success in small matters.
Legge: Penetration symbolizes both wind and wood, and has the attributes of Docility, Flexibility and Penetration. We are to think of it as wind with its penetrating power which finds its way into every nook and cranny.
Confucius said: "The relation between superiors and inferiors is like that between the wind and the grass. The grass must bend when the wind blows upon it." In accordance with this, the hexagram must be understood as the influence and orders of the government designed to remedy what is wrong in the people. The upper trigram denotes the orders issuing from the ruler, and the lower the obedience rendered to them by the people.
Ch'eng-tzu says:"Superiors, in harmony with the duty of inferiors, issue their commands; inferiors, in harmony with the wishes of their superiors, follow them. Above and below there are that harmony and deference; and this is the significance of the redoubled Wind trigram. When governmental commands and business are in accordance with what is right, they agree with the tendencies of the minds of the people who follow them."
Anthony: Getting this hexagram often refers to the presence of inferior elements that obstruct our having a good influence ... Because this hexagram is concerned with self-correction, we often get it together with Work on What has been Spoiled. [Hex. 18: Repair.]
NOTES AND PARAPHRASES
Judgment: Get to the heart of the matter and act on the information obtained.
The Superior Man acts on his understanding by implementing it in the world.
The hexagram ofPenetration, made up of two trigrams symbolizing Wind (which is air in motion), suggests the activity of thought (the realm of air) trying to comprehend or "penetrate" something. Thus, each line of the figure may be seen as some aspect of an act of mental endeavor.
Therefore the student must exert his own mind to the utmost. If he does so, he will know his own nature. And if he knows his own nature, examines his own self and makes it sincere, he becomes a sage. Therefore the "Great Norm" says, "The virtue of thinking is penetration and profundity ... Penetration and profundity lead to sageness.” -- Ch'eng I
The first line depicts vacillation and indecisiveness; the second shows one trying to "get to the bottom" of a matter. Line three is an image of futile hypothesizing; four and five show two aspects of successful comprehension, and the sixth line symbolizes an inability to understand.
Man's intellect -- the greatest but most dangerous gift he has received from God -- builds a bridge across the seemingly unconquerable chasm between that which is personal and mortal and that which is impersonal and eternal. Through man's intellect he succumbed to the temptation to fall out of divine unity with his consciousness. But by the same token, his intellect gives him the possibility of bringing back his consciousness into full union with divinity. By means of his intellect, man is able to understand truth, and when he has understood, he will seek and keep on seeking and trying until he some day succeeds in finding the only path to the realization of his self. Elisabeth Haich -- Initiation
The hexagram can also symbolize humble submission and devoted service, thus suggesting the role of the ego in the Work. To truly comprehend the nature of the Work is to serve it with devotion. There are some interesting associations between the act of penetration and that of submission – when dynamic and magnetic are in full harmony they lose their individual identities and become one force which is both and neither.