Wiki I Ching

Progress 35.2.3 50 The Cauldron

Cultivate your growth with patience and confidence, allowing your inner strength to transform what you have into something extraordinary.

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35
Progress
To
50
The Cauldron

Being overloaded with work
One catches ailments that one would have liked to avoid.
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Progress 35
Progress and clarity emerge.
With effort and clarity, advancement is possible.
Keep honesty and integrity at the forefront.


Line 2
Progress may come with challenges, but perseverance leads to joy and support from family or tradition.


Line 3
Harmony with others leads to the removal of regrets and smooth progress.


The Cauldron 50
Transformation and nourishment lead to inner and outer change.
Embrace renewal by discarding the old and refining the new.



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Original Readings

35
Progress


Other titles: Progress, Prospering, The Symbol of Forwardness, To Advance, Advancement, Making Headway, Getting the Idea, “Comes the Dawn”

 

Judgment

Legge: In Advance of Consciousness we see a prince who secures the tranquility of the people presented on that account with numerous horses by the king, and three times in a day received at interviews.

Wilhelm/Baynes: Progress . The powerful prince is honored with horses in large numbers. In a single day he is granted audience three times.

Blofeld: Progress. The richly endowed prince receives royal favors in the form of numerous steeds and is granted audience three times in a single day. [This passage indicates great merit richly rewarded.]

Liu: The Marquis K'ang (rich, powerful, healthy) is bestowed with many horses by the king, who receives him three times in a single day.

Ritsema/Karcher: Prospering , the calm feudatory avails-of bestowing horses to multiply the multitudes. Day-time sun three-times reflected. [This hexagram describes your situation in terms of thriving in the full light of the sun. It emphasizes that contributing to this increase by helping things to flourish is the adequate way to handle it...]

Shaughnessy: The Lord of Kang is herewith awarded horses in luxuriant number, during daylight thrice connecting.

Cleary (1):Advancing, a securely established lord presents many horses, and grants audience three times a day.

Cleary (2): Advancing , a securely established lord is presented with, etc.

Wu: Advancement indicates that the prince who has secured peace and prosperity of the state is conferred with many fine horses. The king grants him an audience three times in one day.


The Image

Legge: The image of the earth and that of the bright sun coming forth above it form Advance of Consciousness. The superior man, in accordance with this, gives himself to make more brilliant his bright virtue.

Wilhelm/Baynes: The sun rises over the earth: the image of Progress. Thus the superior man himself brightens his bright virtue.

Blofeld: This hexagram symbolizes fire blazing from the earth. The Superior Man reflects in his person the glory of heaven's virtue.

Liu: The sun rising above the earth is the symbol of Progress. Thus the superior man brightens his character.

Ritsema/Karcher: Brightness issuing-forth above earth. Prospering. A chun tzu uses originating enlightening to brighten actualizing-tao. [Actualize-tao: ...ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]

Cleary (1): Light emerges over the earth, advancing. Thus do superior people by themselves illumine the quality of enlightenment.

Cleary (2): Light emerges over the ground, advancing. Developed people illumine the quality of enlightenment by themselves.

Wu: Brightness rises above the earth; this is Advancement. Thus the jun zi keeps his bright virtue shining.

 

COMMENTARY

Confucius/Legge: In Advance of Consciousnesswe have the bright sun appearing above the earth; the symbol of Docile Submission cleaving to that of the Great Brightness; and the magnetic line advanced and moving above: all these things give us the idea of a prince who secures the tranquility of the people.

Legge: The subject of the Judgment is a feudal prince whose services to his country have made him acceptable to his king. The King's favor has been shown to him by gifts and personal attentions. The symbolism of the lines indicates the situations encountered by the prince. The written character for this hexagram means "to advance," a quality it shares with hexagrams number forty-six, Pushing Upward, and number fifty-three, Gradual Progress. In the present case the sun ascending from the earth to the meridian readily suggests the idea of advancing.

Hu Ping-wen (Yuan dynasty) says: "Of the strong things there is none so strong as Heaven, and hence the superior man patterns himself on its strength. Of bright things there is none so bright as the sun, and he patterns himself on its brightness."

Anthony: This hexagram concerns self-development which yields progress in our external life situation. If we are not making progress, we should review our attitude. Some widely accepted ideas may be decadent from the viewpoint of the Sage, hence obstruct progress. [Anthony’s “Sage” is conceptually identical to the “Self. -- Ed.]

 

NOTES AND PARAPHRASES

Judgment: When the autonomous manifestations of our inner drives are channeled, their energy becomes the ego's own. (Psychologically interpreted: Ego and Self are in accord.)

The Superior Man focuses his awareness on perfecting the Work. (Sometimes this can take the meaning of: "Wise up!")

The trigram of Clarity in progression over that of Docility gives the formula for an Advance of Consciousness. The submission of the ego to the restrictions of the Work, and the consequent tranquil subjugation of one's restless drives, appetites and impulses, eventually results in a focused flow of energy from within. (After years of effort, this is sometimes felt physically as a radiating sensation emanating from the chest, or heart region.) To receive this figure without changing lines does not necessarily mean that one has reached this phase of the Work, but it suggests progress in that direction. The traditional name for this hexagram is, in fact: Progress.

The king presenting horses to the prince in reward for pacifying the kingdom is analogous to the Self rewarding the ego for controlling the autonomous forces within the psyche. This is a quintessentially shamanic discipline: the "horses" symbolize tamed drives and emotions. Such circumstances indicate an Advance of Consciousness or progression toward the goal of "en-light-enment" or psychic integration, symbolized by the sun traversing the earth.

That state of life dynamism in which consciousness realizes itself as a split and separated personality that yearns and strives toward union with its unknown and unknowable partner, the Self, Jung has called the individuation process. It is a conscious striving for becoming what one "is" or rather "is meant to be."
E.C. Whitmont -- The Symbolic Quest

The last sentence of the above quotation is exactly analogous to the Ritsema/Karcher translation of the Image of this hexagram, wherein the superior man (chun tzu) "uses originating enlightening to brighten actualizing-tao."

"Actualizing-tao" is the "ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be."

Psychologically interpreted then, this hexagram addresses various themes encountered during the progress of the individuation process, which is nothing if not an Advance of Consciousness.

The key phrase in Legge's Judgment is "tranquility of the people." It is relatively easy to sublimate one's drives, yet still feel resentful about it -- indeed, that is the form that the process normally takes at the beginning of the Work. Our inner forces are like children or animals who must learn to accept the restrictions of discipline. Once they have accepted it and have ceased to resent it (i.e. once they have become "tranquil"), they are ready to be useful to the Self's intentions.

For example: an untrained dog will instinctively chase and kill sheep if it gets the chance to do so; on the other hand, a properly trained dog will herd and control a flock of sheep even in its master's absence. Anyone who has observed a trained sheep dog in action knows what amazing feats they accomplish with great joy in the performance. They are "tranquil" in their role, and will even protect the sheep from untrained dogs that would kill them. When our instincts have learned how to tranquilly accept discipline they are ready to assist us in the higher levels of the Work. Until that time, the Work consists largely of "dog training." The analogy is apt, because just as an untrained dog is never as happy in its willfulness as a well-trained dog is in its purposefulness, so undisciplined permissiveness cannot compare with the joys of controlled power and focused intent.


Line 2

Legge: The second line, magnetic, shows its subject with the appearance of advancing, and yet of being sorrowful. If she can be firm and correct, there will be good fortune. She will receive great blessing from her grandmother. [Compare this line and its situation with line two of Hexagram 62. – Ed.]

Wilhelm/Baynes: Progressing, but in sorrow. Perseverance brings good fortune. Then one obtains great happiness from one's ancestress.

Blofeld: Where progress is being made sorrowfully, righteous persistence brings good fortune. A little happiness is received, thanks to the Queen Mother.

Liu: When progress comes with sadness, persistence brings good fortune.

He receives good fortune from the Queen Mother.

Ritsema/Karcher: Prospering thus, apprehensive thus. Trial: significant. Acquiescing-in closely-woven chain-mail: blessing. Tending-towards one's kingly mother.

Shaughnessy: Aquatically, gloomily; determination is auspicious. Receiving this strong good fortune from his royal mother.

Cleary (1): Advancing, grieving, rectitude is good; this great blessing is received from the grandmother.

Wu: It is like advancing and it is like having concerns. Perseverance will bring good fortune. He will receive a big fortune from his grandmother.

 

COMMENTARY

Confucius/Legge: She will receive this great blessing because she is in the central place and the correct position for her. Wilhelm/Baynes: Because of the central and correct position. Blofeld: Happiness is implied by the position of this line which is central to the lower trigram. Ritsema/Karcher: Using centering correcting indeed. Cleary (2): Because of balance and rectitude. Wu:“He will receive a big fortune,” because he is central and correct.

Legge: Line two is magnetic, as is her correlate line five; therefore she has to mourn in obscurity. But her position is central and correct and she maintains the momentum until eventual success is achieved. The Symbolism says she receives it from her grandmother, and readers will be startled by the extraordinary statement as I was when I first read it. Literally the text says "the king's mother," but "king's father" and "king's mother" are well-known Chinese appellations for "grandfather" and "grandmother." This is the view given on the passage by Ch'eng-tzu, Chu Hsi and the K'ang-hsi editors. They all agree that the name points us to line five, the correlate of two, and the ruler of the hexagram. Line five is the sovereign who at length acknowledges the worth of the feudal ruler, and gives her the great blessing. I am not sure that "motherly king" would not be the best and fairest translation of the phrase. Canon McClatchie renders it as "Imperial Mother" -- that is, the wife of Imperial Heaven (Juno) who occupies the "throne" of the diagram, viz. the fifth line, which is soft and therefore feminine. She is the Great Ancestress of the human race.

 

NOTES AND PARAPHRASES

Siu: The man appears to be advancing but is grieving because he is prevented from making contacts with men in authority. His perseverance in adhering to correct principles will be rewarded by blessings from the mild ruler.

Wing: Your Progress is not as fulfilling as it might be because you are prevented from experiencing significant communication with someone in authority. Yet, unexpected good fortune will come to you if you persevere in your efforts and remain virtuous in your principles.

Editor: There is puzzlement about the symbolism of the "grandmother" even among the Chinese commentaries on this line. Our hypothesis is that, although the symbolism emerging from the objective psyche takes different forms in different cultures, it always describes the same general archetypes. We are justified therefore in comparing this line with an analogous concept from the Kabbalah: the sphere of awareness called Binah. Binah corresponds to the Chinese notion of the primordial Yin -- the essence of the Feminine. Canon McClatchie's association of "Juno, the wife of Imperial Heaven," to this line could as well apply to Binah. In the Kabbalah, Binah is closely associated with sorrow -- identical with "Our Lady of Sorrows" in Catholic Christian symbolism. What is being conveyed in this line then, is the growth potential inherent in adversity. Kabbalists may note similarities here with the symbolism of the 17th Path of the Tree of Life.

Grief is a purgative and strongly disruptive force, and when the essential work of breaking down adhesions and dispersing poisons has been done by it, it gives place to a deep lassitude and feeling of emptiness which can act as a purified basis for new growth. People are so made that they will not or cannot realize a thing fully unless they are hit in the most vital part in some deep emotional sense. And so only by sorrow, and by going from sorrow to sorrow can an individual's evolution proceed. The man who cannot or will not feel sorrow or face it in others cannot proceed at all.
G. Knight -- Qabalistic Symbolism

A. A trail of tears leads to understanding.

B. Through adversity we acquire strength.

Line 3

Legge: The third line, magnetic, shows its subject trusted by all around her. All occasion for repentance will disappear.

Wilhelm/Baynes: All are in accord. Remorse disappears.

Blofeld: All are in accord -- regret vanishes!

Liu: When the majority assents, remorse vanishes.

Ritsema/Karcher: Crowds, sincerity, repenting extinguished.

Shaughnessy: The masses are real; regret is gone.

Cleary(1): The group concurs; regret vanishes.

Wu: There is consensus among many people. No regret.

 

COMMENTARY

Confucius/Legge: Their common aim is to move upwards and act. Wilhelm/ Baynes: Because there is a will to go upward. Blofeld: This implies unanimous determination to press upwards. Ritsema/Karcher: Moving above indeed. Cleary(2): The aim is upward progress. Wu: A desire to advance.

Legge: Line three is magnetic in a dynamic place, but the first and second lines share her desire to advance. They are all united by a common trust and aim, hence the good auspice.

 

NOTES AND PARAPHRASES

Siu: The man moves forward with the trust and support of all around him.

Wing: Your Progress is dependent upon the company and encouragement of others. The benefits of this common trust will remove any cause for remorse.

Editor: This can be seen as a positive image of forces seeking synthesis.

Psychologically, the line suggests an inner unity of some kind -- thoughts and feelings are in harmony and predisposed toward transformation.

No man is good enough to govern another man without that other's consent.
Abraham Lincoln

A. The image suggests a cooperative advance.

B. You're on the right track.

50
The Cauldron


Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook

 

Judgment

Legge: The Sacrificial Vessel means great progress and success.

Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.

Blofeld: A Sacrificial Vessel -- supreme success!

Liu:The Cauldron. Great good fortune. Success.

Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]

Shaughnessy:The Cauldron: Prime auspiciousness; receipt.

Cleary (1): The cauldron is basically good; it is developmental.

Cleary (2): The Cauldron is very auspiciously developmental.

Wu: The Cauldron indicates great auspiciousness and pervasiveness.

 

The Image

Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.

Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.

Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.

Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.

Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.

Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.

Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.

Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.

 

COMMENTARY

Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.

Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.

The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.

 

NOTES AND PARAPHRASES

Judgment: You are the Sacrificial Vessel.

The Superior Man holds to the principles of the Work to attain transcendence.

The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.

When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.

The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel.
M.E. Harding -- Psychic Energy

Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:

The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle.
Liu I-ming

 

SUGGESTIONS FOR MEDITATION

In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?